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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70327C it is the complementary color #8FCD83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70327C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70327C: #753277, #86448A, #97569D, #A868B0 and #B97AC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70327C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70327C: #70327C, #5F2069, #4E0E56, #3D0043 and #2C0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

Complementary color

CMYK 30 / 0 / 36 / 20

HEX #8FCD83

RGB 143 205 131

HSL 110.27, 0.43%, 0.66%

LAB 76.76, -33.92, 30.7

 

CMYK 2 / 58 / 0 / 53

HEX #753277

RGB 117 50 119

HSL 298.26, 0.41%, 0.33%

LAB 32.69, 39.61, -26.34

 

CMYK 3 / 51 / 0 / 46

HEX #86448A

RGB 134 68 138

HSL 296.57, 0.34%, 0.4%

LAB 39.64, 39, -27.03

 

CMYK 4 / 45 / 0 / 38

HEX #97569D

RGB 151 86 157

HSL 294.93, 0.29%, 0.48%

LAB 46.54, 38.25, -27.54

 

CMYK 5 / 41 / 0 / 31

HEX #A868B0

RGB 168 104 176

HSL 293.33, 0.31%, 0.55%

LAB 53.34, 37.47, -27.94

 

CMYK 5 / 37 / 0 / 24

HEX #B97AC3

RGB 185 122 195

HSL 291.78, 0.38%, 0.62%

LAB 60.05, 36.7, -28.29

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 10 / 70 / 0 / 59

HEX #5F2069

RGB 95 32 105

HSL 291.78, 0.53%, 0.27%

LAB 25.22, 39.49, -29.45

 

CMYK 9 / 84 / 0 / 66

HEX #4E0E56

RGB 78 14 86

HSL 293.33, 0.72%, 0.2%

LAB 18.39, 38.85, -27.97

 

CMYK 9 / 100 / 0 / 74

HEX #3D0043

RGB 61 0 67

HSL 294.63, 1%, 0.13%

LAB 11.94, 36.48, -25.42

 

CMYK 8 / 100 / 0 / 81

HEX #2C0030

RGB 44 0 48

HSL 295, 1%, 0.09%

LAB 6.76, 29.27, -20.19

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 0 / 60 / 0 / 52

HEX #7B317B

RGB 123 49 123

HSL 300, 0.43%, 0.34%

LAB 33.64, 42.59, -27.29

 

CMYK 0 / 60 / 10 / 52

HEX #7B316F

RGB 123 49 111

HSL 309.73, 0.43%, 0.34%

LAB 33.04, 40.4, -20.68

 

CMYK 0 / 60 / 20 / 52

HEX #7B3163

RGB 123 49 99

HSL 319.46, 0.43%, 0.34%

LAB 32.5, 38.39, -13.86

 

CMYK 0 / 60 / 30 / 52

HEX #7B3156

RGB 123 49 86

HSL 330, 0.43%, 0.34%

LAB 31.99, 36.42, -6.26

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 10 / 59 / 0 / 31

HEX #9E47AF

RGB 158 71 175

HSL 290.19, 0.42%, 0.48%

LAB 45.46, 51.53, -39.81

 

CMYK 10 / 60 / 0 / 11

HEX #CC5BE2

RGB 204 91 226

HSL 290.22, 0.7%, 0.62%

LAB 57.86, 63.61, -49.05

 

CMYK 9 / 59 / 0 / 91

HEX #140916

RGB 20 9 22

HSL 290.77, 0.42%, 0.06%

LAB 3.63, 6.1, -5.31

 

CMYK 10 / 60 / 0 / 71

HEX #421D49

RGB 66 29 73

HSL 290.45, 0.43%, 0.2%

LAB 18, 25.74, -19.88

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 0 / 59 / 60 / 52

HEX #7B3331

RGB 123 51 49

HSL 1.62, 0.43%, 0.34%

LAB 31.35, 31.22, 16.88

 

CMYK 60 / 0 / 34 / 52

HEX #317B51

RGB 49 123 81

HSL 145.95, 0.43%, 0.34%

LAB 46.19, -33.35, 16.28

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 0 / 10 / 60 / 52

HEX #7B6F31

RGB 123 111 49

HSL 50.27, 0.43%, 0.34%

LAB 46.71, -3.72, 35.58

 

CMYK 60 / 0 / 10 / 52

HEX #317B6F

RGB 49 123 111

HSL 170.27, 0.43%, 0.34%

LAB 46.93, -25.99, -0.3

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 0 / 59 / 60 / 52

HEX #7B3331

RGB 123 51 49

HSL 1.62, 0.43%, 0.34%

LAB 31.35, 31.22, 16.88

 

CMYK 50 / 0 / 60 / 52

HEX #3D7B31

RGB 61 123 49

HSL 110.27, 0.43%, 0.34%

LAB 46.15, -35.34, 33.81

 

CMYK 60 / 2 / 0 / 52

HEX #31797B

RGB 49 121 123

HSL 181.62, 0.43%, 0.34%

LAB 46.66, -21.49, -7.83

 

CMYK 10 / 60 / 0 / 51

HEX #70327C

RGB 112 50 124

HSL 290.27, 0.43%, 0.34%

LAB 32.22, 39.19, -30.28

 

CMYK 0 / 40 / 60 / 52

HEX #7B4A31

RGB 123 74 49

HSL 20.27, 0.43%, 0.34%

LAB 36.61, 18.14, 23.58

 

CMYK 50 / 0 / 60 / 52

HEX #3D7B31

RGB 61 123 49

HSL 110.27, 0.43%, 0.34%

LAB 46.15, -35.34, 33.81

 

CMYK 60 / 20 / 0 / 52

HEX #31637B

RGB 49 99 123

HSL 199.46, 0.43%, 0.34%

LAB 39.59, -9.19, -18.54

 

Description

Color code: HEX #70327C | qconv.com Color code: HEX #70327C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 50 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 50 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 60 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 60% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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