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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4ACF it is the complementary color #91B530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6E4ACF: #734ACA, #845CDD, #956EF0, #A680FF and #B792FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6E4ACF: #6E4ACF, #5D38BC, #4C26A9, #3B1496 and #2A0283

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

Complementary color

CMYK 20 / 0 / 73 / 29

HEX #91B530

RGB 145 181 48

HSL 76.24, 0.58%, 0.45%

LAB 68.95, -30.61, 59.79

 

CMYK 43 / 63 / 0 / 21

HEX #734ACA

RGB 115 74 202

HSL 259.22, 0.55%, 0.54%

LAB 42.47, 46.26, -60.65

 

CMYK 40 / 58 / 0 / 13

HEX #845CDD

RGB 132 92 221

HSL 258.6, 0.65%, 0.61%

LAB 49.23, 45.05, -60.52

 

CMYK 38 / 54 / 0 / 6

HEX #956EF0

RGB 149 110 240

HSL 258, 0.81%, 0.69%

LAB 55.92, 43.88, -60.34

 

CMYK 35 / 50 / 0 / 0

HEX #A680FF

RGB 166 128 255

HSL 257.95, 1%, 0.75%

LAB 62.31, 41.77, -58.32

 

CMYK 28 / 43 / 0 / 0

HEX #B792FF

RGB 183 146 255

HSL 260.37, 1%, 0.79%

LAB 67.91, 36.11, -49.34

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 51 / 70 / 0 / 26

HEX #5D38BC

RGB 93 56 188

HSL 256.82, 0.54%, 0.48%

LAB 35.57, 47.95, -63.81

 

CMYK 55 / 78 / 0 / 34

HEX #4C26A9

RGB 76 38 169

HSL 257.4, 0.63%, 0.41%

LAB 28.87, 49.04, -63.55

 

CMYK 61 / 87 / 0 / 41

HEX #3B1496

RGB 59 20 150

HSL 258, 0.76%, 0.33%

LAB 22.42, 49.43, -62.68

 

CMYK 68 / 98 / 0 / 49

HEX #2A0283

RGB 42 2 131

HSL 258.6, 0.97%, 0.26%

LAB 16.38, 48.7, -60.87

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 36 / 65 / 0 / 19

HEX #8349CE

RGB 131 73 206

HSL 266.17, 0.58%, 0.55%

LAB 44.3, 51.14, -59.91

 

CMYK 26 / 65 / 0 / 19

HEX #9949CE

RGB 153 73 206

HSL 276.09, 0.58%, 0.55%

LAB 46.97, 55.89, -55.47

 

CMYK 15 / 65 / 0 / 19

HEX #AF49CE

RGB 175 73 206

HSL 286.02, 0.58%, 0.55%

LAB 49.9, 60.87, -50.61

 

CMYK 4 / 65 / 0 / 19

HEX #C549CE

RGB 197 73 206

HSL 295.94, 0.58%, 0.55%

LAB 53.05, 65.97, -45.41

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 33 / 67 / 0 / 99

HEX #020103

RGB 2 1 3

HSL 270, 0.5%, 0.01%

LAB 0.37, 0.54, -0.67

 

CMYK 46 / 65 / 0 / 79

HEX #1D1336

RGB 29 19 54

HSL 257.14, 0.48%, 0.14%

LAB 8.94, 15.24, -21.24

 

CMYK 47 / 64 / 0 / 59

HEX #382669

RGB 56 38 105

HSL 256.12, 0.47%, 0.28%

LAB 21.01, 26.25, -36.5

 

CMYK 47 / 64 / 0 / 39

HEX #53389C

RGB 83 56 156

HSL 256.2, 0.47%, 0.42%

LAB 31.96, 36.8, -50.61

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 0 / 65 / 30 / 19

HEX #CE4990

RGB 206 73 144

HSL 327.97, 0.58%, 0.55%

LAB 51.72, 59.04, -11.16

 

CMYK 56 / 0 / 65 / 19

HEX #5BCE49

RGB 91 206 73

HSL 111.88, 0.58%, 0.55%

LAB 74.09, -57.27, 54.65

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 0 / 47 / 65 / 19

HEX #CE6D49

RGB 206 109 73

HSL 16.24, 0.58%, 0.55%

LAB 56.62, 35.25, 36.99

 

CMYK 65 / 0 / 47 / 19

HEX #49CE6D

RGB 73 206 109

HSL 136.24, 0.58%, 0.55%

LAB 73.97, -56.8, 37.73

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 0 / 65 / 30 / 19

HEX #CE4990

RGB 206 73 144

HSL 327.97, 0.58%, 0.55%

LAB 51.72, 59.04, -11.16

 

CMYK 17 / 0 / 65 / 19

HEX #ABCE49

RGB 171 206 73

HSL 75.79, 0.58%, 0.55%

LAB 78.04, -30.44, 60.06

 

CMYK 65 / 0 / 34 / 19

HEX #49CE87

RGB 73 206 135

HSL 147.97, 0.58%, 0.55%

LAB 74.39, -52.25, 24.96

 

CMYK 47 / 64 / 0 / 19

HEX #6E4ACF

RGB 110 74 207

HSL 256.24, 0.58%, 0.55%

LAB 42.33, 46.65, -63.78

 

CMYK 0 / 65 / 50 / 19

HEX #CE4968

RGB 206 73 104

HSL 346.02, 0.58%, 0.55%

LAB 50.55, 54.82, 11.13

 

CMYK 17 / 0 / 65 / 19

HEX #ABCE49

RGB 171 206 73

HSL 75.79, 0.58%, 0.55%

LAB 78.04, -30.44, 60.06

 

CMYK 65 / 0 / 15 / 19

HEX #49CEAF

RGB 73 206 175

HSL 166.02, 0.58%, 0.55%

LAB 75.24, -43.42, 4.84

 

Description

Color code: HEX #6E4ACF | qconv.com Color code: HEX #6E4ACF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 74 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 74 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 64 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 64% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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