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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #702540 it is the complementary color #8FDABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #702540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #702540 shade: #75253B, #86374E, #974961, #A85B74 and #B96D87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #702540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #702540 shade: #702540, #5F132D, #4E011A, #3D0007 and #2C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #702540 shade: #6F2540, #6F252C and #6F2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #702540 shade: #6F2540, #6F2554, #6F2567, #62256F and #4E256F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #702540 shade matches the following richer shades: #6F2540, #7B193C, #870D39 and #930136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #702540 shade: #6F2540, #633143, #573D46, #4B494A and #3F554D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #702540 shade: #6F2568, #6F2554, #6F2540, #6F252C and #6F3125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #702540 shade: #31101C, #501B2E, #6F2540, #8E2F51 and #AD3A63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #702540 shade: #702540, #6F6325 and #255E6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #702540 shade: #702540, #406F25 and #25406F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #702540 shade: #702540, #6F6325, #256F54 and #25316F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #702540 shade: #702540, #656F25, #256F54 and #2F256F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

Complementary color

CMYK 34 / 0 / 12 / 15

HEX #8FDABF

RGB 143 218 191

HSL 158.4, 0.5%, 0.71%

LAB 81.7, -29.11, 5.94

 

CMYK 0 / 68 / 50 / 54

HEX #75253B

RGB 117 37 59

HSL 343.5, 0.52%, 0.3%

LAB 27.9, 36.85, 5.43

 

CMYK 0 / 59 / 42 / 47

HEX #86374E

RGB 134 55 78

HSL 342.53, 0.42%, 0.37%

LAB 34.7, 36.21, 3.11

 

CMYK 0 / 52 / 36 / 41

HEX #974961

RGB 151 73 97

HSL 341.54, 0.35%, 0.44%

LAB 41.54, 35.34, 1.36

 

CMYK 0 / 46 / 31 / 34

HEX #A85B74

RGB 168 91 116

HSL 340.52, 0.31%, 0.51%

LAB 48.35, 34.42, -0.04

 

CMYK 0 / 41 / 27 / 27

HEX #B96D87

RGB 185 109 135

HSL 339.47, 0.35%, 0.58%

LAB 55.07, 33.51, -1.2

 

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

CMYK 0 / 80 / 53 / 63

HEX #5F132D

RGB 95 19 45

HSL 339.47, 0.67%, 0.22%

LAB 20.39, 35.65, 3.77

 

CMYK 0 / 99 / 67 / 69

HEX #4E011A

RGB 78 1 26

HSL 340.52, 0.97%, 0.15%

LAB 13.92, 34.79, 7.93

 

CMYK 0 / 100 / 89 / 76

HEX #3D0007

RGB 61 0 7

HSL 353.11, 1%, 0.12%

LAB 9.05, 29.19, 11.43

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 67 / 60 / 56

HEX #6F252C

RGB 111 37 44

HSL 354.32, 0.5%, 0.29%

LAB 26.4, 33.31, 13.24

 

CMYK 0 / 67 / 67 / 56

HEX #6F2525

RGB 111 37 37

HSL 0, 0.5%, 0.29%

LAB 26.26, 32.78, 17.69

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 67 / 24 / 56

HEX #6F2554

RGB 111 37 84

HSL 321.89, 0.5%, 0.29%

LAB 27.69, 38.03, -11.65

 

CMYK 0 / 67 / 7 / 56

HEX #6F2567

RGB 111 37 103

HSL 306.49, 0.5%, 0.29%

LAB 28.6, 41.16, -22.64

 

CMYK 12 / 67 / 0 / 56

HEX #62256F

RGB 98 37 111

HSL 289.46, 0.5%, 0.29%

LAB 26.93, 39.16, -30.56

 

CMYK 30 / 67 / 0 / 56

HEX #4E256F

RGB 78 37 111

HSL 273.24, 0.5%, 0.29%

LAB 23.97, 33.99, -35.47

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 80 / 51 / 52

HEX #7B193C

RGB 123 25 60

HSL 338.57, 0.66%, 0.29%

LAB 27.39, 43.65, 4.19

 

CMYK 0 / 90 / 58 / 47

HEX #870D39

RGB 135 13 57

HSL 338.36, 0.82%, 0.29%

LAB 28.73, 49.92, 8.47

 

CMYK 0 / 99 / 63 / 42

HEX #930136

RGB 147 1 54

HSL 338.22, 0.99%, 0.29%

LAB 30.62, 54.74, 13.49

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 51 / 32 / 61

HEX #633143

RGB 99 49 67

HSL 338.4, 0.34%, 0.29%

LAB 27.45, 24.84, -0.95

 

CMYK 0 / 30 / 20 / 66

HEX #573D46

RGB 87 61 70

HSL 339.23, 0.18%, 0.29%

LAB 28.92, 12.98, -0.97

 

CMYK 0 / 3 / 1 / 71

HEX #4B494A

RGB 75 73 74

HSL 330, 0.01%, 0.29%

LAB 31.24, 1.05, -0.31

 

CMYK 26 / 0 / 9 / 67

HEX #3F554D

RGB 63 85 77

HSL 158.18, 0.15%, 0.29%

LAB 34.17, -10.34, 1.93

 

CMYK 0 / 67 / 6 / 56

HEX #6F2568

RGB 111 37 104

HSL 305.68, 0.5%, 0.29%

LAB 28.65, 41.34, -23.2

 

CMYK 0 / 67 / 24 / 56

HEX #6F2554

RGB 111 37 84

HSL 321.89, 0.5%, 0.29%

LAB 27.69, 38.03, -11.65

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 67 / 60 / 56

HEX #6F252C

RGB 111 37 44

HSL 354.32, 0.5%, 0.29%

LAB 26.4, 33.31, 13.24

 

CMYK 0 / 56 / 67 / 56

HEX #6F3125

RGB 111 49 37

HSL 9.73, 0.5%, 0.29%

LAB 28.67, 26.48, 20.69

 

CMYK 0 / 67 / 43 / 81

HEX #31101C

RGB 49 16 28

HSL 338.18, 0.51%, 0.13%

LAB 9.86, 18.32, -0.23

 

CMYK 0 / 66 / 43 / 69

HEX #501B2E

RGB 80 27 46

HSL 338.49, 0.5%, 0.21%

LAB 18.74, 26.92, 0.29

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 0 / 67 / 43 / 44

HEX #8E2F51

RGB 142 47 81

HSL 338.53, 0.5%, 0.37%

LAB 34.76, 43.1, 1.43

 

CMYK 0 / 66 / 43 / 32

HEX #AD3A63

RGB 173 58 99

HSL 338.61, 0.5%, 0.45%

LAB 42.48, 50.21, 1.91

 

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

CMYK 0 / 11 / 67 / 56

HEX #6F6325

RGB 111 99 37

HSL 50.27, 0.5%, 0.29%

LAB 41.9, -3.35, 35.92

 

CMYK 67 / 15 / 0 / 56

HEX #255E6F

RGB 37 94 111

HSL 193.78, 0.5%, 0.29%

LAB 37.02, -12.78, -15.18

 

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 67 / 42 / 0 / 56

HEX #25406F

RGB 37 64 111

HSL 218.11, 0.5%, 0.29%

LAB 27.32, 6.27, -30.31

 

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

CMYK 0 / 11 / 67 / 56

HEX #6F6325

RGB 111 99 37

HSL 50.27, 0.5%, 0.29%

LAB 41.9, -3.35, 35.92

 

CMYK 67 / 0 / 24 / 56

HEX #256F54

RGB 37 111 84

HSL 158.11, 0.5%, 0.29%

LAB 41.85, -29.79, 8.44

 

CMYK 67 / 56 / 0 / 56

HEX #25316F

RGB 37 49 111

HSL 230.27, 0.5%, 0.29%

LAB 22.78, 16.74, -37.58

 

CMYK 0 / 67 / 43 / 56

HEX #702540

RGB 112 37 64

HSL 338.4, 0.5%, 0.29%

LAB 27.12, 35.67, 0.84

 

CMYK 9 / 0 / 67 / 56

HEX #656F25

RGB 101 111 37

HSL 68.11, 0.5%, 0.29%

LAB 44.62, -14.8, 38.56

 

CMYK 67 / 0 / 24 / 56

HEX #256F54

RGB 37 111 84

HSL 158.11, 0.5%, 0.29%

LAB 41.85, -29.79, 8.44

 

CMYK 58 / 67 / 0 / 56

HEX #2F256F

RGB 47 37 111

HSL 248.11, 0.5%, 0.29%

LAB 20.34, 26.91, -41.51

 

Description

Color code: HEX #702540 | qconv.com Color code: HEX #702540 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 37 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 37 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 43 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 43% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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