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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5140 it is the complementary color #40AEBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5140 shade: #C4513B, #D5634E, #E67561, #F78774 and #FF9987

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5140 shade: #BF5140, #AE3F2D, #9D2D1A, #8C1B07 and #7B0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5140 shade: #BF5140 and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5140 shade: #BF5140, #BF7340, #BF9640, #BFB840 and #A4BF40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5140 shade matches the following richer shades: #BF5140, #D4422B, #E93316 and #FD2302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5140 shade: #BF5140, #AB6054, #966F69, #817E7E and #6D8D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5140 shade: #BF4073, #BF4051, #BF5140, #BF7340 and #BF9540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5140 shade: #81372B, #A04435, #BF5140, #CA6D5F and #D4897E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5140 shade: #BF5140, #95BF40 and #4062BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5140 shade: #BF5140, #40BF51 and #5140BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5140 shade: #BF5140, #95BF40, #40AEBF and #6A40BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5140 shade: #BF5140, #6FBF40, #40AEBF and #9140BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

Complementary color

CMYK 66 / 9 / 0 / 25

HEX #40AEBF

RGB 64 174 191

HSL 188.03, 0.5%, 0.5%

LAB 65.84, -25.5, -17.85

 

CMYK 0 / 59 / 70 / 23

HEX #C4513B

RGB 196 81 59

HSL 9.64, 0.54%, 0.5%

LAB 49.42, 44.65, 35.83

 

CMYK 0 / 54 / 63 / 16

HEX #D5634E

RGB 213 99 78

HSL 9.33, 0.62%, 0.57%

LAB 55.71, 43.33, 33.36

 

CMYK 0 / 49 / 58 / 10

HEX #E67561

RGB 230 117 97

HSL 9.02, 0.73%, 0.64%

LAB 62.01, 42.03, 31.18

 

CMYK 0 / 45 / 53 / 3

HEX #F78774

RGB 247 135 116

HSL 8.7, 0.89%, 0.71%

LAB 68.29, 40.79, 29.25

 

CMYK 0 / 40 / 47 / 0

HEX #FF9987

RGB 255 153 135

HSL 9, 1%, 0.76%

LAB 73.41, 36.27, 25.84

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 64 / 74 / 32

HEX #AE3F2D

RGB 174 63 45

HSL 8.37, 0.59%, 0.43%

LAB 42.37, 44.32, 34.7

 

CMYK 0 / 71 / 83 / 38

HEX #9D2D1A

RGB 157 45 26

HSL 8.7, 0.72%, 0.36%

LAB 36.21, 45.32, 37.74

 

CMYK 0 / 81 / 95 / 45

HEX #8C1B07

RGB 140 27 7

HSL 9.02, 0.9%, 0.29%

LAB 30.34, 45.73, 40.31

 

CMYK 0 / 93 / 100 / 52

HEX #7B0900

RGB 123 9 0

HSL 4.39, 1%, 0.24%

LAB 24.97, 44.92, 37.12

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 40 / 66 / 25

HEX #BF7340

RGB 191 115 64

HSL 24.09, 0.5%, 0.5%

LAB 55.79, 25.37, 40.29

 

CMYK 0 / 21 / 66 / 25

HEX #BF9640

RGB 191 150 64

HSL 40.63, 0.5%, 0.5%

LAB 64.37, 6.12, 49.82

 

CMYK 0 / 4 / 66 / 25

HEX #BFB840

RGB 191 184 64

HSL 56.69, 0.5%, 0.5%

LAB 73.37, -11.92, 59.29

 

CMYK 14 / 0 / 66 / 25

HEX #A4BF40

RGB 164 191 64

HSL 72.76, 0.5%, 0.5%

LAB 73.24, -26.71, 58.5

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 69 / 80 / 17

HEX #D4422B

RGB 212 66 43

HSL 8.17, 0.66%, 0.5%

LAB 49.58, 56, 45.4

 

CMYK 0 / 78 / 91 / 9

HEX #E93316

RGB 233 51 22

HSL 8.25, 0.83%, 0.5%

LAB 51.55, 66.98, 57.93

 

CMYK 0 / 86 / 99 / 1

HEX #FD2302

RGB 253 35 2

HSL 7.89, 0.98%, 0.5%

LAB 54.12, 75.91, 66.81

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 44 / 51 / 33

HEX #AB6054

RGB 171 96 84

HSL 8.28, 0.34%, 0.5%

LAB 49.09, 29.12, 20.19

 

CMYK 0 / 26 / 30 / 41

HEX #966F69

RGB 150 111 105

HSL 8, 0.18%, 0.5%

LAB 50.54, 14.56, 9.38

 

CMYK 0 / 2 / 2 / 49

HEX #817E7E

RGB 129 126 126

HSL 0, 0.01%, 0.5%

LAB 53.05, 1.13, 0.39

 

CMYK 25 / 3 / 0 / 43

HEX #6D8D92

RGB 109 141 146

HSL 188.11, 0.15%, 0.5%

LAB 56.46, -9.97, -6.34

 

CMYK 0 / 66 / 40 / 25

HEX #BF4073

RGB 191 64 115

HSL 335.91, 0.5%, 0.5%

LAB 46.95, 54.95, -1.05

 

CMYK 0 / 66 / 58 / 25

HEX #BF4051

RGB 191 64 81

HSL 351.97, 0.5%, 0.5%

LAB 46.09, 51.88, 18.55

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 40 / 66 / 25

HEX #BF7340

RGB 191 115 64

HSL 24.09, 0.5%, 0.5%

LAB 55.79, 25.37, 40.29

 

CMYK 0 / 22 / 66 / 25

HEX #BF9540

RGB 191 149 64

HSL 40.16, 0.5%, 0.5%

LAB 64.11, 6.67, 49.54

 

CMYK 0 / 57 / 67 / 49

HEX #81372B

RGB 129 55 43

HSL 8.37, 0.5%, 0.34%

LAB 33.08, 31.04, 23.06

 

CMYK 0 / 58 / 67 / 37

HEX #A04435

RGB 160 68 53

HSL 8.41, 0.5%, 0.42%

LAB 41, 37.16, 27.86

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 0 / 46 / 53 / 21

HEX #CA6D5F

RGB 202 109 95

HSL 7.85, 0.5%, 0.58%

LAB 56.41, 35.34, 24.28

 

CMYK 0 / 35 / 41 / 17

HEX #D4897E

RGB 212 137 126

HSL 7.67, 0.5%, 0.66%

LAB 64.48, 27.37, 17.8

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 22 / 0 / 66 / 25

HEX #95BF40

RGB 149 191 64

HSL 79.84, 0.5%, 0.5%

LAB 72.24, -32.7, 57.16

 

CMYK 66 / 49 / 0 / 25

HEX #4062BF

RGB 64 98 191

HSL 223.94, 0.5%, 0.5%

LAB 43.63, 18.37, -52.58

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 66 / 0 / 58 / 25

HEX #40BF51

RGB 64 191 81

HSL 128.03, 0.5%, 0.5%

LAB 68.71, -57.07, 44.8

 

CMYK 58 / 66 / 0 / 25

HEX #5140BF

RGB 81 64 191

HSL 248.03, 0.5%, 0.5%

LAB 36.32, 42.43, -64.38

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 22 / 0 / 66 / 25

HEX #95BF40

RGB 149 191 64

HSL 79.84, 0.5%, 0.5%

LAB 72.24, -32.7, 57.16

 

CMYK 66 / 9 / 0 / 25

HEX #40AEBF

RGB 64 174 191

HSL 188.03, 0.5%, 0.5%

LAB 65.84, -25.5, -17.85

 

CMYK 45 / 66 / 0 / 25

HEX #6A40BF

RGB 106 64 191

HSL 259.84, 0.5%, 0.5%

LAB 38.71, 46.88, -60.39

 

CMYK 0 / 58 / 66 / 25

HEX #BF5140

RGB 191 81 64

HSL 8.03, 0.5%, 0.5%

LAB 48.67, 43.09, 31.93

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF40

RGB 111 191 64

HSL 97.8, 0.5%, 0.5%

LAB 70.18, -46.44, 54.36

 

CMYK 66 / 9 / 0 / 25

HEX #40AEBF

RGB 64 174 191

HSL 188.03, 0.5%, 0.5%

LAB 65.84, -25.5, -17.85

 

CMYK 24 / 66 / 0 / 25

HEX #9140BF

RGB 145 64 191

HSL 278.27, 0.5%, 0.5%

LAB 43.43, 55.02, -52.53

 

Description

Color code: HEX #BF5140 | qconv.com Color code: HEX #BF5140 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 81 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 81 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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