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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EEA77 it is the complementary color #911588. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EEA77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EEA77 shade: #73EA72, #84FC85, #95FF98, #A6FFAB and #B7FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EEA77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EEA77 shade: #6EEA77, #5DD864, #4CC651, #3BB43E and #2AA22B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EEA77 shade: #6CEA75, #85EA6C, #A7EA6C, #C9EA6C and #EAE96C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EEA77 shade: #6CEA75, #6CEA97, #6CEAB9, #6CEADB and #6CD7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EEA77 shade matches the following richer shades: #6CEA75 and #5EF869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EEA77 shade: #6CEA75, #79DC81, #87CF8C, #95C198 and #A2B4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EEA77 shade: #A7EA6C, #85EA6C, #6CEA74, #6CEA96 and #6CEAB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EEA77 shade: #24E031, #48E553, #6CEA75, #90EF97 and #B4F4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EEA77 shade: #6EEA77, #6CC8EA and #EA6C96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EEA77 shade: #6EEA77, #746CEA and #EA746C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EEA77 shade: #6EEA77, #6CC8EA, #EA6CE2 and #EA8D6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EEA77 shade: #6EEA77, #6CA2EA, #EA6CE2 and #EAB36C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

Complementary color

CMYK 0 / 86 / 6 / 43

HEX #911588

RGB 145 21 136

HSL 304.35, 0.75%, 0.33%

LAB 34.67, 59.9, -33.52

 

CMYK 51 / 0 / 51 / 8

HEX #73EA72

RGB 115 234 114

HSL 119.5, 0.74%, 0.68%

LAB 83.81, -57, 47.8

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 42 / 0 / 40 / 0

HEX #95FF98

RGB 149 255 152

HSL 121.7, 1%, 0.79%

LAB 91.76, -50.84, 39.81

 

CMYK 35 / 0 / 33 / 0

HEX #A6FFAB

RGB 166 255 171

HSL 123.37, 1%, 0.83%

LAB 92.82, -42.94, 31.94

 

CMYK 28 / 0 / 25 / 0

HEX #B7FFBE

RGB 183 255 190

HSL 125.83, 1%, 0.86%

LAB 94.01, -34.63, 24.11

 

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

CMYK 57 / 0 / 54 / 15

HEX #5DD864

RGB 93 216 100

HSL 123.41, 0.61%, 0.61%

LAB 77.5, -57.46, 46.55

 

CMYK 62 / 0 / 59 / 22

HEX #4CC651

RGB 76 198 81

HSL 122.46, 0.52%, 0.54%

LAB 71.23, -57.08, 47.81

 

CMYK 67 / 0 / 66 / 29

HEX #3BB43E

RGB 59 180 62

HSL 121.49, 0.51%, 0.47%

LAB 64.9, -56.38, 48.94

 

CMYK 74 / 0 / 73 / 36

HEX #2AA22B

RGB 42 162 43

HSL 120.5, 0.59%, 0.4%

LAB 58.52, -55.19, 49.72

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA75

RGB 108 234 117

HSL 124.29, 0.75%, 0.67%

LAB 83.61, -58.38, 46.08

 

CMYK 43 / 0 / 54 / 8

HEX #85EA6C

RGB 133 234 108

HSL 108.1, 0.75%, 0.67%

LAB 84.44, -52.69, 51.5

 

CMYK 29 / 0 / 54 / 8

HEX #A7EA6C

RGB 167 234 108

HSL 91.9, 0.75%, 0.67%

LAB 86.08, -41.64, 53.84

 

CMYK 14 / 0 / 54 / 8

HEX #C9EA6C

RGB 201 234 108

HSL 75.71, 0.75%, 0.67%

LAB 88.13, -29.15, 56.77

 

CMYK 0 / 0 / 54 / 8

HEX #EAE96C

RGB 234 233 108

HSL 59.52, 0.75%, 0.67%

LAB 90.25, -15.73, 59.83

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA75

RGB 108 234 117

HSL 124.29, 0.75%, 0.67%

LAB 83.61, -58.38, 46.08

 

CMYK 54 / 0 / 35 / 8

HEX #6CEA97

RGB 108 234 151

HSL 140.48, 0.75%, 0.67%

LAB 84.11, -53.1, 29.94

 

CMYK 54 / 0 / 21 / 8

HEX #6CEAB9

RGB 108 234 185

HSL 156.67, 0.75%, 0.67%

LAB 84.76, -46.45, 13.28

 

CMYK 54 / 0 / 6 / 8

HEX #6CEADB

RGB 108 234 219

HSL 172.86, 0.75%, 0.67%

LAB 85.58, -38.58, -3.38

 

CMYK 54 / 8 / 0 / 8

HEX #6CD7EA

RGB 108 215 234

HSL 189.05, 0.75%, 0.67%

LAB 80.59, -25.66, -18.77

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA75

RGB 108 234 117

HSL 124.29, 0.75%, 0.67%

LAB 83.61, -58.38, 46.08

 

CMYK 62 / 0 / 58 / 3

HEX #5EF869

RGB 94 248 105

HSL 124.29, 0.92%, 0.67%

LAB 87.26, -68.11, 55.84

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA75

RGB 108 234 117

HSL 124.29, 0.75%, 0.67%

LAB 83.61, -58.38, 46.08

 

CMYK 45 / 0 / 41 / 14

HEX #79DC81

RGB 121 220 129

HSL 124.85, 0.59%, 0.67%

LAB 80.09, -47.64, 35.87

 

CMYK 35 / 0 / 32 / 19

HEX #87CF8C

RGB 135 207 140

HSL 124.17, 0.43%, 0.67%

LAB 77.08, -36.01, 26.37

 

CMYK 23 / 0 / 21 / 24

HEX #95C198

RGB 149 193 152

HSL 124.09, 0.26%, 0.67%

LAB 74.06, -22.67, 15.99

 

CMYK 10 / 0 / 9 / 29

HEX #A2B4A3

RGB 162 180 163

HSL 123.33, 0.11%, 0.67%

LAB 71.53, -9.5, 6.55

 

CMYK 29 / 0 / 54 / 8

HEX #A7EA6C

RGB 167 234 108

HSL 91.9, 0.75%, 0.67%

LAB 86.08, -41.64, 53.84

 

CMYK 43 / 0 / 54 / 8

HEX #85EA6C

RGB 133 234 108

HSL 108.1, 0.75%, 0.67%

LAB 84.44, -52.69, 51.5

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA74

RGB 108 234 116

HSL 123.81, 0.75%, 0.67%

LAB 83.6, -58.52, 46.54

 

CMYK 54 / 0 / 36 / 8

HEX #6CEA96

RGB 108 234 150

HSL 140, 0.75%, 0.67%

LAB 84.09, -53.28, 30.43

 

CMYK 54 / 0 / 22 / 8

HEX #6CEAB7

RGB 108 234 183

HSL 155.71, 0.75%, 0.67%

LAB 84.72, -46.88, 14.27

 

CMYK 84 / 0 / 78 / 12

HEX #24E031

RGB 36 224 49

HSL 124.15, 0.75%, 0.51%

LAB 78.41, -74.49, 67.32

 

CMYK 69 / 0 / 64 / 10

HEX #48E553

RGB 72 229 83

HSL 124.2, 0.75%, 0.59%

LAB 80.76, -68.33, 57.7

 

CMYK 54 / 0 / 50 / 8

HEX #6CEA75

RGB 108 234 117

HSL 124.29, 0.75%, 0.67%

LAB 83.61, -58.38, 46.08

 

CMYK 40 / 0 / 37 / 6

HEX #90EF97

RGB 144 239 151

HSL 124.42, 0.75%, 0.75%

LAB 86.95, -45.69, 33.97

 

CMYK 26 / 0 / 24 / 4

HEX #B4F4B9

RGB 180 244 185

HSL 124.69, 0.74%, 0.83%

LAB 90.74, -31.32, 22.11

 

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

CMYK 54 / 15 / 0 / 8

HEX #6CC8EA

RGB 108 200 234

HSL 196.19, 0.75%, 0.67%

LAB 76.34, -18.11, -25.23

 

CMYK 0 / 54 / 36 / 8

HEX #EA6C96

RGB 234 108 150

HSL 340, 0.75%, 0.67%

LAB 62.01, 52.85, 1.03

 

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

CMYK 50 / 54 / 0 / 8

HEX #746CEA

RGB 116 108 234

HSL 243.81, 0.75%, 0.67%

LAB 52.26, 36.13, -63.02

 

CMYK 0 / 50 / 54 / 8

HEX #EA746C

RGB 234 116 108

HSL 3.81, 0.75%, 0.67%

LAB 62.56, 44.86, 25.84

 

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

CMYK 54 / 15 / 0 / 8

HEX #6CC8EA

RGB 108 200 234

HSL 196.19, 0.75%, 0.67%

LAB 76.34, -18.11, -25.23

 

CMYK 0 / 54 / 3 / 8

HEX #EA6CE2

RGB 234 108 226

HSL 303.81, 0.75%, 0.67%

LAB 64.73, 63.62, -37.96

 

CMYK 0 / 40 / 54 / 8

HEX #EA8D6C

RGB 234 141 108

HSL 15.71, 0.75%, 0.67%

LAB 67.74, 32.07, 32.59

 

CMYK 53 / 0 / 49 / 8

HEX #6EEA77

RGB 110 234 119

HSL 124.35, 0.75%, 0.67%

LAB 83.7, -57.62, 45.26

 

CMYK 54 / 31 / 0 / 8

HEX #6CA2EA

RGB 108 162 234

HSL 214.29, 0.75%, 0.67%

LAB 65.72, 2.52, -41.65

 

CMYK 0 / 54 / 3 / 8

HEX #EA6CE2

RGB 234 108 226

HSL 303.81, 0.75%, 0.67%

LAB 64.73, 63.62, -37.96

 

CMYK 0 / 24 / 54 / 8

HEX #EAB36C

RGB 234 179 108

HSL 33.81, 0.75%, 0.67%

LAB 76.57, 11.92, 43.65

 

Description

Color code: HEX #6EEA77 | qconv.com Color code: HEX #6EEA77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 234 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 234 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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