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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4633 it is the complementary color #91B9CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4633. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6E4633: #73462E, #845841, #956A54, #A67C67 and #B78E7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4633. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6E4633: #6E4633, #5D3420, #4C220D, #3B1000 and #2A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

Complementary color

CMYK 29 / 9 / 0 / 20

HEX #91B9CC

RGB 145 185 204

HSL 199.32, 0.37%, 0.68%

LAB 72.94, -8.91, -13.94

 

CMYK 0 / 39 / 60 / 55

HEX #73462E

RGB 115 70 46

HSL 20.87, 0.43%, 0.32%

LAB 34.44, 16.67, 22.44

 

CMYK 0 / 33 / 51 / 48

HEX #845841

RGB 132 88 65

HSL 20.6, 0.34%, 0.39%

LAB 41.64, 15.37, 20.68

 

CMYK 0 / 29 / 44 / 42

HEX #956A54

RGB 149 106 84

HSL 20.31, 0.28%, 0.46%

LAB 48.68, 14.31, 19.16

 

CMYK 0 / 25 / 38 / 35

HEX #A67C67

RGB 166 124 103

HSL 20, 0.26%, 0.53%

LAB 55.59, 13.42, 17.82

 

CMYK 0 / 22 / 33 / 28

HEX #B78E7A

RGB 183 142 122

HSL 19.67, 0.3%, 0.6%

LAB 62.35, 12.67, 16.61

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 0 / 44 / 66 / 64

HEX #5D3420

RGB 93 52 32

HSL 19.67, 0.49%, 0.25%

LAB 26.41, 16.31, 20.41

 

CMYK 0 / 55 / 83 / 70

HEX #4C220D

RGB 76 34 13

HSL 20, 0.71%, 0.17%

LAB 18.84, 18.13, 22.29

 

CMYK 0 / 73 / 100 / 77

HEX #3B1000

RGB 59 16 0

HSL 16.27, 1%, 0.12%

LAB 11.28, 20.2, 17.35

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 0 / 28 / 54 / 56

HEX #6F5033

RGB 111 80 51

HSL 29, 0.37%, 0.32%

LAB 36.66, 9.23, 22.11

 

CMYK 0 / 19 / 54 / 56

HEX #6F5A33

RGB 111 90 51

HSL 39, 0.37%, 0.32%

LAB 39.46, 3.18, 25.61

 

CMYK 0 / 10 / 54 / 56

HEX #6F6433

RGB 111 100 51

HSL 49, 0.37%, 0.32%

LAB 42.36, -2.75, 29.13

 

CMYK 0 / 1 / 54 / 56

HEX #6F6E33

RGB 111 110 51

HSL 59, 0.37%, 0.32%

LAB 45.32, -8.49, 32.64

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 0 / 37 / 53 / 37

HEX #A1664B

RGB 161 102 75

HSL 18.84, 0.36%, 0.46%

LAB 48.99, 20.78, 25.07

 

CMYK 0 / 36 / 54 / 17

HEX #D48762

RGB 212 135 98

HSL 19.47, 0.57%, 0.61%

LAB 63.51, 25.68, 32.07

 

CMYK 0 / 37 / 50 / 97

HEX #080504

RGB 8 5 4

HSL 15, 0.33%, 0.02%

LAB 1.53, 0.65, 0.65

 

CMYK 0 / 36 / 54 / 77

HEX #3B261B

RGB 59 38 27

HSL 20.63, 0.37%, 0.17%

LAB 17.44, 8.33, 11.28

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 28 / 0 / 54 / 56

HEX #506F33

RGB 80 111 51

HSL 91, 0.37%, 0.32%

LAB 43.23, -22.54, 29.58

 

CMYK 54 / 50 / 0 / 56

HEX #33386F

RGB 51 56 111

HSL 235, 0.37%, 0.32%

LAB 25.8, 14.94, -32.68

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 54 / 0 / 37 / 56

HEX #336F46

RGB 51 111 70

HSL 139, 0.37%, 0.32%

LAB 42.02, -29.57, 17.05

 

CMYK 37 / 54 / 0 / 56

HEX #46336F

RGB 70 51 111

HSL 259, 0.37%, 0.32%

LAB 26.21, 23.36, -31.93

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 28 / 0 / 54 / 56

HEX #506F33

RGB 80 111 51

HSL 91, 0.37%, 0.32%

LAB 43.23, -22.54, 29.58

 

CMYK 54 / 17 / 0 / 56

HEX #335C6F

RGB 51 92 111

HSL 199, 0.37%, 0.32%

LAB 36.94, -8.51, -15.24

 

CMYK 26 / 54 / 0 / 56

HEX #52336F

RGB 82 51 111

HSL 271, 0.37%, 0.32%

LAB 27.6, 26.85, -29.63

 

CMYK 0 / 36 / 54 / 57

HEX #6E4633

RGB 110 70 51

HSL 19.32, 0.37%, 0.32%

LAB 33.85, 14.87, 18.49

 

CMYK 44 / 0 / 54 / 56

HEX #3E6F33

RGB 62 111 51

HSL 109, 0.37%, 0.32%

LAB 42.2, -29.33, 28.09

 

CMYK 54 / 17 / 0 / 56

HEX #335C6F

RGB 51 92 111

HSL 199, 0.37%, 0.32%

LAB 36.94, -8.51, -15.24

 

CMYK 10 / 54 / 0 / 56

HEX #64336F

RGB 100 51 111

HSL 289, 0.37%, 0.32%

LAB 29.97, 32.32, -25.72

 

Description

Color code: HEX #6E4633 | qconv.com Color code: HEX #6E4633 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 70 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 70 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 54 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 54% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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