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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4A31 it is the complementary color #91B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6E4A31: #734A2C, #845C3F, #956E52, #A68065 and #B79278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6E4A31: #6E4A31, #5D381E, #4C260B, #3B1400 and #2A0200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

Complementary color

CMYK 30 / 12 / 0 / 19

HEX #91B5CE

RGB 145 181 206

HSL 204.59, 0.38%, 0.69%

LAB 71.91, -6.29, -16.59

 

CMYK 0 / 36 / 62 / 55

HEX #734A2C

RGB 115 74 44

HSL 25.35, 0.45%, 0.31%

LAB 35.45, 14.08, 24.86

 

CMYK 0 / 30 / 52 / 48

HEX #845C3F

RGB 132 92 63

HSL 25.22, 0.35%, 0.38%

LAB 42.64, 12.8, 23.16

 

CMYK 0 / 26 / 45 / 42

HEX #956E52

RGB 149 110 82

HSL 25.07, 0.29%, 0.45%

LAB 49.68, 11.77, 21.64

 

CMYK 0 / 23 / 39 / 35

HEX #A68065

RGB 166 128 101

HSL 24.92, 0.27%, 0.52%

LAB 56.57, 10.91, 20.29

 

CMYK 0 / 20 / 34 / 28

HEX #B79278

RGB 183 146 120

HSL 24.76, 0.3%, 0.59%

LAB 63.33, 10.19, 19.07

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 0 / 40 / 68 / 64

HEX #5D381E

RGB 93 56 30

HSL 24.76, 0.51%, 0.24%

LAB 27.43, 13.66, 22.86

 

CMYK 0 / 50 / 86 / 70

HEX #4C260B

RGB 76 38 11

HSL 24.92, 0.75%, 0.17%

LAB 19.83, 15.53, 24.34

 

CMYK 0 / 66 / 100 / 77

HEX #3B1400

RGB 59 20 0

HSL 20.34, 1%, 0.12%

LAB 12.16, 17.9, 18.56

 

CMYK 0 / 95 / 100 / 84

HEX #2A0200

RGB 42 2 0

HSL 2.86, 1%, 0.08%

LAB 4.84, 18.88, 7.6

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 0 / 24 / 55 / 57

HEX #6D5331

RGB 109 83 49

HSL 34, 0.38%, 0.31%

LAB 37.22, 6.27, 23.95

 

CMYK 0 / 15 / 55 / 57

HEX #6D5D31

RGB 109 93 49

HSL 44, 0.38%, 0.31%

LAB 40.08, 0.25, 27.45

 

CMYK 0 / 6 / 55 / 57

HEX #6D6731

RGB 109 103 49

HSL 54, 0.38%, 0.31%

LAB 43.02, -5.61, 30.96

 

CMYK 4 / 0 / 55 / 57

HEX #696D31

RGB 105 109 49

HSL 64, 0.38%, 0.31%

LAB 44.46, -10.85, 32.56

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 0 / 33 / 55 / 37

HEX #A16C48

RGB 161 108 72

HSL 24.27, 0.38%, 0.46%

LAB 50.42, 17.09, 28.59

 

CMYK 0 / 33 / 56 / 17

HEX #D48F5E

RGB 212 143 94

HSL 24.92, 0.58%, 0.6%

LAB 65.32, 21.02, 36.49

 

CMYK 0 / 37 / 50 / 97

HEX #080504

RGB 8 5 4

HSL 15, 0.33%, 0.02%

LAB 1.53, 0.65, 0.65

 

CMYK 0 / 32 / 56 / 77

HEX #3B281A

RGB 59 40 26

HSL 25.45, 0.39%, 0.17%

LAB 18.02, 6.85, 12.72

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 33 / 0 / 55 / 57

HEX #496D31

RGB 73 109 49

HSL 96, 0.38%, 0.31%

LAB 42.12, -24.56, 29.2

 

CMYK 55 / 55 / 0 / 57

HEX #31316D

RGB 49 49 109

HSL 240, 0.38%, 0.31%

LAB 23.52, 18.56, -35.07

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 55 / 0 / 33 / 57

HEX #316D49

RGB 49 109 73

HSL 144, 0.38%, 0.31%

LAB 41.33, -28.55, 14.33

 

CMYK 33 / 55 / 0 / 57

HEX #49316D

RGB 73 49 109

HSL 264, 0.38%, 0.31%

LAB 25.91, 24.92, -31.1

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 33 / 0 / 55 / 57

HEX #496D31

RGB 73 109 49

HSL 96, 0.38%, 0.31%

LAB 42.12, -24.56, 29.2

 

CMYK 55 / 22 / 0 / 57

HEX #31556D

RGB 49 85 109

HSL 204, 0.38%, 0.31%

LAB 34.51, -5.4, -17.75

 

CMYK 22 / 55 / 0 / 57

HEX #55316D

RGB 85 49 109

HSL 276, 0.38%, 0.31%

LAB 27.39, 28.45, -28.67

 

CMYK 0 / 33 / 55 / 57

HEX #6E4A31

RGB 110 74 49

HSL 24.59, 0.38%, 0.31%

LAB 34.87, 12.23, 21.02

 

CMYK 50 / 0 / 55 / 57

HEX #376D31

RGB 55 109 49

HSL 114, 0.38%, 0.31%

LAB 41.17, -31.03, 27.84

 

CMYK 55 / 22 / 0 / 57

HEX #31556D

RGB 49 85 109

HSL 204, 0.38%, 0.31%

LAB 34.51, -5.4, -17.75

 

CMYK 6 / 55 / 0 / 57

HEX #67316D

RGB 103 49 109

HSL 294, 0.38%, 0.31%

LAB 29.87, 33.92, -24.58

 

Description

Color code: HEX #6E4A31 | qconv.com Color code: HEX #6E4A31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 74 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 74 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 55 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 55% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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