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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F232D it is the complementary color #90DCD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F232D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6F232D: #742328, #85353B, #96474E, #A75961 and #B86B74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F232D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6F232D: #6F232D, #5E111A, #4D0007, #3C0000 and #2B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

Complementary color

CMYK 35 / 0 / 5 / 14

HEX #90DCD2

RGB 144 220 210

HSL 172.11, 0.52%, 0.71%

LAB 82.79, -25.65, -2.55

 

CMYK 0 / 70 / 66 / 55

HEX #742328

RGB 116 35 40

HSL 356.3, 0.54%, 0.3%

LAB 26.93, 35.78, 16.76

 

CMYK 0 / 60 / 56 / 48

HEX #85353B

RGB 133 53 59

HSL 355.5, 0.43%, 0.36%

LAB 33.67, 34.9, 13.85

 

CMYK 0 / 53 / 48 / 41

HEX #96474E

RGB 150 71 78

HSL 354.68, 0.36%, 0.43%

LAB 40.48, 33.82, 11.62

 

CMYK 0 / 47 / 42 / 35

HEX #A75961

RGB 167 89 97

HSL 353.85, 0.31%, 0.5%

LAB 47.27, 32.74, 9.85

 

CMYK 0 / 42 / 37 / 28

HEX #B86B74

RGB 184 107 116

HSL 352.99, 0.35%, 0.57%

LAB 53.99, 31.71, 8.37

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 0 / 82 / 72 / 63

HEX #5E111A

RGB 94 17 26

HSL 352.99, 0.69%, 0.22%

LAB 19.45, 34.56, 15.83

 

CMYK 0 / 100 / 91 / 70

HEX #4D0007

RGB 77 0 7

HSL 354.55, 1%, 0.15%

LAB 13.19, 33.92, 17.8

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 0 / 66 / 69 / 56

HEX #702623

RGB 112 38 35

HSL 2.34, 0.52%, 0.29%

LAB 26.6, 32.53, 19.46

 

CMYK 0 / 55 / 69 / 56

HEX #703223

RGB 112 50 35

HSL 11.69, 0.52%, 0.29%

LAB 29.02, 26.2, 22.42

 

CMYK 0 / 44 / 69 / 56

HEX #703F23

RGB 112 63 35

HSL 21.82, 0.52%, 0.29%

LAB 32.08, 18.63, 26.03

 

CMYK 0 / 32 / 69 / 56

HEX #704C23

RGB 112 76 35

HSL 31.95, 0.52%, 0.29%

LAB 35.47, 10.76, 29.91

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 0 / 69 / 59 / 36

HEX #A23342

RGB 162 51 66

HSL 351.89, 0.52%, 0.42%

LAB 38.62, 46.63, 16.95

 

CMYK 0 / 69 / 60 / 16

HEX #D54356

RGB 213 67 86

HSL 352.19, 0.63%, 0.55%

LAB 50.49, 58.05, 22.06

 

CMYK 0 / 67 / 56 / 96

HEX #090304

RGB 9 3 4

HSL 350, 0.5%, 0.02%

LAB 1.19, 1.71, 0.17

 

CMYK 0 / 68 / 60 / 76

HEX #3C1318

RGB 60 19 24

HSL 352.68, 0.52%, 0.15%

LAB 12.56, 20.7, 6.9

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 4 / 0 / 69 / 56

HEX #6B7023

RGB 107 112 35

HSL 63.9, 0.52%, 0.29%

LAB 45.41, -12.74, 40.44

 

CMYK 69 / 32 / 0 / 56

HEX #234C70

RGB 35 76 112

HSL 208.05, 0.52%, 0.29%

LAB 31.1, -1.74, -24.97

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 60 / 0 / 69 / 56

HEX #2D7023

RGB 45 112 35

HSL 112.21, 0.52%, 0.29%

LAB 41.64, -37.08, 35.31

 

CMYK 69 / 60 / 0 / 56

HEX #232D70

RGB 35 45 112

HSL 232.21, 0.52%, 0.29%

LAB 21.59, 19.59, -40.16

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 4 / 0 / 69 / 56

HEX #6B7023

RGB 107 112 35

HSL 63.9, 0.52%, 0.29%

LAB 45.41, -12.74, 40.44

 

CMYK 69 / 0 / 9 / 56

HEX #237066

RGB 35 112 102

HSL 172.21, 0.52%, 0.29%

LAB 42.62, -25.74, -1.28

 

CMYK 64 / 69 / 0 / 56

HEX #282370

RGB 40 35 112

HSL 243.9, 0.52%, 0.29%

LAB 19.32, 27.3, -43.85

 

CMYK 0 / 68 / 59 / 56

HEX #6F232D

RGB 111 35 45

HSL 352.11, 0.52%, 0.29%

LAB 26.07, 34.35, 12.12

 

CMYK 25 / 0 / 69 / 56

HEX #547023

RGB 84 112 35

HSL 81.82, 0.52%, 0.29%

LAB 43.65, -23, 38.06

 

CMYK 69 / 0 / 9 / 56

HEX #237066

RGB 35 112 102

HSL 172.21, 0.52%, 0.29%

LAB 42.62, -25.74, -1.28

 

CMYK 44 / 69 / 0 / 56

HEX #3F2370

RGB 63 35 112

HSL 261.82, 0.52%, 0.29%

LAB 21.68, 31.84, -39.9

 

Description

Color code: HEX #6F232D | qconv.com Color code: HEX #6F232D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 35 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 35 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 59 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 59% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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