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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB1C8 it is the complementary color #914E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB1C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6EB1C8: #73B1C3, #84C3D6, #95D5E9, #A6E7FC and #B7F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB1C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6EB1C8: #6EB1C8, #5D9FB5, #4C8DA2, #3B7B8F and #2A697C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

Complementary color

CMYK 0 / 46 / 62 / 43

HEX #914E37

RGB 145 78 55

HSL 15.33, 0.45%, 0.39%

LAB 40.81, 25.89, 25.92

 

CMYK 41 / 9 / 0 / 24

HEX #73B1C3

RGB 115 177 195

HSL 193.5, 0.4%, 0.61%

LAB 68.77, -15.25, -15.45

 

CMYK 38 / 9 / 0 / 16

HEX #84C3D6

RGB 132 195 214

HSL 193.9, 0.5%, 0.68%

LAB 75.32, -15.32, -15.87

 

CMYK 36 / 9 / 0 / 9

HEX #95D5E9

RGB 149 213 233

HSL 194.29, 0.66%, 0.75%

LAB 81.76, -15.37, -16.29

 

CMYK 34 / 8 / 0 / 1

HEX #A6E7FC

RGB 166 231 252

HSL 194.65, 0.93%, 0.82%

LAB 88.11, -15.4, -16.7

 

CMYK 28 / 2 / 0 / 0

HEX #B7F9FF

RGB 183 249 255

HSL 185, 1%, 0.86%

LAB 93.9, -19.07, -9.52

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 49 / 12 / 0 / 29

HEX #5D9FB5

RGB 93 159 181

HSL 195, 0.37%, 0.54%

LAB 62.05, -14.98, -17.93

 

CMYK 53 / 13 / 0 / 36

HEX #4C8DA2

RGB 76 141 162

HSL 194.65, 0.36%, 0.47%

LAB 55.27, -14.72, -17.5

 

CMYK 59 / 14 / 0 / 44

HEX #3B7B8F

RGB 59 123 143

HSL 194.29, 0.42%, 0.4%

LAB 48.36, -14.33, -17.05

 

CMYK 66 / 15 / 0 / 51

HEX #2A697C

RGB 42 105 124

HSL 193.9, 0.49%, 0.33%

LAB 41.3, -13.76, -16.56

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 45 / 19 / 0 / 22

HEX #6EA3C8

RGB 110 163 200

HSL 204.67, 0.45%, 0.61%

LAB 64.71, -7.62, -24.42

 

CMYK 45 / 26 / 0 / 22

HEX #6E94C8

RGB 110 148 200

HSL 214.67, 0.45%, 0.61%

LAB 60.48, 0.81, -30.93

 

CMYK 45 / 34 / 0 / 22

HEX #6E85C8

RGB 110 133 200

HSL 224.67, 0.45%, 0.61%

LAB 56.35, 9.55, -37.39

 

CMYK 45 / 41 / 0 / 22

HEX #6E76C8

RGB 110 118 200

HSL 234.67, 0.45%, 0.61%

LAB 52.33, 18.54, -43.71

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 45 / 12 / 0 / 2

HEX #8ADEFB

RGB 138 222 251

HSL 195.4, 0.93%, 0.76%

LAB 84.28, -18.1, -22.08

 

CMYK 45 / 11 / 0 / 82

HEX #1A2A2F

RGB 26 42 47

HSL 194.29, 0.29%, 0.14%

LAB 15.91, -5.07, -5.38

 

CMYK 45 / 11 / 0 / 62

HEX #365762

RGB 54 87 98

HSL 195, 0.29%, 0.3%

LAB 34.97, -8.78, -10.14

 

CMYK 45 / 11 / 0 / 42

HEX #528495

RGB 82 132 149

HSL 195.22, 0.29%, 0.45%

LAB 52.36, -12.09, -14.38

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 25 / 45 / 0 / 22

HEX #976EC8

RGB 151 110 200

HSL 267.33, 0.45%, 0.61%

LAB 53.92, 34.3, -40.97

 

CMYK 0 / 7 / 45 / 22

HEX #C8BA6E

RGB 200 186 110

HSL 50.67, 0.45%, 0.61%

LAB 75.15, -5.55, 40.18

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 0 / 45 / 12 / 22

HEX #C86EB1

RGB 200 110 177

HSL 315.33, 0.45%, 0.61%

LAB 58.61, 44.58, -20.08

 

CMYK 12 / 0 / 45 / 22

HEX #B1C86E

RGB 177 200 110

HSL 75.33, 0.45%, 0.61%

LAB 77.15, -21.88, 42.27

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 25 / 45 / 0 / 22

HEX #976EC8

RGB 151 110 200

HSL 267.33, 0.45%, 0.61%

LAB 53.92, 34.3, -40.97

 

CMYK 0 / 34 / 45 / 22

HEX #C8856E

RGB 200 133 110

HSL 15.33, 0.45%, 0.61%

LAB 61.81, 23.07, 22.92

 

CMYK 20 / 0 / 45 / 22

HEX #A0C86E

RGB 160 200 110

HSL 86.67, 0.45%, 0.61%

LAB 76.01, -28.37, 40.6

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 12 / 45 / 0 / 22

HEX #B16EC8

RGB 177 110 200

HSL 284.67, 0.45%, 0.61%

LAB 56.75, 41.81, -36.32

 

CMYK 0 / 34 / 45 / 22

HEX #C8856E

RGB 200 133 110

HSL 15.33, 0.45%, 0.61%

LAB 61.81, 23.07, 22.92

 

CMYK 34 / 0 / 45 / 22

HEX #85C86E

RGB 133 200 110

HSL 104.67, 0.45%, 0.61%

LAB 74.46, -37.98, 38.32

 

Description

Color code: HEX #6EB1C8 | qconv.com Color code: HEX #6EB1C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 177 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 177 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 12 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 12% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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