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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB6EB it is the complementary color #924914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB6EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DB6EB shade: #72B6E6, #83C8F9, #94DAFF, #A5ECFF and #B6FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB6EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DB6EB shade: #6DB6EB, #5CA4D8, #4B92C5, #3A80B2 and #296E9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DB6EB shade: #6BB5EB, #6B93EB, #6B70EB, #886BEB and #AB6BEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DB6EB shade: #6BB5EB, #6B93EB, #6B70EB and #6B6BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DB6EB shade matches the following richer shades: #6BB5EB and #5DB7F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DB6EB shade: #6BB5EB, #79B3DD, #86B1D0, #94AFC2 and #A1ACB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DB6EB shade: #6BEBDC, #6BD8EB, #6BB6EB, #6B93EB and #6B71EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DB6EB shade: #2291E1, #47A3E6, #6BB5EB, #8FC7F0 and #B4D9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DB6EB shade: #6DB6EB, #BA6BEB and #E9EB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DB6EB shade: #6DB6EB, #EB6BB6 and #B6EB6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DB6EB shade: #6DB6EB, #BA6BEB, #EBA06B and #9CEB6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DB6EB shade: #6DB6EB, #E06BEB, #EBA06B and #76EB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

Complementary color

CMYK 0 / 50 / 86 / 43

HEX #924914

RGB 146 73 20

HSL 25.24, 0.76%, 0.33%

LAB 39.46, 27.28, 42.72

 

CMYK 50 / 21 / 0 / 10

HEX #72B6E6

RGB 114 182 230

HSL 204.83, 0.7%, 0.67%

LAB 71.38, -8.47, -30.64

 

CMYK 47 / 20 / 0 / 2

HEX #83C8F9

RGB 131 200 249

HSL 204.92, 0.91%, 0.75%

LAB 77.86, -8.86, -30.86

 

CMYK 42 / 15 / 0 / 0

HEX #94DAFF

RGB 148 218 255

HSL 200.75, 1%, 0.79%

LAB 83.79, -12.62, -24.9

 

CMYK 35 / 7 / 0 / 0

HEX #A5ECFF

RGB 165 236 255

HSL 192.67, 1%, 0.82%

LAB 89.49, -17.46, -16.2

 

CMYK 29 / 0 / 0 / 0

HEX #B6FEFF

RGB 182 254 255

HSL 180.82, 1%, 0.86%

LAB 95.18, -21.79, -7.62

 

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

CMYK 57 / 24 / 0 / 15

HEX #5CA4D8

RGB 92 164 216

HSL 205.16, 0.61%, 0.6%

LAB 64.79, -7.49, -33.24

 

CMYK 62 / 26 / 0 / 23

HEX #4B92C5

RGB 75 146 197

HSL 205.08, 0.51%, 0.53%

LAB 58.12, -6.73, -33.05

 

CMYK 67 / 28 / 0 / 30

HEX #3A80B2

RGB 58 128 178

HSL 205, 0.51%, 0.46%

LAB 51.33, -5.76, -32.86

 

CMYK 74 / 31 / 0 / 38

HEX #296E9F

RGB 41 110 159

HSL 204.92, 0.59%, 0.39%

LAB 44.41, -4.46, -32.65

 

CMYK 54 / 23 / 0 / 8

HEX #6BB5EB

RGB 107 181 235

HSL 205.31, 0.76%, 0.67%

LAB 70.99, -7.96, -34

 

CMYK 54 / 37 / 0 / 8

HEX #6B93EB

RGB 107 147 235

HSL 221.25, 0.76%, 0.67%

LAB 61.65, 11.3, -48.62

 

CMYK 54 / 52 / 0 / 8

HEX #6B70EB

RGB 107 112 235

HSL 237.66, 0.76%, 0.67%

LAB 52.63, 32.25, -63.02

 

CMYK 42 / 54 / 0 / 8

HEX #886BEB

RGB 136 107 235

HSL 253.59, 0.76%, 0.67%

LAB 53.76, 41.28, -61.09

 

CMYK 27 / 54 / 0 / 8

HEX #AB6BEB

RGB 171 107 235

HSL 270, 0.76%, 0.67%

LAB 57.24, 49.54, -55.31

 

CMYK 54 / 23 / 0 / 8

HEX #6BB5EB

RGB 107 181 235

HSL 205.31, 0.76%, 0.67%

LAB 70.99, -7.96, -34

 

CMYK 54 / 37 / 0 / 8

HEX #6B93EB

RGB 107 147 235

HSL 221.25, 0.76%, 0.67%

LAB 61.65, 11.3, -48.62

 

CMYK 54 / 52 / 0 / 8

HEX #6B70EB

RGB 107 112 235

HSL 237.66, 0.76%, 0.67%

LAB 52.63, 32.25, -63.02

 

CMYK 54 / 54 / 0 / 8

HEX #6B6BEB

RGB 107 107 235

HSL 240, 0.76%, 0.67%

LAB 51.43, 35.25, -64.97

 

CMYK 54 / 23 / 0 / 8

HEX #6BB5EB

RGB 107 181 235

HSL 205.31, 0.76%, 0.67%

LAB 70.99, -7.96, -34

 

CMYK 63 / 26 / 0 / 3

HEX #5DB7F8

RGB 93 183 248

HSL 205.16, 0.92%, 0.67%

LAB 71.54, -7.71, -40.24

 

CMYK 54 / 23 / 0 / 8

HEX #6BB5EB

RGB 107 181 235

HSL 205.31, 0.76%, 0.67%

LAB 70.99, -7.96, -34

 

CMYK 45 / 19 / 0 / 13

HEX #79B3DD

RGB 121 179 221

HSL 205.2, 0.6%, 0.67%

LAB 70.54, -7.76, -27

 

CMYK 36 / 15 / 0 / 18

HEX #86B1D0

RGB 134 177 208

HSL 205.14, 0.44%, 0.67%

LAB 70.22, -6.77, -20.31

 

CMYK 24 / 10 / 0 / 24

HEX #94AFC2

RGB 148 175 194

HSL 204.78, 0.27%, 0.67%

LAB 70.07, -4.99, -12.75

 

CMYK 11 / 4 / 0 / 29

HEX #A1ACB4

RGB 161 172 180

HSL 205.26, 0.11%, 0.67%

LAB 69.74, -2.22, -5.43

 

CMYK 54 / 0 / 6 / 8

HEX #6BEBDC

RGB 107 235 220

HSL 172.97, 0.76%, 0.67%

LAB 85.86, -38.99, -3.49

 

CMYK 54 / 8 / 0 / 8

HEX #6BD8EB

RGB 107 216 235

HSL 188.91, 0.76%, 0.67%

LAB 80.87, -26.08, -18.88

 

CMYK 54 / 23 / 0 / 8

HEX #6BB6EB

RGB 107 182 235

HSL 204.84, 0.76%, 0.67%

LAB 71.27, -8.51, -33.56

 

CMYK 54 / 37 / 0 / 8

HEX #6B93EB

RGB 107 147 235

HSL 221.25, 0.76%, 0.67%

LAB 61.65, 11.3, -48.62

 

CMYK 54 / 52 / 0 / 8

HEX #6B71EB

RGB 107 113 235

HSL 237.19, 0.76%, 0.67%

LAB 52.88, 31.65, -62.63

 

CMYK 85 / 36 / 0 / 12

HEX #2291E1

RGB 34 145 225

HSL 205.13, 0.76%, 0.51%

LAB 58.06, -1.57, -48.91

 

CMYK 69 / 29 / 0 / 10

HEX #47A3E6

RGB 71 163 230

HSL 205.28, 0.76%, 0.59%

LAB 64.36, -6.03, -41.69

 

CMYK 54 / 23 / 0 / 8

HEX #6BB5EB

RGB 107 181 235

HSL 205.31, 0.76%, 0.67%

LAB 70.99, -7.96, -34

 

CMYK 40 / 17 / 0 / 6

HEX #8FC7F0

RGB 143 199 240

HSL 205.36, 0.76%, 0.75%

LAB 77.86, -7.85, -25.98

 

CMYK 27 / 11 / 0 / 4

HEX #B4D9F5

RGB 180 217 245

HSL 205.85, 0.76%, 0.83%

LAB 84.96, -5.96, -17.68

 

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

CMYK 21 / 54 / 0 / 8

HEX #BA6BEB

RGB 186 107 235

HSL 277.03, 0.76%, 0.67%

LAB 58.93, 53.28, -52.52

 

CMYK 1 / 0 / 54 / 8

HEX #E9EB6B

RGB 233 235 107

HSL 60.94, 0.76%, 0.67%

LAB 90.69, -17.18, 60.75

 

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

CMYK 0 / 54 / 23 / 8

HEX #EB6BB6

RGB 235 107 182

HSL 324.84, 0.76%, 0.67%

LAB 62.97, 57.67, -15.86

 

CMYK 23 / 0 / 54 / 8

HEX #B6EB6B

RGB 182 235 107

HSL 84.84, 0.76%, 0.67%

LAB 87.2, -36.82, 55.83

 

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

CMYK 21 / 54 / 0 / 8

HEX #BA6BEB

RGB 186 107 235

HSL 277.03, 0.76%, 0.67%

LAB 58.93, 53.28, -52.52

 

CMYK 0 / 32 / 54 / 8

HEX #EBA06B

RGB 235 160 107

HSL 24.84, 0.76%, 0.67%

LAB 72.14, 22.33, 38.71

 

CMYK 34 / 0 / 54 / 8

HEX #9CEB6B

RGB 156 235 107

HSL 97.03, 0.76%, 0.67%

LAB 85.78, -45.93, 53.8

 

CMYK 54 / 23 / 0 / 8

HEX #6DB6EB

RGB 109 182 235

HSL 205.24, 0.76%, 0.67%

LAB 71.35, -8.09, -33.42

 

CMYK 5 / 54 / 0 / 8

HEX #E06BEB

RGB 224 107 235

HSL 294.84, 0.76%, 0.67%

LAB 63.64, 63.01, -44.77

 

CMYK 0 / 32 / 54 / 8

HEX #EBA06B

RGB 235 160 107

HSL 24.84, 0.76%, 0.67%

LAB 72.14, 22.33, 38.71

 

CMYK 50 / 0 / 54 / 8

HEX #76EB6B

RGB 118 235 107

HSL 114.84, 0.76%, 0.67%

LAB 84.14, -57.45, 51.46

 

Description

Color code: HEX #6DB6EB | qconv.com Color code: HEX #6DB6EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 182 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 182 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 23 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 23% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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