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Color name
HEX #406F25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406F25 it is the complementary color #BF90DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406F25 shade: #456F20, #568133, #679346, #78A559 and #89B76C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406F25 shade: #406F25, #2F5D12, #1E4B00, #0D3900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406F25 shade: #406F25, #546F25, #686F25, #6F6225 and #6F4E25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406F25 shade: #406F25, #2C6F25, #256F32, #256F46 and #256F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406F25 shade matches the following richer shades: #406F25, #3D7B19, #39870D and #369301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406F25 shade: #406F25, #436331, #46573D, #4A4B49 and #4D3F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406F25 shade: #686F25, #546F25, #406F25, #2C6F25 and #256F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406F25 shade: #1C3110, #2E501B, #406F25, #528E2F and #64AD3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406F25 shade: #406F25, #256F63 and #6F255E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406F25 shade: #406F25, #25406F and #6F2540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406F25 shade: #406F25, #256F63, #54256F and #6F2531

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406F25 shade: #406F25, #25656F, #54256F and #6F2F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

Complementary color

CMYK 12 / 34 / 0 / 15

HEX #BF90DA

RGB 191 144 218

HSL 278.11, 0.5%, 0.71%

LAB 66.58, 31.15, -31.02

 

CMYK 38 / 0 / 71 / 56

HEX #456F20

RGB 69 111 32

HSL 91.9, 0.55%, 0.28%

LAB 42.37, -28.87, 37.76

 

CMYK 33 / 0 / 60 / 49

HEX #568133

RGB 86 129 51

HSL 93.08, 0.43%, 0.35%

LAB 49.4, -29.07, 36.89

 

CMYK 30 / 0 / 52 / 42

HEX #679346

RGB 103 147 70

HSL 94.29, 0.35%, 0.43%

LAB 56.28, -29.11, 35.73

 

CMYK 27 / 0 / 46 / 35

HEX #78A559

RGB 120 165 89

HSL 95.53, 0.3%, 0.5%

LAB 63.03, -29.06, 34.5

 

CMYK 25 / 0 / 41 / 28

HEX #89B76C

RGB 137 183 108

HSL 96.8, 0.34%, 0.57%

LAB 69.66, -28.96, 33.28

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 49 / 0 / 81 / 64

HEX #2F5D12

RGB 47 93 18

HSL 96.8, 0.68%, 0.22%

LAB 34.96, -29.88, 35.67

 

CMYK 60 / 0 / 100 / 71

HEX #1E4B00

RGB 30 75 0

HSL 96, 1%, 0.15%

LAB 27.6, -29, 35.22

 

CMYK 77 / 0 / 100 / 78

HEX #0D3900

RGB 13 57 0

HSL 106.32, 1%, 0.11%

LAB 20.09, -26.65, 27.55

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 24 / 0 / 67 / 56

HEX #546F25

RGB 84 111 37

HSL 81.89, 0.5%, 0.29%

LAB 43.34, -22.33, 36.81

 

CMYK 6 / 0 / 67 / 56

HEX #686F25

RGB 104 111 37

HSL 65.68, 0.5%, 0.29%

LAB 44.87, -13.43, 38.9

 

CMYK 0 / 12 / 67 / 56

HEX #6F6225

RGB 111 98 37

HSL 49.46, 0.5%, 0.29%

LAB 41.61, -2.77, 35.61

 

CMYK 0 / 30 / 67 / 56

HEX #6F4E25

RGB 111 78 37

HSL 33.24, 0.5%, 0.29%

LAB 35.91, 9.21, 29.27

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 60 / 0 / 67 / 56

HEX #2C6F25

RGB 44 111 37

HSL 114.32, 0.5%, 0.29%

LAB 41.28, -36.73, 33.96

 

CMYK 67 / 0 / 55 / 56

HEX #256F32

RGB 37 111 50

HSL 130.54, 0.5%, 0.29%

LAB 41.2, -36.76, 27.19

 

CMYK 67 / 0 / 37 / 56

HEX #256F46

RGB 37 111 70

HSL 146.76, 0.5%, 0.29%

LAB 41.54, -33.05, 16.31

 

CMYK 67 / 0 / 19 / 56

HEX #256F5A

RGB 37 111 90

HSL 162.97, 0.5%, 0.29%

LAB 42, -28.24, 5.06

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 50 / 0 / 80 / 52

HEX #3D7B19

RGB 61 123 25

HSL 97.96, 0.66%, 0.29%

LAB 45.95, -37.58, 43.98

 

CMYK 58 / 0 / 90 / 47

HEX #39870D

RGB 57 135 13

HSL 98.36, 0.82%, 0.29%

LAB 49.77, -44.16, 50.73

 

CMYK 63 / 0 / 99 / 42

HEX #369301

RGB 54 147 1

HSL 98.22, 0.99%, 0.29%

LAB 53.66, -49.69, 56.04

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 32 / 0 / 51 / 61

HEX #436331

RGB 67 99 49

HSL 98.4, 0.34%, 0.29%

LAB 38.44, -21.84, 24.64

 

CMYK 20 / 0 / 30 / 66

HEX #46573D

RGB 70 87 61

HSL 99.23, 0.18%, 0.29%

LAB 34.91, -12.13, 13.01

 

CMYK 1 / 0 / 3 / 71

HEX #4A4B49

RGB 74 75 73

HSL 90, 0.01%, 0.29%

LAB 31.74, -0.84, 1.04

 

CMYK 9 / 26 / 0 / 67

HEX #4D3F55

RGB 77 63 85

HSL 278.18, 0.15%, 0.29%

LAB 28.87, 10.82, -10.93

 

CMYK 6 / 0 / 67 / 56

HEX #686F25

RGB 104 111 37

HSL 65.68, 0.5%, 0.29%

LAB 44.87, -13.43, 38.9

 

CMYK 24 / 0 / 67 / 56

HEX #546F25

RGB 84 111 37

HSL 81.89, 0.5%, 0.29%

LAB 43.34, -22.33, 36.81

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 60 / 0 / 67 / 56

HEX #2C6F25

RGB 44 111 37

HSL 114.32, 0.5%, 0.29%

LAB 41.28, -36.73, 33.96

 

CMYK 67 / 0 / 56 / 56

HEX #256F31

RGB 37 111 49

HSL 129.73, 0.5%, 0.29%

LAB 41.19, -36.91, 27.71

 

CMYK 43 / 0 / 67 / 81

HEX #1C3110

RGB 28 49 16

HSL 98.18, 0.51%, 0.13%

LAB 17.83, -15.82, 18.14

 

CMYK 43 / 0 / 66 / 69

HEX #2E501B

RGB 46 80 27

HSL 98.49, 0.5%, 0.21%

LAB 30.39, -23.3, 26.78

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 42 / 0 / 67 / 44

HEX #528E2F

RGB 82 142 47

HSL 97.89, 0.5%, 0.37%

LAB 53.33, -36.88, 43.04

 

CMYK 42 / 0 / 66 / 32

HEX #64AD3A

RGB 100 173 58

HSL 98.09, 0.5%, 0.45%

LAB 64.08, -43.09, 50.15

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 67 / 0 / 11 / 56

HEX #256F63

RGB 37 111 99

HSL 170.27, 0.5%, 0.29%

LAB 42.25, -25.75, -0.01

 

CMYK 0 / 67 / 15 / 56

HEX #6F255E

RGB 111 37 94

HSL 313.78, 0.5%, 0.29%

LAB 28.14, 39.61, -17.51

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 67 / 42 / 0 / 56

HEX #25406F

RGB 37 64 111

HSL 218.11, 0.5%, 0.29%

LAB 27.32, 6.27, -30.31

 

CMYK 0 / 67 / 42 / 56

HEX #6F2540

RGB 111 37 64

HSL 338.11, 0.5%, 0.29%

LAB 26.94, 35.32, 0.55

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 67 / 0 / 11 / 56

HEX #256F63

RGB 37 111 99

HSL 170.27, 0.5%, 0.29%

LAB 42.25, -25.75, -0.01

 

CMYK 24 / 67 / 0 / 56

HEX #54256F

RGB 84 37 111

HSL 278.11, 0.5%, 0.29%

LAB 24.81, 35.51, -34.06

 

CMYK 0 / 67 / 56 / 56

HEX #6F2531

RGB 111 37 49

HSL 350.27, 0.5%, 0.29%

LAB 26.52, 33.75, 10.04

 

CMYK 42 / 0 / 67 / 56

HEX #406F25

RGB 64 111 37

HSL 98.11, 0.5%, 0.29%

LAB 42.14, -30.29, 35.16

 

CMYK 67 / 9 / 0 / 56

HEX #25656F

RGB 37 101 111

HSL 188.11, 0.5%, 0.29%

LAB 39.32, -16.76, -11.66

 

CMYK 24 / 67 / 0 / 56

HEX #54256F

RGB 84 37 111

HSL 278.11, 0.5%, 0.29%

LAB 24.81, 35.51, -34.06

 

CMYK 0 / 58 / 67 / 56

HEX #6F2F25

RGB 111 47 37

HSL 8.11, 0.5%, 0.29%

LAB 28.24, 27.58, 20.16

 

Description

Color code: HEX #406F25 | qconv.com Color code: HEX #406F25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 111 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 111 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 67 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 67% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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