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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E7946 it is the complementary color #9186B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E7946. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6E7946: #737941, #848B54, #959D67, #A6AF7A and #B7C18D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E7946. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6E7946: #6E7946, #5D6733, #4C5520, #3B430D and #2A3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

Complementary color

CMYK 22 / 28 / 0 / 27

HEX #9186B9

RGB 145 134 185

HSL 252.94, 0.27%, 0.63%

LAB 58.58, 15, -25.21

 

CMYK 5 / 0 / 46 / 53

HEX #737941

RGB 115 121 65

HSL 66.43, 0.3%, 0.36%

LAB 49.13, -11.37, 29.82

 

CMYK 5 / 0 / 40 / 45

HEX #848B54

RGB 132 139 84

HSL 67.64, 0.25%, 0.44%

LAB 56.1, -11.66, 28.55

 

CMYK 5 / 0 / 34 / 38

HEX #959D67

RGB 149 157 103

HSL 68.89, 0.22%, 0.51%

LAB 62.91, -11.87, 27.34

 

CMYK 5 / 0 / 30 / 31

HEX #A6AF7A

RGB 166 175 122

HSL 70.19, 0.25%, 0.58%

LAB 69.59, -12.03, 26.18

 

CMYK 5 / 0 / 27 / 24

HEX #B7C18D

RGB 183 193 141

HSL 71.54, 0.3%, 0.65%

LAB 76.15, -12.15, 25.1

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 10 / 0 / 50 / 60

HEX #5D6733

RGB 93 103 51

HSL 71.54, 0.34%, 0.3%

LAB 41.64, -12.69, 27.88

 

CMYK 11 / 0 / 62 / 67

HEX #4C5520

RGB 76 85 32

HSL 70.19, 0.45%, 0.23%

LAB 34.27, -12.31, 29.11

 

CMYK 12 / 0 / 81 / 74

HEX #3B430D

RGB 59 67 13

HSL 68.89, 0.68%, 0.16%

LAB 26.66, -11.66, 29.85

 

CMYK 14 / 0 / 100 / 81

HEX #2A3100

RGB 42 49 0

HSL 68.57, 1%, 0.1%

LAB 18.75, -10.54, 26.46

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 15 / 0 / 43 / 53

HEX #657744

RGB 101 119 68

HSL 81.18, 0.27%, 0.37%

LAB 47.47, -15.9, 25.85

 

CMYK 23 / 0 / 43 / 53

HEX #5C7744

RGB 92 119 68

HSL 91.76, 0.27%, 0.37%

LAB 46.82, -19.59, 24.9

 

CMYK 29 / 0 / 43 / 53

HEX #547744

RGB 84 119 68

HSL 101.18, 0.27%, 0.37%

LAB 46.31, -22.73, 24.13

 

CMYK 37 / 0 / 43 / 53

HEX #4B7744

RGB 75 119 68

HSL 111.76, 0.27%, 0.37%

LAB 45.78, -26.06, 23.35

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 9 / 0 / 42 / 33

HEX #9CAC64

RGB 156 172 100

HSL 73.33, 0.3%, 0.53%

LAB 67.65, -17.25, 35.12

 

CMYK 9 / 0 / 42 / 13

HEX #CBDF81

RGB 203 223 129

HSL 72.77, 0.59%, 0.69%

LAB 85.53, -21.04, 43.75

 

CMYK 11 / 0 / 42 / 93

HEX #11130B

RGB 17 19 11

HSL 75, 0.27%, 0.06%

LAB 5.5, -2.23, 3.67

 

CMYK 9 / 0 / 43 / 73

HEX #404628

RGB 64 70 40

HSL 72, 0.27%, 0.22%

LAB 28.44, -8.2, 17.27

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 43 / 0 / 25 / 53

HEX #447759

RGB 68 119 89

HSL 144.71, 0.27%, 0.37%

LAB 45.83, -24.46, 11.24

 

CMYK 8 / 43 / 0 / 53

HEX #6D4477

RGB 109 68 119

HSL 288.24, 0.27%, 0.37%

LAB 35.43, 27.05, -22.13

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 43 / 8 / 0 / 53

HEX #446D77

RGB 68 109 119

HSL 191.76, 0.27%, 0.37%

LAB 43.5, -11.48, -10.08

 

CMYK 0 / 43 / 8 / 53

HEX #77446D

RGB 119 68 109

HSL 311.76, 0.27%, 0.37%

LAB 36.29, 28.44, -14.45

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 43 / 0 / 25 / 53

HEX #447759

RGB 68 119 89

HSL 144.71, 0.27%, 0.37%

LAB 45.83, -24.46, 11.24

 

CMYK 34 / 43 / 0 / 53

HEX #4F4477

RGB 79 68 119

HSL 252.94, 0.27%, 0.37%

LAB 32.1, 17.34, -27.59

 

CMYK 0 / 43 / 17 / 53

HEX #774463

RGB 119 68 99

HSL 323.53, 0.27%, 0.37%

LAB 35.9, 26.61, -8.76

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 43 / 0 / 13 / 53

HEX #447768

RGB 68 119 104

HSL 162.35, 0.27%, 0.37%

LAB 46.21, -20.98, 2.9

 

CMYK 34 / 43 / 0 / 53

HEX #4F4477

RGB 79 68 119

HSL 252.94, 0.27%, 0.37%

LAB 32.1, 17.34, -27.59

 

CMYK 0 / 43 / 29 / 53

HEX #774454

RGB 119 68 84

HSL 341.18, 0.27%, 0.37%

LAB 35.39, 24.16, -0.01

 

Description

Color code: HEX #6E7946 | qconv.com Color code: HEX #6E7946 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 121 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 121 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 42 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 42% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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