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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FBF41 it is the complementary color #9040BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FBF41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FBF41 shade: #74BF3C, #85D14F, #96E362, #A7F575 and #B8FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FBF41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FBF41 shade: #6FBF41, #5EAD2E, #4D9B1B, #3C8908 and #2B7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FBF41 shade: #6EBF40, #91BF40, #B3BF40, #BFA940 and #BF8740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FBF41 shade: #6EBF40, #4CBF40, #40BF56, #40BF78 and #40BF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FBF41 shade matches the following richer shades: #6EBF40, #69D42B, #63E916 and #5EFD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FBF41 shade: #6EBF40, #74AB54, #799669, #7F817E and #856D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FBF41 shade: #B3BF40, #91BF40, #6FBF40, #4DBF40 and #40BF55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FBF41 shade: #4B812B, #5CA035, #6EBF40, #86CA5F and #9DD47E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FBF41 shade: #6FBF41, #40BFAA and #BF40A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FBF41 shade: #6FBF41, #406FBF and #BF406F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FBF41 shade: #6FBF41, #40BFAA, #9140BF and #BF4055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FBF41 shade: #6FBF41, #40AEBF, #9140BF and #BF5140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

Complementary color

CMYK 24 / 66 / 0 / 25

HEX #9040BE

RGB 144 64 190

HSL 278.1, 0.5%, 0.5%

LAB 43.23, 54.58, -52.27

 

CMYK 39 / 0 / 69 / 25

HEX #74BF3C

RGB 116 191 60

HSL 94.35, 0.52%, 0.49%

LAB 70.39, -45.1, 56.24

 

CMYK 36 / 0 / 62 / 18

HEX #85D14F

RGB 133 209 79

HSL 95.08, 0.59%, 0.56%

LAB 76.77, -45.34, 55.56

 

CMYK 34 / 0 / 57 / 11

HEX #96E362

RGB 150 227 98

HSL 95.81, 0.7%, 0.64%

LAB 83.07, -45.45, 54.62

 

CMYK 32 / 0 / 52 / 4

HEX #A7F575

RGB 167 245 117

HSL 96.56, 0.86%, 0.71%

LAB 89.3, -45.47, 53.56

 

CMYK 28 / 0 / 47 / 0

HEX #B8FF88

RGB 184 255 136

HSL 95.8, 1%, 0.77%

LAB 93.23, -41.96, 49.71

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

CMYK 46 / 0 / 73 / 32

HEX #5EAD2E

RGB 94 173 46

HSL 97.32, 0.58%, 0.43%

LAB 63.72, -45.98, 54.41

 

CMYK 50 / 0 / 83 / 39

HEX #4D9B1B

RGB 77 155 27

HSL 96.56, 0.7%, 0.36%

LAB 57.17, -45.32, 54.1

 

CMYK 56 / 0 / 94 / 46

HEX #3C8908

RGB 60 137 8

HSL 95.81, 0.89%, 0.28%

LAB 50.53, -44.21, 52.36

 

CMYK 64 / 0 / 100 / 53

HEX #2B7700

RGB 43 119 0

HSL 98.32, 1%, 0.23%

LAB 43.81, -42.46, 48.27

 

CMYK 42 / 0 / 66 / 25

HEX #6EBF40

RGB 110 191 64

HSL 98.27, 0.5%, 0.5%

LAB 70.14, -46.77, 54.29

 

CMYK 24 / 0 / 66 / 25

HEX #91BF40

RGB 145 191 64

HSL 81.73, 0.5%, 0.5%

LAB 71.99, -34.25, 56.82

 

CMYK 6 / 0 / 66 / 25

HEX #B3BF40

RGB 179 191 64

HSL 65.67, 0.5%, 0.5%

LAB 74.33, -20.53, 59.97

 

CMYK 0 / 12 / 66 / 25

HEX #BFA940

RGB 191 169 64

HSL 49.61, 0.5%, 0.5%

LAB 69.34, -4.1, 55.11

 

CMYK 0 / 29 / 66 / 25

HEX #BF8740

RGB 191 135 64

HSL 33.54, 0.5%, 0.5%

LAB 60.58, 14.36, 45.68

 

CMYK 42 / 0 / 66 / 25

HEX #6EBF40

RGB 110 191 64

HSL 98.27, 0.5%, 0.5%

LAB 70.14, -46.77, 54.29

 

CMYK 60 / 0 / 66 / 25

HEX #4CBF40

RGB 76 191 64

HSL 114.33, 0.5%, 0.5%

LAB 68.87, -56.36, 52.56

 

CMYK 66 / 0 / 55 / 25

HEX #40BF56

RGB 64 191 86

HSL 130.39, 0.5%, 0.5%

LAB 68.77, -56.42, 42.51

 

CMYK 66 / 0 / 37 / 25

HEX #40BF78

RGB 64 191 120

HSL 146.46, 0.5%, 0.5%

LAB 69.26, -50.88, 25.92

 

CMYK 66 / 0 / 19 / 25

HEX #40BF9B

RGB 64 191 155

HSL 162.99, 0.5%, 0.5%

LAB 69.98, -43.29, 8.09

 

CMYK 42 / 0 / 66 / 25

HEX #6EBF40

RGB 110 191 64

HSL 98.27, 0.5%, 0.5%

LAB 70.14, -46.77, 54.29

 

CMYK 50 / 0 / 80 / 17

HEX #69D42B

RGB 105 212 43

HSL 97.99, 0.66%, 0.5%

LAB 76.23, -57.86, 67.55

 

CMYK 58 / 0 / 91 / 9

HEX #63E916

RGB 99 233 22

HSL 98.1, 0.83%, 0.5%

LAB 82.37, -67.6, 77.27

 

CMYK 63 / 0 / 99 / 1

HEX #5EFD02

RGB 94 253 2

HSL 98.01, 0.98%, 0.5%

LAB 88.27, -75.53, 83.94

 

CMYK 42 / 0 / 66 / 25

HEX #6EBF40

RGB 110 191 64

HSL 98.27, 0.5%, 0.5%

LAB 70.14, -46.77, 54.29

 

CMYK 32 / 0 / 51 / 33

HEX #74AB54

RGB 116 171 84

HSL 97.93, 0.34%, 0.5%

LAB 64.55, -33.96, 38.85

 

CMYK 19 / 0 / 30 / 41

HEX #799669

RGB 121 150 105

HSL 98.67, 0.18%, 0.5%

LAB 58.88, -18.86, 20.5

 

CMYK 2 / 0 / 2 / 49

HEX #7F817E

RGB 127 129 126

HSL 100, 0.01%, 0.5%

LAB 53.73, -1.34, 1.36

HEX #7F817E

CMYK 9 / 25 / 0 / 43

HEX #856D92

RGB 133 109 146

HSL 278.92, 0.15%, 0.5%

LAB 49.5, 16.71, -16.63

HEX #856D92

CMYK 6 / 0 / 66 / 25

HEX #B3BF40

RGB 179 191 64

HSL 65.67, 0.5%, 0.5%

LAB 74.33, -20.53, 59.97

 

CMYK 24 / 0 / 66 / 25

HEX #91BF40

RGB 145 191 64

HSL 81.73, 0.5%, 0.5%

LAB 71.99, -34.25, 56.82

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF40

RGB 111 191 64

HSL 97.8, 0.5%, 0.5%

LAB 70.18, -46.44, 54.36

 

CMYK 60 / 0 / 66 / 25

HEX #4DBF40

RGB 77 191 64

HSL 113.86, 0.5%, 0.5%

LAB 68.9, -56.12, 52.6

 

CMYK 66 / 0 / 55 / 25

HEX #40BF55

RGB 64 191 85

HSL 129.92, 0.5%, 0.5%

LAB 68.76, -56.56, 42.97

 

CMYK 42 / 0 / 67 / 49

HEX #4B812B

RGB 75 129 43

HSL 97.67, 0.5%, 0.34%

LAB 48.72, -33.94, 39.74

 

CMYK 43 / 0 / 67 / 37

HEX #5CA035

RGB 92 160 53

HSL 98.13, 0.5%, 0.42%

LAB 59.59, -40.7, 47.34

 

CMYK 42 / 0 / 66 / 25

HEX #6EBF40

RGB 110 191 64

HSL 98.27, 0.5%, 0.5%

LAB 70.14, -46.77, 54.29

 

CMYK 34 / 0 / 53 / 21

HEX #86CA5F

RGB 134 202 95

HSL 98.13, 0.5%, 0.58%

LAB 74.91, -40.37, 46.21

 

CMYK 26 / 0 / 41 / 17

HEX #9DD47E

RGB 157 212 126

HSL 98.37, 0.5%, 0.66%

LAB 79.48, -33.1, 36.94

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

CMYK 66 / 0 / 11 / 25

HEX #40BFAA

RGB 64 191 170

HSL 170.08, 0.5%, 0.5%

LAB 70.35, -39.52, 0.44

 

CMYK 0 / 66 / 15 / 25

HEX #BF40A2

RGB 191 64 162

HSL 313.7, 0.5%, 0.5%

LAB 48.7, 60.95, -26.69

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

CMYK 66 / 42 / 0 / 25

HEX #406FBF

RGB 64 111 191

HSL 217.8, 0.5%, 0.5%

LAB 47.26, 10.15, -46.77

 

CMYK 0 / 66 / 42 / 25

HEX #BF406F

RGB 191 64 111

HSL 337.8, 0.5%, 0.5%

LAB 46.83, 54.53, 1.22

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

CMYK 66 / 0 / 11 / 25

HEX #40BFAA

RGB 64 191 170

HSL 170.08, 0.5%, 0.5%

LAB 70.35, -39.52, 0.44

 

CMYK 24 / 66 / 0 / 25

HEX #9140BF

RGB 145 64 191

HSL 278.27, 0.5%, 0.5%

LAB 43.43, 55.02, -52.53

 

CMYK 0 / 66 / 55 / 25

HEX #BF4055

RGB 191 64 85

HSL 350.08, 0.5%, 0.5%

LAB 46.18, 52.18, 16.22

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF41

RGB 111 191 65

HSL 98.1, 0.5%, 0.5%

LAB 70.19, -46.36, 53.95

 

CMYK 66 / 9 / 0 / 25

HEX #40AEBF

RGB 64 174 191

HSL 188.03, 0.5%, 0.5%

LAB 65.84, -25.5, -17.85

 

CMYK 24 / 66 / 0 / 25

HEX #9140BF

RGB 145 64 191

HSL 278.27, 0.5%, 0.5%

LAB 43.43, 55.02, -52.53

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

Description

Color code: HEX #6FBF41 | qconv.com Color code: HEX #6FBF41 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 191 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 191 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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