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Color name
HEX #6DC942

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DC942 it is the complementary color #9236BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DC942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6DC942: #72C93D, #83DB50, #94ED63, #A5FF76 and #B6FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DC942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6DC942: #6DC942, #5CB72F, #4BA51C, #3A9309 and #298100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

Complementary color

CMYK 23 / 71 / 0 / 26

HEX #9236BD

RGB 146 54 189

HSL 280.89, 0.56%, 0.48%

LAB 41.88, 59.17, -53.85

 

CMYK 43 / 0 / 70 / 21

HEX #72C93D

RGB 114 201 61

HSL 97.29, 0.56%, 0.51%

LAB 73.34, -49.78, 58.89

 

CMYK 40 / 0 / 63 / 14

HEX #83DB50

RGB 131 219 80

HSL 97.99, 0.66%, 0.59%

LAB 79.65, -50.06, 58.28

 

CMYK 38 / 0 / 58 / 7

HEX #94ED63

RGB 148 237 99

HSL 98.7, 0.79%, 0.66%

LAB 85.89, -50.2, 57.38

 

CMYK 35 / 0 / 54 / 0

HEX #A5FF76

RGB 165 255 118

HSL 99.42, 1%, 0.73%

LAB 92.05, -50.24, 56.35

 

CMYK 29 / 0 / 46 / 0

HEX #B6FF89

RGB 182 255 137

HSL 97.12, 1%, 0.77%

LAB 93.13, -42.52, 49.1

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 50 / 0 / 74 / 28

HEX #5CB72F

RGB 92 183 47

HSL 100.15, 0.59%, 0.45%

LAB 66.78, -50.49, 57.08

 

CMYK 55 / 0 / 83 / 35

HEX #4BA51C

RGB 75 165 28

HSL 99.42, 0.71%, 0.38%

LAB 60.33, -49.71, 56.68

 

CMYK 61 / 0 / 94 / 42

HEX #3A9309

RGB 58 147 9

HSL 98.7, 0.88%, 0.31%

LAB 53.8, -48.45, 54.88

 

CMYK 68 / 0 / 100 / 49

HEX #298100

RGB 41 129 0

HSL 100.93, 1%, 0.25%

LAB 47.2, -46.52, 50.94

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 57 / 0 / 68 / 21

HEX #56C940

RGB 86 201 64

HSL 110.36, 0.56%, 0.52%

LAB 72.31, -57.53, 56.33

 

CMYK 68 / 0 / 68 / 21

HEX #40C940

RGB 64 201 64

HSL 120, 0.56%, 0.52%

LAB 71.71, -62.37, 55.52

 

CMYK 68 / 0 / 57 / 21

HEX #40C956

RGB 64 201 86

HSL 129.64, 0.56%, 0.52%

LAB 71.92, -59.96, 46.25

 

CMYK 68 / 0 / 46 / 21

HEX #40C96D

RGB 64 201 109

HSL 139.71, 0.56%, 0.52%

LAB 72.21, -56.62, 35.44

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 46 / 0 / 67 / 1

HEX #89FC53

RGB 137 252 83

HSL 100.83, 0.97%, 0.66%

LAB 89.66, -60.9, 67.9

 

CMYK 46 / 0 / 67 / 81

HEX #1A3010

RGB 26 48 16

HSL 101.25, 0.5%, 0.13%

LAB 17.32, -16.13, 17.5

 

CMYK 45 / 0 / 67 / 61

HEX #366321

RGB 54 99 33

HSL 100.91, 0.5%, 0.26%

LAB 37.51, -28.76, 31.83

 

CMYK 46 / 0 / 67 / 41

HEX #519631

RGB 81 150 49

HSL 100.99, 0.51%, 0.39%

LAB 55.87, -40.47, 44.9

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 68 / 0 / 9 / 21

HEX #40C9B6

RGB 64 201 182

HSL 171.68, 0.56%, 0.52%

LAB 73.7, -40.83, -1.19

 

CMYK 0 / 68 / 18 / 21

HEX #C940A4

RGB 201 64 164

HSL 316.2, 0.56%, 0.52%

LAB 50.41, 63.82, -25.09

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 68 / 46 / 0 / 21

HEX #406DC9

RGB 64 109 201

HSL 220.29, 0.56%, 0.52%

LAB 47.29, 14.98, -52.47

 

CMYK 0 / 68 / 46 / 21

HEX #C9406D

RGB 201 64 109

HSL 340.29, 0.56%, 0.52%

LAB 48.5, 57.37, 5.06

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 68 / 0 / 9 / 21

HEX #40C9B6

RGB 64 201 182

HSL 171.68, 0.56%, 0.52%

LAB 73.7, -40.83, -1.19

 

CMYK 23 / 68 / 0 / 21

HEX #9B40C9

RGB 155 64 201

HSL 279.85, 0.56%, 0.52%

LAB 45.43, 59.34, -55.05

 

CMYK 0 / 68 / 59 / 21

HEX #C94052

RGB 201 64 82

HSL 352.12, 0.56%, 0.52%

LAB 47.87, 55.17, 20.62

 

CMYK 46 / 0 / 67 / 21

HEX #6DC942

RGB 109 201 66

HSL 100.89, 0.56%, 0.52%

LAB 73.17, -50.95, 56.7

 

CMYK 68 / 11 / 0 / 21

HEX #40B2C9

RGB 64 178 201

HSL 190.07, 0.56%, 0.52%

LAB 67.39, -24.47, -21.03

 

CMYK 23 / 68 / 0 / 21

HEX #9B40C9

RGB 155 64 201

HSL 279.85, 0.56%, 0.52%

LAB 45.43, 59.34, -55.05

 

CMYK 0 / 57 / 68 / 21

HEX #C95640

RGB 201 86 64

HSL 9.64, 0.56%, 0.52%

LAB 51.2, 44.37, 35.33

 

Description

Color code: HEX #6DC942 | qconv.com Color code: HEX #6DC942 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 201 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 201 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 67 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 67% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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