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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3D6B it is the complementary color #A1C294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3D6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3D6B shade: #633D66, #744F79, #85618C, #96739F and #A785B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3D6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3D6B shade: #5E3D6B, #4D2B58, #3C1945, #2B0732 and #1A001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3D6B shade: #5E3D6B, #6A3D6B, #6B3D5F, #6B3D53 and #6B3D47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3D6B shade: #5E3D6B, #523D6B, #463D6B and #3D3D6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3D6B shade matches the following richer shades: #5E3D6B, #643078, #6A2286, #701594 and #7607A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3D6B shade: #5E3D6B, #584B5D, #525950, #4C6642 and #467434

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3D6B shade: #463D6B, #523D6B, #5E3D6B, #6A3D6B and #6B3D60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3D6B shade: #301F36, #472E51, #5E3D6B, #754C85 and #8C5C9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3D6B shade: #5E3D6B, #6B3D41 and #3D6B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3D6B shade: #5E3D6B, #6B5E3D and #3D6B5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3D6B shade: #5E3D6B, #6B3D41, #4A6B3D and #3D6B67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3D6B shade: #5E3D6B, #6B473D, #4A6B3D and #3D616B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

Complementary color

CMYK 17 / 0 / 24 / 24

HEX #A1C294

RGB 161 194 148

HSL 103.04, 0.27%, 0.67%

LAB 75.01, -19.69, 19.57

 

CMYK 3 / 40 / 0 / 60

HEX #633D66

RGB 99 61 102

HSL 295.61, 0.25%, 0.32%

LAB 31.69, 24.11, -17.32

 

CMYK 4 / 35 / 0 / 53

HEX #744F79

RGB 116 79 121

HSL 292.86, 0.21%, 0.39%

LAB 39.05, 23.29, -17.72

 

CMYK 5 / 31 / 0 / 45

HEX #85618C

RGB 133 97 140

HSL 290.23, 0.18%, 0.46%

LAB 46.22, 22.53, -18.08

 

CMYK 6 / 28 / 0 / 38

HEX #96739F

RGB 150 115 159

HSL 287.73, 0.19%, 0.54%

LAB 53.22, 21.85, -18.42

 

CMYK 6 / 25 / 0 / 30

HEX #A785B2

RGB 167 133 178

HSL 285.33, 0.23%, 0.61%

LAB 60.07, 21.23, -18.76

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 13 / 51 / 0 / 65

HEX #4D2B58

RGB 77 43 88

HSL 285.33, 0.34%, 0.26%

LAB 23.7, 24.41, -20.89

 

CMYK 13 / 64 / 0 / 73

HEX #3C1945

RGB 60 25 69

HSL 287.73, 0.47%, 0.18%

LAB 15.93, 25.24, -20.46

 

CMYK 14 / 86 / 0 / 80

HEX #2B0732

RGB 43 7 50

HSL 290.23, 0.75%, 0.11%

LAB 8.09, 25.57, -19.56

 

CMYK 16 / 100 / 0 / 88

HEX #1A001F

RGB 26 0 31

HSL 290.32, 1%, 0.06%

LAB 2.88, 15.18, -13.42

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 1 / 43 / 0 / 58

HEX #6A3D6B

RGB 106 61 107

HSL 298.7, 0.27%, 0.33%

LAB 32.84, 27.61, -18.65

 

CMYK 0 / 43 / 11 / 58

HEX #6B3D5F

RGB 107 61 95

HSL 315.65, 0.27%, 0.33%

LAB 32.46, 25.57, -11.58

 

CMYK 0 / 43 / 22 / 58

HEX #6B3D53

RGB 107 61 83

HSL 331.3, 0.27%, 0.33%

LAB 32.01, 23.42, -4.55

 

CMYK 0 / 43 / 34 / 58

HEX #6B3D47

RGB 107 61 71

HSL 346.96, 0.27%, 0.33%

LAB 31.62, 21.53, 2.64

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 23 / 43 / 0 / 58

HEX #523D6B

RGB 82 61 107

HSL 267.39, 0.27%, 0.33%

LAB 29.89, 19.48, -23.46

 

CMYK 35 / 43 / 0 / 58

HEX #463D6B

RGB 70 61 107

HSL 251.74, 0.27%, 0.33%

LAB 28.65, 15.62, -25.51

 

CMYK 43 / 43 / 0 / 58

HEX #3D3D6B

RGB 61 61 107

HSL 240, 0.27%, 0.33%

LAB 27.82, 12.9, -26.86

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 17 / 60 / 0 / 53

HEX #643078

RGB 100 48 120

HSL 283.33, 0.43%, 0.33%

LAB 29.86, 36.01, -31.6

 

CMYK 21 / 75 / 0 / 47

HEX #6A2286

RGB 106 34 134

HSL 283.2, 0.6%, 0.33%

LAB 29.23, 47.34, -41.34

 

CMYK 24 / 86 / 0 / 42

HEX #701594

RGB 112 21 148

HSL 282.99, 0.75%, 0.33%

LAB 29.71, 55.84, -49.2

 

CMYK 27 / 96 / 0 / 37

HEX #7607A1

RGB 118 7 161

HSL 283.25, 0.92%, 0.33%

LAB 30.82, 62.11, -55.29

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 5 / 19 / 0 / 64

HEX #584B5D

RGB 88 75 93

HSL 283.33, 0.11%, 0.33%

LAB 33.77, 9.22, -8.54

 

CMYK 8 / 0 / 10 / 65

HEX #525950

RGB 82 89 80

HSL 106.67, 0.05%, 0.33%

LAB 36.96, -4.69, 4.26

 

CMYK 25 / 0 / 35 / 60

HEX #4C6642

RGB 76 102 66

HSL 103.33, 0.21%, 0.33%

LAB 40.3, -17.2, 17.33

 

CMYK 40 / 0 / 55 / 55

HEX #467434

RGB 70 116 52

HSL 103.13, 0.38%, 0.33%

LAB 44.29, -28.73, 30.18

 

CMYK 35 / 43 / 0 / 58

HEX #463D6B

RGB 70 61 107

HSL 251.74, 0.27%, 0.33%

LAB 28.65, 15.62, -25.51

 

CMYK 23 / 43 / 0 / 58

HEX #523D6B

RGB 82 61 107

HSL 267.39, 0.27%, 0.33%

LAB 29.89, 19.48, -23.46

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 1 / 43 / 0 / 58

HEX #6A3D6B

RGB 106 61 107

HSL 298.7, 0.27%, 0.33%

LAB 32.84, 27.61, -18.65

 

CMYK 0 / 43 / 10 / 58

HEX #6B3D60

RGB 107 61 96

HSL 314.35, 0.27%, 0.33%

LAB 32.5, 25.76, -12.16

 

CMYK 11 / 43 / 0 / 79

HEX #301F36

RGB 48 31 54

HSL 284.35, 0.27%, 0.17%

LAB 14.82, 13.35, -11.81

 

CMYK 12 / 43 / 0 / 68

HEX #472E51

RGB 71 46 81

HSL 282.86, 0.28%, 0.25%

LAB 23.3, 18.72, -16.94

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 12 / 43 / 0 / 48

HEX #754C85

RGB 117 76 133

HSL 283.16, 0.27%, 0.41%

LAB 38.97, 28.06, -25.18

 

CMYK 12 / 42 / 0 / 38

HEX #8C5C9F

RGB 140 92 159

HSL 282.99, 0.27%, 0.49%

LAB 46.62, 31.87, -28.69

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 0 / 43 / 39 / 58

HEX #6B3D41

RGB 107 61 65

HSL 354.78, 0.27%, 0.33%

LAB 31.45, 20.69, 6.28

 

CMYK 43 / 0 / 29 / 58

HEX #3D6B4C

RGB 61 107 76

HSL 139.57, 0.27%, 0.33%

LAB 41.26, -23.34, 12.55

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 0 / 12 / 43 / 58

HEX #6B5E3D

RGB 107 94 61

HSL 43.04, 0.27%, 0.33%

LAB 40.36, 0.06, 20.84

 

CMYK 43 / 0 / 12 / 58

HEX #3D6B5E

RGB 61 107 94

HSL 163.04, 0.27%, 0.33%

LAB 41.71, -19.17, 2.35

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 0 / 43 / 39 / 58

HEX #6B3D41

RGB 107 61 65

HSL 354.78, 0.27%, 0.33%

LAB 31.45, 20.69, 6.28

 

CMYK 31 / 0 / 43 / 58

HEX #4A6B3D

RGB 74 107 61

HSL 103.04, 0.27%, 0.33%

LAB 41.7, -21.46, 22.05

 

CMYK 43 / 0 / 4 / 58

HEX #3D6B67

RGB 61 107 103

HSL 174.78, 0.27%, 0.33%

LAB 41.98, -16.81, -2.72

 

CMYK 12 / 43 / 0 / 58

HEX #5E3D6B

RGB 94 61 107

HSL 283.04, 0.27%, 0.33%

LAB 31.3, 23.51, -21.16

 

CMYK 0 / 34 / 43 / 58

HEX #6B473D

RGB 107 71 61

HSL 13.04, 0.27%, 0.33%

LAB 33.92, 14.06, 12.27

 

CMYK 31 / 0 / 43 / 58

HEX #4A6B3D

RGB 74 107 61

HSL 103.04, 0.27%, 0.33%

LAB 41.7, -21.46, 22.05

 

CMYK 43 / 9 / 0 / 58

HEX #3D616B

RGB 61 97 107

HSL 193.04, 0.27%, 0.33%

LAB 38.9, -10, -9.74

 

Description

Color code: HEX #5E3D6B | qconv.com Color code: HEX #5E3D6B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 61 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 61 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 43 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 43% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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