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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE563 it is the complementary color #921A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6DE563: #72E55E, #83F771, #94FF84, #A5FF97 and #B6FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6DE563: #6DE563, #5CD350, #4BC13D, #3AAF2A and #299D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

Complementary color

CMYK 6 / 83 / 0 / 39

HEX #921A9C

RGB 146 26 156

HSL 295.38, 0.71%, 0.36%

LAB 36.46, 62.19, -42.9

 

CMYK 50 / 0 / 59 / 10

HEX #72E55E

RGB 114 229 94

HSL 111.11, 0.72%, 0.63%

LAB 82.07, -57.69, 54.82

 

CMYK 47 / 0 / 54 / 3

HEX #83F771

RGB 131 247 113

HSL 111.94, 0.89%, 0.71%

LAB 88.23, -57.83, 53.71

 

CMYK 42 / 0 / 48 / 0

HEX #94FF84

RGB 148 255 132

HSL 112.2, 1%, 0.76%

LAB 91.45, -53.86, 49.01

 

CMYK 35 / 0 / 41 / 0

HEX #A5FF97

RGB 165 255 151

HSL 111.92, 1%, 0.8%

LAB 92.47, -46.22, 41.35

 

CMYK 29 / 0 / 33 / 0

HEX #B6FFAA

RGB 182 255 170

HSL 111.53, 1%, 0.83%

LAB 93.61, -38.11, 33.63

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 56 / 0 / 62 / 17

HEX #5CD350

RGB 92 211 80

HSL 114.5, 0.6%, 0.57%

LAB 75.73, -58.16, 53.5

 

CMYK 61 / 0 / 68 / 24

HEX #4BC13D

RGB 75 193 61

HSL 113.64, 0.52%, 0.5%

LAB 69.45, -57.58, 54.38

 

CMYK 67 / 0 / 76 / 31

HEX #3AAF2A

RGB 58 175 42

HSL 112.78, 0.61%, 0.43%

LAB 63.12, -56.61, 54.82

 

CMYK 74 / 0 / 85 / 38

HEX #299D17

RGB 41 157 23

HSL 111.94, 0.74%, 0.35%

LAB 56.73, -55.05, 54.37

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 57 / 0 / 53 / 11

HEX #62E46C

RGB 98 228 108

HSL 124.62, 0.71%, 0.64%

LAB 81.38, -59.72, 47.53

 

CMYK 57 / 0 / 43 / 11

HEX #62E482

RGB 98 228 130

HSL 134.77, 0.71%, 0.64%

LAB 81.67, -56.55, 37.25

 

CMYK 57 / 0 / 33 / 11

HEX #62E498

RGB 98 228 152

HSL 144.92, 0.71%, 0.64%

LAB 82.03, -52.75, 26.58

 

CMYK 57 / 0 / 24 / 11

HEX #62E4AE

RGB 98 228 174

HSL 155.08, 0.71%, 0.64%

LAB 82.45, -48.37, 15.74

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 52 / 0 / 56 / 90

HEX #0C190B

RGB 12 25 11

HSL 115.71, 0.39%, 0.07%

LAB 7.2, -8.13, 6.11

 

CMYK 53 / 0 / 57 / 70

HEX #244C21

RGB 36 76 33

HSL 115.81, 0.39%, 0.21%

LAB 28.52, -24.2, 21.15

 

CMYK 53 / 0 / 57 / 50

HEX #3C7F37

RGB 60 127 55

HSL 115.83, 0.4%, 0.36%

LAB 47.51, -36.61, 32.36

 

CMYK 52 / 0 / 57 / 30

HEX #55B24D

RGB 85 178 77

HSL 115.25, 0.4%, 0.5%

LAB 65.21, -47.73, 42.71

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 57 / 7 / 0 / 11

HEX #62D5E4

RGB 98 213 228

HSL 186.92, 0.71%, 0.64%

LAB 79.49, -28.26, -17.25

 

CMYK 0 / 57 / 29 / 11

HEX #E462A1

RGB 228 98 161

HSL 330.92, 0.71%, 0.64%

LAB 59.71, 56.89, -8.82

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 57 / 53 / 0 / 11

HEX #626CE4

RGB 98 108 228

HSL 235.38, 0.71%, 0.64%

LAB 50.6, 30.73, -62.41

 

CMYK 0 / 57 / 53 / 11

HEX #E4626C

RGB 228 98 108

HSL 355.38, 0.71%, 0.64%

LAB 58.33, 51.37, 20.03

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 57 / 7 / 0 / 11

HEX #62D5E4

RGB 98 213 228

HSL 186.92, 0.71%, 0.64%

LAB 79.49, -28.26, -17.25

 

CMYK 5 / 57 / 0 / 11

HEX #D962E4

RGB 217 98 228

HSL 294.92, 0.71%, 0.64%

LAB 60.86, 64.06, -45.31

 

CMYK 0 / 50 / 57 / 11

HEX #E47162

RGB 228 113 98

HSL 6.92, 0.71%, 0.64%

LAB 60.95, 43.36, 29.2

 

CMYK 52 / 0 / 57 / 10

HEX #6DE563

RGB 109 229 99

HSL 115.38, 0.71%, 0.64%

LAB 81.94, -58.47, 52.41

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 5 / 57 / 0 / 11

HEX #D962E4

RGB 217 98 228

HSL 294.92, 0.71%, 0.64%

LAB 60.86, 64.06, -45.31

 

CMYK 0 / 33 / 57 / 11

HEX #E49862

RGB 228 152 98

HSL 24.92, 0.71%, 0.64%

LAB 69.35, 23.04, 39.78

 

Description

Color code: HEX #6DE563 | qconv.com Color code: HEX #6DE563 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 229 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 229 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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