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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FC9C8 it is the complementary color #903637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FC9C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FC9C8 shade: #74C9C3, #85DBD6, #96EDE9, #A7FFFC and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FC9C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FC9C8 shade: #6FC9C8, #5EB7B5, #4DA5A2, #3C938F and #2B817C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FC9C8 shade: #6EC8C7, #6EC8AF, #6EC897, #6EC87E and #76C86E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FC9C8 shade: #6EC8C7, #6EB1C8, #6E99C8, #6E80C8 and #6E6EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FC9C8 shade matches the following richer shades: #6EC8C7, #5ED8D7, #4EE8E6 and #3EF8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FC9C8 shade: #6EC8C7, #7EB8B7, #8EA8A7, #9F9898 and #AF8788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FC9C8 shade: #6EC897, #6EC8AE, #6EC8C6, #6EB1C8 and #6E9AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FC9C8 shade: #3EA5A4, #50BCBB, #6EC8C7, #8CD3D2 and #AADEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FC9C8 shade: #6FC9C8, #7F6EC8 and #C8A36E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FC9C8 shade: #6FC9C8, #C66EC8 and #C8C66E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FC9C8 shade: #6FC9C8, #7F6EC8, #C86E70 and #B7C86E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FC9C8 shade: #6FC9C8, #9A6EC8, #C86E70 and #9DC86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

Complementary color

CMYK 0 / 63 / 62 / 44

HEX #903637

RGB 144 54 55

HSL 359.33, 0.45%, 0.39%

LAB 35.68, 38.18, 19.4

 

CMYK 42 / 0 / 3 / 21

HEX #74C9C3

RGB 116 201 195

HSL 175.76, 0.44%, 0.62%

LAB 75.72, -27.18, -5.08

 

CMYK 39 / 0 / 2 / 14

HEX #85DBD6

RGB 133 219 214

HSL 176.51, 0.54%, 0.69%

LAB 82.11, -27.11, -5.74

 

CMYK 37 / 0 / 2 / 7

HEX #96EDE9

RGB 150 237 233

HSL 177.24, 0.71%, 0.76%

LAB 88.42, -27.03, -6.36

 

CMYK 35 / 0 / 1 / 0

HEX #A7FFFC

RGB 167 255 252

HSL 177.95, 1%, 0.83%

LAB 94.64, -26.94, -6.96

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

CMYK 49 / 0 / 1 / 28

HEX #5EB7B5

RGB 94 183 181

HSL 178.65, 0.38%, 0.54%

LAB 69.17, -27.1, -7.23

 

CMYK 53 / 0 / 2 / 35

HEX #4DA5A2

RGB 77 165 162

HSL 177.95, 0.36%, 0.47%

LAB 62.59, -27, -6.5

 

CMYK 59 / 0 / 3 / 42

HEX #3C938F

RGB 60 147 143

HSL 177.24, 0.42%, 0.41%

LAB 55.9, -26.79, -5.7

 

CMYK 67 / 0 / 4 / 49

HEX #2B817C

RGB 43 129 124

HSL 176.51, 0.5%, 0.34%

LAB 49.09, -26.41, -4.81

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C7

RGB 110 200 199

HSL 179.33, 0.45%, 0.61%

LAB 75.29, -27.14, -7.89

 

CMYK 45 / 0 / 13 / 22

HEX #6EC8AF

RGB 110 200 175

HSL 163.33, 0.45%, 0.61%

LAB 74.65, -32.94, 4.14

 

CMYK 45 / 0 / 25 / 22

HEX #6EC897

RGB 110 200 151

HSL 147.33, 0.45%, 0.61%

LAB 74.1, -38.11, 16.28

 

CMYK 45 / 0 / 37 / 22

HEX #6EC87E

RGB 110 200 126

HSL 130.67, 0.45%, 0.61%

LAB 73.63, -42.72, 28.86

 

CMYK 41 / 0 / 45 / 22

HEX #76C86E

RGB 118 200 110

HSL 114.67, 0.45%, 0.61%

LAB 73.73, -42.82, 37.25

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C7

RGB 110 200 199

HSL 179.33, 0.45%, 0.61%

LAB 75.29, -27.14, -7.89

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 45 / 24 / 0 / 22

HEX #6E99C8

RGB 110 153 200

HSL 211.33, 0.45%, 0.61%

LAB 61.88, -2.04, -28.77

 

CMYK 45 / 36 / 0 / 22

HEX #6E80C8

RGB 110 128 200

HSL 228, 0.45%, 0.61%

LAB 54.99, 12.53, -39.51

 

CMYK 45 / 45 / 0 / 22

HEX #6E6EC8

RGB 110 110 200

HSL 240, 0.45%, 0.61%

LAB 50.26, 23.39, -47

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C7

RGB 110 200 199

HSL 179.33, 0.45%, 0.61%

LAB 75.29, -27.14, -7.89

 

CMYK 56 / 0 / 0 / 15

HEX #5ED8D7

RGB 94 216 215

HSL 179.51, 0.61%, 0.61%

LAB 79.84, -33.97, -9.8

 

CMYK 66 / 0 / 1 / 9

HEX #4EE8E6

RGB 78 232 230

HSL 179.22, 0.77%, 0.61%

LAB 84.51, -39.86, -10.85

 

CMYK 75 / 0 / 1 / 3

HEX #3EF8F6

RGB 62 248 246

HSL 179.35, 0.93%, 0.61%

LAB 89.31, -44.47, -12.12

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C7

RGB 110 200 199

HSL 179.33, 0.45%, 0.61%

LAB 75.29, -27.14, -7.89

 

CMYK 32 / 0 / 1 / 28

HEX #7EB8B7

RGB 126 184 183

HSL 178.97, 0.29%, 0.61%

LAB 70.96, -18.9, -5.51

 

CMYK 15 / 0 / 1 / 34

HEX #8EA8A7

RGB 142 168 167

HSL 177.69, 0.13%, 0.61%

LAB 66.94, -9.16, -2.5

 

CMYK 0 / 4 / 4 / 38

HEX #9F9898

RGB 159 152 152

HSL 0, 0.04%, 0.61%

LAB 63.42, 2.56, 0.91

 

CMYK 0 / 23 / 22 / 31

HEX #AF8788

RGB 175 135 136

HSL 358.5, 0.2%, 0.61%

LAB 60.09, 15.42, 5.35

 

CMYK 45 / 0 / 25 / 22

HEX #6EC897

RGB 110 200 151

HSL 147.33, 0.45%, 0.61%

LAB 74.1, -38.11, 16.28

 

CMYK 45 / 0 / 13 / 22

HEX #6EC8AE

RGB 110 200 174

HSL 162.67, 0.45%, 0.61%

LAB 74.62, -33.17, 4.65

 

CMYK 45 / 0 / 1 / 22

HEX #6EC8C6

RGB 110 200 198

HSL 178.67, 0.45%, 0.61%

LAB 75.26, -27.39, -7.4

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 45 / 23 / 0 / 22

HEX #6E9AC8

RGB 110 154 200

HSL 210.67, 0.45%, 0.61%

LAB 62.17, -2.61, -28.33

 

CMYK 62 / 0 / 1 / 35

HEX #3EA5A4

RGB 62 165 164

HSL 179.42, 0.45%, 0.45%

LAB 62.18, -29.33, -8.28

 

CMYK 57 / 0 / 1 / 26

HEX #50BCBB

RGB 80 188 187

HSL 179.44, 0.45%, 0.53%

LAB 70.36, -30.81, -8.81

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C7

RGB 110 200 199

HSL 179.33, 0.45%, 0.61%

LAB 75.29, -27.14, -7.89

 

CMYK 34 / 0 / 0 / 17

HEX #8CD3D2

RGB 140 211 210

HSL 179.15, 0.45%, 0.69%

LAB 80.08, -22.29, -6.58

 

CMYK 23 / 0 / 0 / 13

HEX #AADEDE

RGB 170 222 222

HSL 180, 0.44%, 0.77%

LAB 85.03, -16.59, -5.46

 

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

CMYK 37 / 45 / 0 / 22

HEX #7F6EC8

RGB 127 110 200

HSL 251.33, 0.45%, 0.61%

LAB 51.65, 27.71, -44.71

 

CMYK 0 / 19 / 45 / 22

HEX #C8A36E

RGB 200 163 110

HSL 35.33, 0.45%, 0.61%

LAB 69.18, 6.68, 32.61

 

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

CMYK 1 / 45 / 0 / 22

HEX #C66EC8

RGB 198 110 200

HSL 298.67, 0.45%, 0.61%

LAB 59.28, 48, -32.2

 

CMYK 0 / 1 / 45 / 22

HEX #C8C66E

RGB 200 198 110

HSL 58.67, 0.45%, 0.61%

LAB 78.34, -11.74, 44.12

 

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

CMYK 37 / 45 / 0 / 22

HEX #7F6EC8

RGB 127 110 200

HSL 251.33, 0.45%, 0.61%

LAB 51.65, 27.71, -44.71

 

CMYK 0 / 45 / 44 / 22

HEX #C86E70

RGB 200 110 112

HSL 358.67, 0.45%, 0.61%

LAB 56.68, 35.7, 14.8

 

CMYK 9 / 0 / 45 / 22

HEX #B7C86E

RGB 183 200 110

HSL 71.33, 0.45%, 0.61%

LAB 77.58, -19.53, 42.89

 

CMYK 45 / 0 / 0 / 21

HEX #6FC9C8

RGB 111 201 200

HSL 179.33, 0.45%, 0.61%

LAB 75.65, -27.14, -7.9

 

CMYK 23 / 45 / 0 / 22

HEX #9A6EC8

RGB 154 110 200

HSL 269.33, 0.45%, 0.61%

LAB 54.23, 35.15, -40.46

 

CMYK 0 / 45 / 44 / 22

HEX #C86E70

RGB 200 110 112

HSL 358.67, 0.45%, 0.61%

LAB 56.68, 35.7, 14.8

 

CMYK 22 / 0 / 45 / 22

HEX #9DC86E

RGB 157 200 110

HSL 88.67, 0.45%, 0.61%

LAB 75.82, -29.49, 40.33

 

Description

Color code: HEX #6FC9C8 | qconv.com Color code: HEX #6FC9C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 201 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 201 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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