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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F8117 it is the complementary color #907EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F8117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6F8117: #748112, #859325, #96A538, #A7B74B and #B8C95E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F8117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6F8117: #6F8117, #5E6F04, #4D5D00, #3C4B00 and #2B3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

Complementary color

CMYK 38 / 46 / 0 / 9

HEX #907EE8

RGB 144 126 232

HSL 250.19, 0.7%, 0.7%

LAB 58.67, 31.41, -51.52

 

CMYK 10 / 0 / 86 / 49

HEX #748112

RGB 116 129 18

HSL 67.03, 0.76%, 0.29%

LAB 51.22, -18.56, 52.13

 

CMYK 10 / 0 / 75 / 42

HEX #859325

RGB 133 147 37

HSL 67.64, 0.6%, 0.36%

LAB 58.03, -19.51, 52.86

 

CMYK 9 / 0 / 66 / 35

HEX #96A538

RGB 150 165 56

HSL 68.26, 0.49%, 0.43%

LAB 64.71, -20.23, 52.57

 

CMYK 9 / 0 / 59 / 28

HEX #A7B74B

RGB 167 183 75

HSL 68.89, 0.43%, 0.51%

LAB 71.28, -20.77, 51.8

 

CMYK 8 / 0 / 53 / 21

HEX #B8C95E

RGB 184 201 94

HSL 69.53, 0.5%, 0.58%

LAB 77.74, -21.19, 50.79

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 15 / 0 / 96 / 56

HEX #5E6F04

RGB 94 111 4

HSL 69.53, 0.93%, 0.23%

LAB 43.88, -19.56, 48.56

 

CMYK 17 / 0 / 100 / 64

HEX #4D5D00

RGB 77 93 0

HSL 70.32, 1%, 0.18%

LAB 36.76, -18.06, 43.57

 

CMYK 20 / 0 / 100 / 71

HEX #3C4B00

RGB 60 75 0

HSL 72, 1%, 0.15%

LAB 29.39, -16.41, 37.44

 

CMYK 25 / 0 / 100 / 78

HEX #2B3900

RGB 43 57 0

HSL 74.74, 1%, 0.11%

LAB 21.73, -14.72, 29.82

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 28 / 0 / 83 / 49

HEX #5E8216

RGB 94 130 22

HSL 80, 0.71%, 0.3%

LAB 49.98, -28.49, 49.34

 

CMYK 42 / 0 / 83 / 49

HEX #4C8216

RGB 76 130 22

HSL 90, 0.71%, 0.3%

LAB 48.96, -35.53, 48.03

 

CMYK 55 / 0 / 83 / 49

HEX #3A8216

RGB 58 130 22

HSL 100, 0.71%, 0.3%

LAB 48.16, -41.53, 47

 

CMYK 69 / 0 / 83 / 49

HEX #288216

RGB 40 130 22

HSL 110, 0.71%, 0.3%

LAB 47.59, -46.18, 46.26

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 14 / 0 / 82 / 29

HEX #9BB420

RGB 155 180 32

HSL 70.14, 0.7%, 0.42%

LAB 69.27, -26.72, 65.22

 

CMYK 14 / 0 / 82 / 9

HEX #C7E729

RGB 199 231 41

HSL 70.11, 0.8%, 0.53%

LAB 86.73, -32.47, 79.31

 

CMYK 15 / 0 / 81 / 89

HEX #171B05

RGB 23 27 5

HSL 70.91, 0.69%, 0.06%

LAB 8.8, -6.27, 11

 

CMYK 14 / 0 / 82 / 69

HEX #434E0E

RGB 67 78 14

HSL 70.31, 0.7%, 0.18%

LAB 31.05, -14, 33.9

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 83 / 0 / 52 / 49

HEX #16823E

RGB 22 130 62

HSL 142.22, 0.71%, 0.3%

LAB 47.6, -44.72, 28.58

 

CMYK 19 / 83 / 0 / 49

HEX #691682

RGB 105 22 130

HSL 286.11, 0.71%, 0.3%

LAB 27.27, 50.66, -42.02

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 83 / 14 / 0 / 49

HEX #167082

RGB 22 112 130

HSL 190, 0.71%, 0.3%

LAB 43.32, -18.42, -17.13

 

CMYK 0 / 83 / 14 / 49

HEX #821670

RGB 130 22 112

HSL 310, 0.71%, 0.3%

LAB 30.62, 52.78, -25.01

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 83 / 0 / 52 / 49

HEX #16823E

RGB 22 130 62

HSL 142.22, 0.71%, 0.3%

LAB 47.6, -44.72, 28.58

 

CMYK 69 / 83 / 0 / 49

HEX #281682

RGB 40 22 130

HSL 250, 0.71%, 0.3%

LAB 18.53, 40.89, -56.67

 

CMYK 0 / 83 / 31 / 49

HEX #82165A

RGB 130 22 90

HSL 322.22, 0.71%, 0.3%

LAB 29.56, 49.76, -12.42

 

CMYK 14 / 0 / 82 / 49

HEX #6F8117

RGB 111 129 23

HSL 70.19, 0.7%, 0.3%

LAB 50.85, -20.62, 50.26

 

CMYK 83 / 0 / 28 / 49

HEX #16825E

RGB 22 130 94

HSL 160, 0.71%, 0.3%

LAB 48.19, -38.04, 11.4

 

CMYK 69 / 83 / 0 / 49

HEX #281682

RGB 40 22 130

HSL 250, 0.71%, 0.3%

LAB 18.53, 40.89, -56.67

 

CMYK 0 / 83 / 55 / 49

HEX #82163A

RGB 130 22 58

HSL 340, 0.71%, 0.3%

LAB 28.45, 46.47, 7.24

 

Description

Color code: HEX #6F8117 | qconv.com Color code: HEX #6F8117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 129 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 129 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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