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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F1492 it is the complementary color #90EB6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F1492. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F1492 shade: #74148D, #8526A0, #9638B3, #A74AC6 and #B85CD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F1492. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F1492 shade: #6F1492, #5E027F, #4D006C, #3C0059 and #2B0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F1492 shade: #711494, #931494, #941473, #941450 and #94142E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F1492 shade: #711494, #4E1494, #2C1494 and #141494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F1492 shade matches the following richer shades: #711494 and #7707A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F1492 shade: #711494, #6B2286, #642F79, #5E3D6B and #584B5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F1492 shade: #2C1494, #4E1494, #701494, #921494 and #941474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F1492 shade: #390A4B, #550F70, #711494, #8C19B8 and #A81EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F1492 shade: #6F1492, #94141F and #14943D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F1492 shade: #6F1492, #947014 and #149470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F1492 shade: #6F1492, #94141F, #389414 and #149489

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F1492 shade: #6F1492, #943014, #389414 and #147894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

Complementary color

CMYK 39 / 0 / 54 / 8

HEX #90EB6D

RGB 144 235 109

HSL 103.33, 0.76%, 0.67%

LAB 85.23, -49.61, 52.1

 

CMYK 18 / 86 / 0 / 45

HEX #74148D

RGB 116 20 141

HSL 287.6, 0.75%, 0.32%

LAB 29.75, 55.42, -44.77

 

CMYK 17 / 76 / 0 / 37

HEX #8526A0

RGB 133 38 160

HSL 286.72, 0.62%, 0.39%

LAB 35.81, 56.78, -46.48

 

CMYK 16 / 69 / 0 / 30

HEX #9638B3

RGB 150 56 179

HSL 285.85, 0.52%, 0.46%

LAB 42.1, 57.15, -47.58

 

CMYK 16 / 63 / 0 / 22

HEX #A74AC6

RGB 167 74 198

HSL 285, 0.52%, 0.53%

LAB 48.5, 56.95, -48.31

 

CMYK 15 / 58 / 0 / 15

HEX #B85CD9

RGB 184 92 217

HSL 284.16, 0.62%, 0.61%

LAB 54.92, 56.46, -48.8

 

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

CMYK 26 / 98 / 0 / 50

HEX #5E027F

RGB 94 2 127

HSL 284.16, 0.97%, 0.25%

LAB 23.52, 52.96, -46.29

 

CMYK 29 / 100 / 0 / 58

HEX #4D006C

RGB 77 0 108

HSL 282.78, 1%, 0.21%

LAB 18.63, 47.21, -42.18

 

CMYK 33 / 100 / 0 / 65

HEX #3C0059

RGB 60 0 89

HSL 280.45, 1%, 0.17%

LAB 13.72, 40.84, -37.72

 

CMYK 39 / 100 / 0 / 73

HEX #2B0046

RGB 43 0 70

HSL 276.86, 1%, 0.14%

LAB 8.62, 34.23, -33.1

 

CMYK 24 / 86 / 0 / 42

HEX #711494

RGB 113 20 148

HSL 283.59, 0.76%, 0.33%

LAB 29.79, 56.27, -49.07

 

CMYK 1 / 86 / 0 / 42

HEX #931494

RGB 147 20 148

HSL 299.53, 0.76%, 0.33%

LAB 35.68, 62.39, -39.28

 

CMYK 0 / 86 / 22 / 42

HEX #941473

RGB 148 20 115

HSL 315.47, 0.76%, 0.33%

LAB 34.05, 57.76, -21.29

 

CMYK 0 / 86 / 46 / 42

HEX #941450

RGB 148 20 80

HSL 331.88, 0.76%, 0.33%

LAB 32.65, 53.81, -0.86

 

CMYK 0 / 86 / 69 / 42

HEX #94142E

RGB 148 20 46

HSL 347.81, 0.76%, 0.33%

LAB 31.79, 51.32, 20.35

 

CMYK 24 / 86 / 0 / 42

HEX #711494

RGB 113 20 148

HSL 283.59, 0.76%, 0.33%

LAB 29.79, 56.27, -49.07

 

CMYK 47 / 86 / 0 / 42

HEX #4E1494

RGB 78 20 148

HSL 267.19, 0.76%, 0.33%

LAB 24.51, 51.06, -57.91

 

CMYK 70 / 86 / 0 / 42

HEX #2C1494

RGB 44 20 148

HSL 251.25, 0.76%, 0.33%

LAB 20.73, 47.56, -64.28

 

CMYK 86 / 86 / 0 / 42

HEX #141494

RGB 20 20 148

HSL 240, 0.76%, 0.33%

LAB 19.17, 46.2, -66.91

 

CMYK 24 / 86 / 0 / 42

HEX #711494

RGB 113 20 148

HSL 283.59, 0.76%, 0.33%

LAB 29.79, 56.27, -49.07

 

CMYK 27 / 96 / 0 / 36

HEX #7707A2

RGB 119 7 162

HSL 283.35, 0.92%, 0.33%

LAB 31.07, 62.44, -55.48

 

CMYK 24 / 86 / 0 / 42

HEX #711494

RGB 113 20 148

HSL 283.59, 0.76%, 0.33%

LAB 29.79, 56.27, -49.07

 

CMYK 20 / 75 / 0 / 47

HEX #6B2286

RGB 107 34 134

HSL 283.8, 0.6%, 0.33%

LAB 29.39, 47.56, -41.08

 

CMYK 17 / 61 / 0 / 53

HEX #642F79

RGB 100 47 121

HSL 282.97, 0.44%, 0.33%

LAB 29.72, 36.77, -32.46

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 6 / 20 / 0 / 63

HEX #584B5E

RGB 88 75 94

HSL 281.05, 0.11%, 0.33%

LAB 33.81, 9.45, -9.12

 

CMYK 70 / 86 / 0 / 42

HEX #2C1494

RGB 44 20 148

HSL 251.25, 0.76%, 0.33%

LAB 20.73, 47.56, -64.28

 

CMYK 47 / 86 / 0 / 42

HEX #4E1494

RGB 78 20 148

HSL 267.19, 0.76%, 0.33%

LAB 24.51, 51.06, -57.91

 

CMYK 24 / 86 / 0 / 42

HEX #701494

RGB 112 20 148

HSL 283.13, 0.76%, 0.33%

LAB 29.62, 56.11, -49.34

 

CMYK 1 / 86 / 0 / 42

HEX #921494

RGB 146 20 148

HSL 299.06, 0.76%, 0.33%

LAB 35.5, 62.2, -39.57

 

CMYK 0 / 86 / 22 / 42

HEX #941474

RGB 148 20 116

HSL 315, 0.76%, 0.33%

LAB 34.1, 57.89, -21.85

 

CMYK 24 / 87 / 0 / 71

HEX #390A4B

RGB 57 10 75

HSL 283.38, 0.76%, 0.17%

LAB 13.2, 33.3, -29.02

 

CMYK 24 / 87 / 0 / 56

HEX #550F70

RGB 85 15 112

HSL 283.3, 0.76%, 0.25%

LAB 21.74, 45.33, -39.66

 

CMYK 24 / 86 / 0 / 42

HEX #711494

RGB 113 20 148

HSL 283.59, 0.76%, 0.33%

LAB 29.79, 56.27, -49.07

 

CMYK 24 / 86 / 0 / 28

HEX #8C19B8

RGB 140 25 184

HSL 283.4, 0.76%, 0.41%

LAB 37.36, 66.49, -58.27

 

CMYK 24 / 86 / 0 / 13

HEX #A81EDD

RGB 168 30 221

HSL 283.35, 0.76%, 0.49%

LAB 44.9, 76.63, -67.31

 

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

CMYK 0 / 86 / 79 / 42

HEX #94141F

RGB 148 20 31

HSL 354.84, 0.76%, 0.33%

LAB 31.57, 50.66, 29.62

 

CMYK 86 / 0 / 59 / 42

HEX #14943D

RGB 20 148 61

HSL 139.22, 0.76%, 0.33%

LAB 53.67, -51.43, 36.43

 

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

CMYK 0 / 24 / 86 / 42

HEX #947014

RGB 148 112 20

HSL 43.13, 0.76%, 0.33%

LAB 49.42, 5.87, 51.27

 

CMYK 86 / 0 / 24 / 42

HEX #149470

RGB 20 148 112

HSL 163.13, 0.76%, 0.33%

LAB 54.55, -41.29, 9.99

 

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

CMYK 0 / 86 / 79 / 42

HEX #94141F

RGB 148 20 31

HSL 354.84, 0.76%, 0.33%

LAB 31.57, 50.66, 29.62

 

CMYK 62 / 0 / 86 / 42

HEX #389414

RGB 56 148 20

HSL 103.13, 0.76%, 0.33%

LAB 54.1, -48.94, 52.91

 

CMYK 86 / 0 / 7 / 42

HEX #149489

RGB 20 148 137

HSL 174.84, 0.76%, 0.33%

LAB 55.21, -34.4, -3.37

 

CMYK 24 / 86 / 0 / 43

HEX #6F1492

RGB 111 20 146

HSL 283.33, 0.76%, 0.33%

LAB 29.3, 55.54, -48.64

 

CMYK 0 / 68 / 86 / 42

HEX #943014

RGB 148 48 20

HSL 13.13, 0.76%, 0.33%

LAB 34.92, 40.71, 38.93

 

CMYK 62 / 0 / 86 / 42

HEX #389414

RGB 56 148 20

HSL 103.13, 0.76%, 0.33%

LAB 54.1, -48.94, 52.91

 

CMYK 86 / 19 / 0 / 42

HEX #147894

RGB 20 120 148

HSL 193.13, 0.76%, 0.33%

LAB 46.6, -16.6, -22.78

 

Description

Color code: HEX #6F1492 | qconv.com Color code: HEX #6F1492 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 20 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 20 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 86 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 86% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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