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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EAF0D it is the complementary color #9150F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EAF0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6EAF0D: #73AF08, #84C11B, #95D32E, #A6E541 and #B7F754

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EAF0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6EAF0D: #6EAF0D, #5D9D00, #4C8B00, #3B7900 and #2A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

Complementary color

CMYK 40 / 67 / 0 / 5

HEX #9150F2

RGB 145 80 242

HSL 264.07, 0.86%, 0.63%

LAB 49.7, 59.4, -71.53

 

CMYK 34 / 0 / 95 / 31

HEX #73AF08

RGB 115 175 8

HSL 81.56, 0.91%, 0.36%

LAB 65.22, -41.03, 65.34

 

CMYK 32 / 0 / 86 / 24

HEX #84C11B

RGB 132 193 27

HSL 82.05, 0.75%, 0.43%

LAB 71.64, -41.99, 67.88

 

CMYK 29 / 0 / 78 / 17

HEX #95D32E

RGB 149 211 46

HSL 82.55, 0.65%, 0.5%

LAB 77.98, -42.71, 69.05

 

CMYK 28 / 0 / 72 / 10

HEX #A6E541

RGB 166 229 65

HSL 83.05, 0.76%, 0.58%

LAB 84.24, -43.24, 69.3

 

CMYK 26 / 0 / 66 / 3

HEX #B7F754

RGB 183 247 84

HSL 83.56, 0.91%, 0.65%

LAB 90.43, -43.63, 69

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 41 / 0 / 100 / 38

HEX #5D9D00

RGB 93 157 0

HSL 84.46, 1%, 0.31%

LAB 58.45, -41.6, 60.63

 

CMYK 45 / 0 / 100 / 45

HEX #4C8B00

RGB 76 139 0

HSL 87.19, 1%, 0.27%

LAB 51.84, -40.1, 55.13

 

CMYK 51 / 0 / 100 / 53

HEX #3B7900

RGB 59 121 0

HSL 90.74, 1%, 0.24%

LAB 45.09, -38.48, 49.53

 

CMYK 59 / 0 / 100 / 60

HEX #2A6700

RGB 42 103 0

HSL 95.53, 1%, 0.2%

LAB 38.19, -36.65, 43.82

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 53 / 0 / 93 / 31

HEX #53AF0D

RGB 83 175 13

HSL 94.07, 0.86%, 0.37%

LAB 63.78, -51.67, 62.91

 

CMYK 68 / 0 / 93 / 31

HEX #38AF0D

RGB 56 175 13

HSL 104.07, 0.86%, 0.37%

LAB 62.95, -58.41, 61.89

 

CMYK 83 / 0 / 93 / 31

HEX #1DAF0D

RGB 29 175 13

HSL 114.07, 0.86%, 0.37%

LAB 62.47, -62.66, 61.28

 

CMYK 93 / 0 / 86 / 31

HEX #0DAF18

RGB 13 175 24

HSL 124.07, 0.86%, 0.37%

LAB 62.35, -63.6, 59.04

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 37 / 0 / 92 / 11

HEX #8EE211

RGB 142 226 17

HSL 84.11, 0.86%, 0.48%

LAB 81.94, -52.35, 78.26

 

CMYK 36 / 0 / 91 / 91

HEX #0E1602

RGB 14 22 2

HSL 84, 0.83%, 0.05%

LAB 6.07, -6.53, 8.14

 

CMYK 37 / 0 / 93 / 71

HEX #2E4905

RGB 46 73 5

HSL 83.82, 0.87%, 0.15%

LAB 27.73, -21.56, 33.63

 

CMYK 37 / 0 / 93 / 51

HEX #4E7C09

RGB 78 124 9

HSL 84, 0.86%, 0.26%

LAB 47.05, -32.61, 49.6

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 93 / 0 / 37 / 31

HEX #0DAF6E

RGB 13 175 110

HSL 155.93, 0.86%, 0.37%

LAB 63.24, -52.76, 23.04

 

CMYK 0 / 93 / 0 / 31

HEX #AF0DAF

RGB 175 13 175

HSL 300, 0.86%, 0.37%

LAB 42, 72.76, -45.16

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 93 / 37 / 0 / 31

HEX #0D6EAF

RGB 13 110 175

HSL 204.07, 0.86%, 0.37%

LAB 44.71, -0.92, -41.63

 

CMYK 0 / 93 / 37 / 31

HEX #AF0D6E

RGB 175 13 110

HSL 324.07, 0.86%, 0.37%

LAB 38.77, 64.43, -10.43

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 93 / 0 / 37 / 31

HEX #0DAF6E

RGB 13 175 110

HSL 155.93, 0.86%, 0.37%

LAB 63.24, -52.76, 23.04

 

CMYK 55 / 93 / 0 / 31

HEX #4E0DAF

RGB 78 13 175

HSL 264.07, 0.86%, 0.37%

LAB 26.74, 59.6, -70.66

 

CMYK 0 / 93 / 55 / 31

HEX #AF0D4E

RGB 175 13 78

HSL 335.93, 0.86%, 0.37%

LAB 37.76, 61.66, 8.51

 

CMYK 37 / 0 / 93 / 31

HEX #6EAF0D

RGB 110 175 13

HSL 84.07, 0.86%, 0.37%

LAB 64.97, -42.77, 64.37

 

CMYK 93 / 0 / 9 / 31

HEX #0DAF9F

RGB 13 175 159

HSL 174.07, 0.86%, 0.37%

LAB 64.36, -40.54, -2.35

 

CMYK 55 / 93 / 0 / 31

HEX #4E0DAF

RGB 78 13 175

HSL 264.07, 0.86%, 0.37%

LAB 26.74, 59.6, -70.66

 

CMYK 0 / 93 / 83 / 31

HEX #AF0D1D

RGB 175 13 29

HSL 354.07, 0.86%, 0.37%

LAB 36.91, 59.3, 38.08

 

Description

Color code: HEX #6EAF0D | qconv.com Color code: HEX #6EAF0D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 175 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 175 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 93 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 93% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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