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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84FC85 it is the complementary color #7B037A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84FC85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84FC85 shade: #89FC80, #9AFF93, #ABFFA6, #BCFFB9 and #CDFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84FC85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84FC85 shade: #84FC85, #73EA72, #62D85F, #51C64C and #40B439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84FC85 shade: #83FC84, #A2FC83, #C3FC83, #E4FC83 and #FCF383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84FC85 shade: #83FC84, #83FCA4, #83FCC5, #83FCE6 and #83F1FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84FC85 shade matches the following richer shades: #83FC84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84FC85 shade: #83FC84, #8DF18E, #97E798, #A2DDA2 and #ACD3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84FC85 shade: #C3FC83, #A3FC83, #83FC83, #83FCA3 and #83FCC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84FC85 shade: #32FA34, #5AFB5C, #83FC84, #ABFDAC and #D3FED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84FC85 shade: #84FC85, #83E4FC and #FC83B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84FC85 shade: #84FC85, #8383FC and #FC8383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84FC85 shade: #84FC85, #83E4FC, #FC83FC and #FC9B83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84FC85 shade: #84FC85, #83BFFC, #FC83FC and #FCBF83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

Complementary color

CMYK 0 / 98 / 1 / 52

HEX #7B037A

RGB 123 3 122

HSL 300.5, 0.95%, 0.25%

LAB 28.59, 56.61, -34.66

 

CMYK 46 / 0 / 49 / 1

HEX #89FC80

RGB 137 252 128

HSL 115.65, 0.95%, 0.75%

LAB 90.09, -56.3, 49.11

 

CMYK 40 / 0 / 42 / 0

HEX #9AFF93

RGB 154 255 147

HSL 116.11, 1%, 0.79%

LAB 91.91, -50.1, 42.48

 

CMYK 33 / 0 / 35 / 0

HEX #ABFFA6

RGB 171 255 166

HSL 116.63, 1%, 0.83%

LAB 92.98, -42.19, 34.69

 

CMYK 26 / 0 / 27 / 0

HEX #BCFFB9

RGB 188 255 185

HSL 117.43, 1%, 0.86%

LAB 94.19, -33.86, 26.93

 

CMYK 20 / 0 / 20 / 0

HEX #CDFFCC

RGB 205 255 204

HSL 118.82, 1%, 0.9%

LAB 95.52, -25.25, 19.26

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 51 / 0 / 51 / 8

HEX #73EA72

RGB 115 234 114

HSL 119.5, 0.74%, 0.68%

LAB 83.81, -57, 47.8

 

CMYK 55 / 0 / 56 / 15

HEX #62D85F

RGB 98 216 95

HSL 118.51, 0.61%, 0.61%

LAB 77.6, -56.85, 49.03

 

CMYK 59 / 0 / 62 / 22

HEX #51C64C

RGB 81 198 76

HSL 117.54, 0.52%, 0.54%

LAB 71.32, -56.5, 50.19

 

CMYK 64 / 0 / 68 / 29

HEX #40B439

RGB 64 180 57

HSL 116.59, 0.52%, 0.46%

LAB 64.98, -55.83, 51.15

 

CMYK 48 / 0 / 48 / 1

HEX #83FC84

RGB 131 252 132

HSL 120.5, 0.95%, 0.75%

LAB 89.91, -57.42, 46.95

 

CMYK 36 / 0 / 48 / 1

HEX #A2FC83

RGB 162 252 131

HSL 104.63, 0.95%, 0.75%

LAB 91.21, -48.48, 49.32

 

CMYK 23 / 0 / 48 / 1

HEX #C3FC83

RGB 195 252 131

HSL 88.26, 0.95%, 0.75%

LAB 92.95, -37.37, 51.86

 

CMYK 10 / 0 / 48 / 1

HEX #E4FC83

RGB 228 252 131

HSL 71.9, 0.95%, 0.75%

LAB 95.06, -25.23, 54.9

 

CMYK 0 / 4 / 48 / 1

HEX #FCF383

RGB 252 243 131

HSL 55.54, 0.95%, 0.75%

LAB 94.5, -11.61, 54.65

 

CMYK 48 / 0 / 48 / 1

HEX #83FC84

RGB 131 252 132

HSL 120.5, 0.95%, 0.75%

LAB 89.91, -57.42, 46.95

 

CMYK 48 / 0 / 35 / 1

HEX #83FCA4

RGB 131 252 164

HSL 136.36, 0.95%, 0.75%

LAB 90.38, -52.58, 31.91

 

CMYK 48 / 0 / 22 / 1

HEX #83FCC5

RGB 131 252 197

HSL 152.73, 0.95%, 0.75%

LAB 91, -46.45, 15.98

 

CMYK 48 / 0 / 9 / 1

HEX #83FCE6

RGB 131 252 230

HSL 169.09, 0.95%, 0.75%

LAB 91.76, -39.27, 0.02

 

CMYK 48 / 4 / 0 / 1

HEX #83F1FC

RGB 131 241 252

HSL 185.45, 0.95%, 0.75%

LAB 89.28, -28.77, -15.09

 

CMYK 48 / 0 / 48 / 1

HEX #83FC84

RGB 131 252 132

HSL 120.5, 0.95%, 0.75%

LAB 89.91, -57.42, 46.95

 

CMYK 48 / 0 / 48 / 1

HEX #83FC84

RGB 131 252 132

HSL 120.5, 0.95%, 0.75%

LAB 89.91, -57.42, 46.95

 

CMYK 41 / 0 / 41 / 5

HEX #8DF18E

RGB 141 241 142

HSL 120.6, 0.78%, 0.75%

LAB 87.25, -48.77, 38.83

 

CMYK 35 / 0 / 34 / 9

HEX #97E798

RGB 151 231 152

HSL 120.75, 0.63%, 0.75%

LAB 85, -39.92, 30.93

 

CMYK 27 / 0 / 27 / 13

HEX #A2DDA2

RGB 162 221 162

HSL 120, 0.46%, 0.75%

LAB 82.91, -30.19, 23.06

 

CMYK 18 / 0 / 18 / 17

HEX #ACD3AC

RGB 172 211 172

HSL 120, 0.31%, 0.75%

LAB 80.93, -20.29, 15.14

 

CMYK 23 / 0 / 48 / 1

HEX #C3FC83

RGB 195 252 131

HSL 88.26, 0.95%, 0.75%

LAB 92.95, -37.37, 51.86

 

CMYK 35 / 0 / 48 / 1

HEX #A3FC83

RGB 163 252 131

HSL 104.13, 0.95%, 0.75%

LAB 91.26, -48.16, 49.39

 

CMYK 48 / 0 / 48 / 1

HEX #83FC83

RGB 131 252 131

HSL 120, 0.95%, 0.75%

LAB 89.9, -57.55, 47.41

 

CMYK 48 / 0 / 35 / 1

HEX #83FCA3

RGB 131 252 163

HSL 135.87, 0.95%, 0.75%

LAB 90.36, -52.74, 32.39

 

CMYK 48 / 0 / 23 / 1

HEX #83FCC3

RGB 131 252 195

HSL 151.74, 0.95%, 0.75%

LAB 90.96, -46.85, 16.95

 

CMYK 80 / 0 / 79 / 2

HEX #32FA34

RGB 50 250 52

HSL 120.6, 0.95%, 0.59%

LAB 86.65, -80.29, 74.34

 

CMYK 64 / 0 / 63 / 2

HEX #5AFB5C

RGB 90 251 92

HSL 120.75, 0.95%, 0.67%

LAB 87.94, -71.32, 62.08

 

CMYK 48 / 0 / 48 / 1

HEX #83FC84

RGB 131 252 132

HSL 120.5, 0.95%, 0.75%

LAB 89.91, -57.42, 46.95

 

CMYK 32 / 0 / 32 / 1

HEX #ABFDAC

RGB 171 253 172

HSL 120.73, 0.95%, 0.83%

LAB 92.52, -40.38, 31.08

 

CMYK 17 / 0 / 17 / 0

HEX #D3FED3

RGB 211 254 211

HSL 120, 0.96%, 0.91%

LAB 95.76, -21.63, 16.07

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 48 / 10 / 0 / 1

HEX #83E4FC

RGB 131 228 252

HSL 191.9, 0.95%, 0.75%

LAB 85.68, -22.42, -20.53

 

CMYK 0 / 48 / 29 / 1

HEX #FC83B3

RGB 252 131 179

HSL 336.2, 0.95%, 0.75%

LAB 69.6, 51.19, -4.03

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 48 / 48 / 0 / 1

HEX #8383FC

RGB 131 131 252

HSL 240, 0.95%, 0.75%

LAB 59.97, 31.1, -60.58

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 48 / 10 / 0 / 1

HEX #83E4FC

RGB 131 228 252

HSL 191.9, 0.95%, 0.75%

LAB 85.68, -22.42, -20.53

 

CMYK 0 / 48 / 0 / 1

HEX #FC83FC

RGB 252 131 252

HSL 300, 0.95%, 0.75%

LAB 72.2, 62.22, -40.45

 

CMYK 0 / 38 / 48 / 1

HEX #FC9B83

RGB 252 155 131

HSL 11.9, 0.95%, 0.75%

LAB 73.4, 33.73, 27.93

 

CMYK 48 / 0 / 47 / 1

HEX #84FC85

RGB 132 252 133

HSL 120.5, 0.95%, 0.75%

LAB 89.96, -57.02, 46.55

 

CMYK 48 / 24 / 0 / 1

HEX #83BFFC

RGB 131 191 252

HSL 210.25, 0.95%, 0.75%

LAB 75.52, -3.18, -36.07

 

CMYK 0 / 48 / 0 / 1

HEX #FC83FC

RGB 252 131 252

HSL 300, 0.95%, 0.75%

LAB 72.2, 62.22, -40.45

 

CMYK 0 / 24 / 48 / 1

HEX #FCBF83

RGB 252 191 131

HSL 29.75, 0.95%, 0.75%

LAB 81.62, 14.89, 38.66

 

Description

Color code: HEX #84FC85 | qconv.com Color code: HEX #84FC85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 252 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 252 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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