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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #702FF5 it is the complementary color #8FD00A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #702FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #702FF5 shade: #752FF0, #8641FF, #9753FF, #A865FF and #B977FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #702FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #702FF5 shade: #702FF5, #5F1DE2, #4E0BCF, #3D00BC and #2C00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #702FF5 shade: #6F2EF5, #A52EF5, #DB2EF5, #F52EDA and #F52EA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #702FF5 shade: #6F2EF5, #392EF5 and #2E2EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #702FF5 shade matches the following richer shades: #6F2EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #702FF5 shade: #6F2EF5, #753FE3, #7B51D2, #8163C0 and #8775AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #702FF5 shade: #2E59F5, #382EF5, #6D2EF5, #A22EF5 and #D72EF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #702FF5 shade: #4809C7, #560BEE, #6F2EF5, #8A55F7 and #A57CF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #702FF5 shade: #702FF5, #F52E8E and #3EF52E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #702FF5 shade: #702FF5, #F56D2E and #2EF56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #702FF5 shade: #702FF5, #F52E8E, #B6F52E and #2EF595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #702FF5 shade: #702FF5, #F52E52, #B6F52E and #2EF5D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

Complementary color

CMYK 31 / 0 / 95 / 18

HEX #8FD00A

RGB 143 208 10

HSL 79.7, 0.91%, 0.43%

LAB 76.66, -44.69, 74.84

 

CMYK 51 / 80 / 0 / 6

HEX #752FF0

RGB 117 47 240

HSL 261.76, 0.87%, 0.56%

LAB 41.38, 69.04, -84.13

 

CMYK 47 / 75 / 0 / 0

HEX #8641FF

RGB 134 65 255

HSL 261.79, 1%, 0.63%

LAB 47.06, 67.74, -83.14

 

CMYK 41 / 67 / 0 / 0

HEX #9753FF

RGB 151 83 255

HSL 263.72, 1%, 0.66%

LAB 51.82, 62.28, -75.3

 

CMYK 34 / 60 / 0 / 0

HEX #A865FF

RGB 168 101 255

HSL 266.1, 1%, 0.7%

LAB 56.93, 56.72, -66.93

 

CMYK 27 / 53 / 0 / 0

HEX #B977FF

RGB 185 119 255

HSL 269.12, 1%, 0.73%

LAB 62.28, 51.3, -58.26

 

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

CMYK 58 / 87 / 0 / 11

HEX #5F1DE2

RGB 95 29 226

HSL 260.1, 0.77%, 0.5%

LAB 35.6, 69.35, -85.8

 

CMYK 62 / 95 / 0 / 19

HEX #4E0BCF

RGB 78 11 207

HSL 260.51, 0.9%, 0.43%

LAB 30.31, 67.69, -83.66

 

CMYK 68 / 100 / 0 / 26

HEX #3D00BC

RGB 61 0 188

HSL 259.47, 1%, 0.37%

LAB 25.63, 64.22, -80.32

 

CMYK 74 / 100 / 0 / 34

HEX #2C00A9

RGB 44 0 169

HSL 255.62, 1%, 0.33%

LAB 21.58, 58.95, -75.72

 

CMYK 55 / 81 / 0 / 4

HEX #6F2EF5

RGB 111 46 245

HSL 259.6, 0.91%, 0.57%

LAB 41.1, 69.98, -87.44

 

CMYK 33 / 81 / 0 / 4

HEX #A52EF5

RGB 165 46 245

HSL 275.88, 0.91%, 0.57%

LAB 47.68, 76.84, -76.39

 

CMYK 11 / 81 / 0 / 4

HEX #DB2EF5

RGB 219 46 245

HSL 292.16, 0.91%, 0.57%

LAB 55.69, 85.45, -63.03

 

CMYK 0 / 81 / 11 / 4

HEX #F52EDA

RGB 245 46 218

HSL 308.14, 0.91%, 0.57%

LAB 58.44, 86.2, -43.21

 

CMYK 0 / 81 / 33 / 4

HEX #F52EA4

RGB 245 46 164

HSL 324.42, 0.91%, 0.57%

LAB 56.13, 79.73, -15.66

 

CMYK 55 / 81 / 0 / 4

HEX #6F2EF5

RGB 111 46 245

HSL 259.6, 0.91%, 0.57%

LAB 41.1, 69.98, -87.44

 

CMYK 77 / 81 / 0 / 4

HEX #392EF5

RGB 57 46 245

HSL 243.32, 0.91%, 0.57%

LAB 36.77, 65.63, -94.74

 

CMYK 81 / 81 / 0 / 4

HEX #2E2EF5

RGB 46 46 245

HSL 240, 0.91%, 0.57%

LAB 36.23, 65.09, -95.66

 

CMYK 55 / 81 / 0 / 4

HEX #6F2EF5

RGB 111 46 245

HSL 259.6, 0.91%, 0.57%

LAB 41.1, 69.98, -87.44

 

CMYK 55 / 81 / 0 / 4

HEX #6F2EF5

RGB 111 46 245

HSL 259.6, 0.91%, 0.57%

LAB 41.1, 69.98, -87.44

 

CMYK 48 / 72 / 0 / 11

HEX #753FE3

RGB 117 63 227

HSL 259.76, 0.75%, 0.57%

LAB 42.59, 58.95, -74.79

 

CMYK 41 / 61 / 0 / 18

HEX #7B51D2

RGB 123 81 210

HSL 259.53, 0.59%, 0.57%

LAB 45.29, 46.24, -60.65

 

CMYK 33 / 48 / 0 / 25

HEX #8163C0

RGB 129 99 192

HSL 259.35, 0.42%, 0.57%

LAB 48.76, 32.59, -44.7

 

CMYK 22 / 33 / 0 / 32

HEX #8775AE

RGB 135 117 174

HSL 258.95, 0.26%, 0.57%

LAB 52.87, 19.14, -27.78

 

CMYK 81 / 64 / 0 / 4

HEX #2E59F5

RGB 46 89 245

HSL 227.04, 0.91%, 0.57%

LAB 44.69, 41.56, -81.69

 

CMYK 77 / 81 / 0 / 4

HEX #382EF5

RGB 56 46 245

HSL 243.02, 0.91%, 0.57%

LAB 36.72, 65.57, -94.83

 

CMYK 56 / 81 / 0 / 4

HEX #6D2EF5

RGB 109 46 245

HSL 258.99, 0.91%, 0.57%

LAB 40.89, 69.77, -87.79

 

CMYK 34 / 81 / 0 / 4

HEX #A22EF5

RGB 162 46 245

HSL 274.97, 0.91%, 0.57%

LAB 47.27, 76.41, -77.07

 

CMYK 12 / 81 / 0 / 4

HEX #D72EF5

RGB 215 46 245

HSL 290.95, 0.91%, 0.57%

LAB 55.07, 84.77, -64.07

 

CMYK 64 / 95 / 0 / 22

HEX #4809C7

RGB 72 9 199

HSL 259.89, 0.91%, 0.41%

LAB 28.63, 65.75, -81.79

 

CMYK 64 / 95 / 0 / 7

HEX #560BEE

RGB 86 11 238

HSL 259.82, 0.91%, 0.49%

LAB 34.78, 75.44, -94.02

 

CMYK 55 / 81 / 0 / 4

HEX #6F2EF5

RGB 111 46 245

HSL 259.6, 0.91%, 0.57%

LAB 41.1, 69.98, -87.44

 

CMYK 44 / 66 / 0 / 3

HEX #8A55F7

RGB 138 85 247

HSL 259.63, 0.91%, 0.65%

LAB 50.23, 56.89, -73.49

 

CMYK 34 / 50 / 0 / 2

HEX #A57CF9

RGB 165 124 249

HSL 259.68, 0.91%, 0.73%

LAB 61.01, 42.22, -57.11

 

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

CMYK 0 / 81 / 42 / 4

HEX #F52E8E

RGB 245 46 142

HSL 331.06, 0.91%, 0.57%

LAB 55.4, 77.61, -3.77

 

CMYK 75 / 0 / 81 / 4

HEX #3EF52E

RGB 62 245 46

HSL 115.18, 0.91%, 0.57%

LAB 85.26, -77.65, 74.68

 

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

CMYK 0 / 56 / 81 / 4

HEX #F56D2E

RGB 245 109 46

HSL 18.99, 0.91%, 0.57%

LAB 62.12, 48.93, 57.83

 

CMYK 81 / 0 / 56 / 4

HEX #2EF56D

RGB 46 245 109

HSL 138.99, 0.91%, 0.57%

LAB 85.5, -73.93, 51.76

 

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

CMYK 0 / 81 / 42 / 4

HEX #F52E8E

RGB 245 46 142

HSL 331.06, 0.91%, 0.57%

LAB 55.4, 77.61, -3.77

 

CMYK 26 / 0 / 81 / 4

HEX #B6F52E

RGB 182 245 46

HSL 78.99, 0.91%, 0.57%

LAB 89.6, -45.1, 80.21

 

CMYK 81 / 0 / 39 / 4

HEX #2EF595

RGB 46 245 149

HSL 151.06, 0.91%, 0.57%

LAB 86.03, -67.61, 33.28

 

CMYK 54 / 81 / 0 / 4

HEX #702FF5

RGB 112 47 245

HSL 259.7, 0.91%, 0.57%

LAB 41.33, 69.72, -87.06

 

CMYK 0 / 81 / 67 / 4

HEX #F52E52

RGB 245 46 82

HSL 349.15, 0.91%, 0.57%

LAB 54, 73.45, 30.13

 

CMYK 26 / 0 / 81 / 4

HEX #B6F52E

RGB 182 245 46

HSL 78.99, 0.91%, 0.57%

LAB 89.6, -45.1, 80.21

 

CMYK 81 / 0 / 15 / 4

HEX #2EF5D1

RGB 46 245 209

HSL 169.15, 0.91%, 0.57%

LAB 87.24, -54.46, 4.12

 

Description

Color code: HEX #702FF5 | qconv.com Color code: HEX #702FF5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 47 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 47 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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