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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 15 / 0 / 2 it is the complementary color CMYK 0 / 39 / 93 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 15 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 15 / 0 / 2: CMYK 22 / 13 / 0 / 4, CMYK 19 / 10 / 0 / 0, CMYK 12 / 3 / 0 / 0, CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 15 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 15 / 0 / 2: CMYK 26 / 15 / 0 / 2, CMYK 27 / 16 / 0 / 9, CMYK 29 / 17 / 0 / 17, CMYK 31 / 18 / 0 / 24 and CMYK 33 / 20 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

Complementary color

CMYK 0 / 39 / 93 / 73

HEX #462B05

RGB 70 43 5

HSL 35.08, 0.87%, 0.15%

LAB 20.21, 8.96, 26.97

 

CMYK 22 / 13 / 0 / 4

HEX #BED4F5

RGB 190 212 245

HSL 216, 0.73%, 0.85%

LAB 84.29, -0.39, -18.62

 

CMYK 19 / 10 / 0 / 0

HEX #CFE6FF

RGB 207 230 255

HSL 211.25, 1%, 0.91%

LAB 90.36, -2.48, -14.65

 

CMYK 12 / 3 / 0 / 0

HEX #E0F8FF

RGB 224 248 255

HSL 193.55, 1%, 0.94%

LAB 96.08, -6.43, -6.02

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 27 / 16 / 0 / 9

HEX #A8C2E7

RGB 168 194 231

HSL 215.24, 0.57%, 0.78%

LAB 77.68, -0.55, -21.28

 

CMYK 29 / 17 / 0 / 17

HEX #97B0D4

RGB 151 176 212

HSL 215.41, 0.41%, 0.71%

LAB 71.13, -0.35, -21.02

 

CMYK 31 / 18 / 0 / 24

HEX #869EC1

RGB 134 158 193

HSL 215.59, 0.32%, 0.64%

LAB 64.46, -0.13, -20.77

 

CMYK 33 / 20 / 0 / 32

HEX #758CAE

RGB 117 140 174

HSL 215.79, 0.26%, 0.57%

LAB 57.65, 0.12, -20.55

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 27 / 20 / 0 / 2

HEX #B7C8FA

RGB 183 200 250

HSL 224.78, 0.87%, 0.85%

LAB 80.89, 5.08, -26.48

 

CMYK 27 / 24 / 0 / 2

HEX #B7BDFA

RGB 183 189 250

HSL 234.63, 0.87%, 0.85%

LAB 78.09, 11.05, -30.78

 

CMYK 24 / 27 / 0 / 2

HEX #BDB7FA

RGB 189 183 250

HSL 245.37, 0.87%, 0.85%

LAB 77.03, 16.09, -32.36

 

CMYK 20 / 27 / 0 / 2

HEX #C8B7FA

RGB 200 183 250

HSL 255.22, 0.87%, 0.85%

LAB 77.9, 19.36, -30.95

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 26 / 15 / 0 / 82

HEX #22272E

RGB 34 39 46

HSL 215, 0.15%, 0.16%

LAB 15.43, -0.28, -5.34

 

CMYK 26 / 15 / 0 / 62

HEX #485261

RGB 72 82 97

HSL 216, 0.15%, 0.33%

LAB 34.55, -0.17, -10.03

 

CMYK 26 / 15 / 0 / 42

HEX #6E7E94

RGB 110 126 148

HSL 214.74, 0.15%, 0.51%

LAB 52.26, -0.66, -13.79

 

CMYK 26 / 15 / 0 / 22

HEX #93A9C7

RGB 147 169 199

HSL 214.62, 0.32%, 0.68%

LAB 68.54, -0.85, -17.83

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 6 / 27 / 0 / 2

HEX #EBB7FA

RGB 235 183 250

HSL 286.57, 0.87%, 0.85%

LAB 80.98, 30.17, -25.97

 

CMYK 5 / 0 / 27 / 2

HEX #EDFAB7

RGB 237 250 183

HSL 71.64, 0.87%, 0.85%

LAB 95.91, -14.94, 30.79

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 0 / 27 / 16 / 2

HEX #FAB7D3

RGB 250 183 211

HSL 334.93, 0.87%, 0.85%

LAB 81.23, 28.34, -4.48

 

CMYK 16 / 0 / 27 / 2

HEX #D3FAB7

RGB 211 250 183

HSL 94.93, 0.87%, 0.85%

LAB 94.16, -24.15, 28.12

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 6 / 27 / 0 / 2

HEX #EBB7FA

RGB 235 183 250

HSL 286.57, 0.87%, 0.85%

LAB 80.98, 30.17, -25.97

 

CMYK 0 / 11 / 27 / 2

HEX #FADEB7

RGB 250 222 183

HSL 34.93, 0.87%, 0.85%

LAB 89.85, 3.91, 22.68

 

CMYK 21 / 0 / 27 / 2

HEX #C5FAB7

RGB 197 250 183

HSL 107.46, 0.87%, 0.85%

LAB 93.3, -28.91, 26.81

 

CMYK 26 / 15 / 0 / 2

HEX #B9D4FA

RGB 185 212 250

HSL 215.08, 0.87%, 0.85%

LAB 84.12, -0.74, -21.55

 

CMYK 0 / 27 / 2 / 2

HEX #FAB7F4

RGB 250 183 244

HSL 305.37, 0.87%, 0.85%

LAB 82.23, 33.84, -20.72

 

CMYK 0 / 11 / 27 / 2

HEX #FADEB7

RGB 250 222 183

HSL 34.93, 0.87%, 0.85%

LAB 89.85, 3.91, 22.68

 

CMYK 27 / 0 / 24 / 2

HEX #B7FABD

RGB 183 250 189

HSL 125.37, 0.87%, 0.85%

LAB 92.62, -32.49, 22.7

 

Description

Color code: CMYK 26 / 15 / 0 / 2 | qconv.com Color code: CMYK 26 / 15 / 0 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 212 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 212 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 15 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 15% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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