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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB4DC it is the complementary color #924B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB4DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6DB4DC: #72B4D7, #83C6EA, #94D8FD, #A5EAFF and #B6FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB4DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6DB4DC: #6DB4DC, #5CA2C9, #4B90B6, #3A7EA3 and #296C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

Complementary color

CMYK 0 / 49 / 76 / 43

HEX #924B23

RGB 146 75 35

HSL 21.62, 0.61%, 0.35%

LAB 40.02, 26.75, 36.24

 

CMYK 47 / 16 / 0 / 16

HEX #72B4D7

RGB 114 180 215

HSL 200.79, 0.56%, 0.65%

LAB 70.26, -11.66, -24.17

 

CMYK 44 / 15 / 0 / 8

HEX #83C6EA

RGB 131 198 234

HSL 200.97, 0.71%, 0.72%

LAB 76.77, -11.91, -24.47

 

CMYK 42 / 15 / 0 / 1

HEX #94D8FD

RGB 148 216 253

HSL 201.14, 0.96%, 0.79%

LAB 83.18, -12.11, -24.77

 

CMYK 35 / 8 / 0 / 0

HEX #A5EAFF

RGB 165 234 255

HSL 194, 1%, 0.82%

LAB 88.95, -16.46, -17.01

 

CMYK 29 / 1 / 0 / 0

HEX #B6FCFF

RGB 182 252 255

HSL 182.47, 1%, 0.86%

LAB 94.65, -20.81, -8.41

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 54 / 19 / 0 / 21

HEX #5CA2C9

RGB 92 162 201

HSL 201.47, 0.5%, 0.57%

LAB 63.62, -10.97, -26.72

 

CMYK 59 / 21 / 0 / 29

HEX #4B90B6

RGB 75 144 182

HSL 201.31, 0.42%, 0.5%

LAB 56.9, -10.43, -26.44

 

CMYK 64 / 23 / 0 / 36

HEX #3A7EA3

RGB 58 126 163

HSL 201.14, 0.48%, 0.43%

LAB 50.06, -9.71, -26.15

 

CMYK 72 / 25 / 0 / 44

HEX #296C90

RGB 41 108 144

HSL 200.97, 0.56%, 0.36%

LAB 43.08, -8.71, -25.84

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 50 / 26 / 0 / 14

HEX #6FA3DC

RGB 111 163 220

HSL 211.38, 0.61%, 0.65%

LAB 65.55, -1.6, -34.21

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 50 / 42 / 0 / 14

HEX #6F7FDC

RGB 111 127 220

HSL 231.19, 0.61%, 0.65%

LAB 55.81, 19.41, -49.51

 

CMYK 49 / 50 / 0 / 14

HEX #716FDC

RGB 113 111 220

HSL 241.1, 0.61%, 0.65%

LAB 51.89, 29.48, -55.76

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 50 / 19 / 0 / 94

HEX #080D10

RGB 8 13 16

HSL 202.5, 0.33%, 0.05%

LAB 3.4, -0.84, -1.93

 

CMYK 51 / 18 / 0 / 74

HEX #213743

RGB 33 55 67

HSL 201.18, 0.34%, 0.2%

LAB 21.8, -4.81, -10.16

 

CMYK 51 / 18 / 0 / 54

HEX #3A6176

RGB 58 97 118

HSL 201, 0.34%, 0.35%

LAB 39.17, -7.48, -16.11

 

CMYK 50 / 18 / 0 / 34

HEX #548AA9

RGB 84 138 169

HSL 201.88, 0.34%, 0.5%

LAB 55, -9.09, -21.91

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 22 / 50 / 0 / 14

HEX #AB6FDC

RGB 171 111 220

HSL 273.03, 0.61%, 0.65%

LAB 57.26, 43.94, -46.88

 

CMYK 0 / 3 / 50 / 14

HEX #DCD66F

RGB 220 214 111

HSL 56.7, 0.61%, 0.65%

LAB 84.2, -11.67, 51.11

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB6

RGB 220 111 182

HSL 320.92, 0.61%, 0.65%

LAB 61.62, 51.17, -18.11

 

CMYK 17 / 0 / 50 / 14

HEX #B6DC6F

RGB 182 220 111

HSL 80.92, 0.61%, 0.65%

LAB 83.06, -29.5, 49.08

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 22 / 50 / 0 / 14

HEX #AB6FDC

RGB 171 111 220

HSL 273.03, 0.61%, 0.65%

LAB 57.26, 43.94, -46.88

 

CMYK 0 / 32 / 50 / 14

HEX #DC956F

RGB 220 149 111

HSL 20.92, 0.61%, 0.65%

LAB 67.92, 22.52, 30.86

 

CMYK 27 / 0 / 50 / 14

HEX #A0DC6F

RGB 160 220 111

HSL 93.03, 0.61%, 0.65%

LAB 81.73, -37.55, 47.16

 

CMYK 50 / 18 / 0 / 14

HEX #6DB4DC

RGB 109 180 220

HSL 201.62, 0.61%, 0.65%

LAB 70.22, -11.4, -27

 

CMYK 8 / 50 / 0 / 14

HEX #CB6FDC

RGB 203 111 220

HSL 290.64, 0.61%, 0.65%

LAB 60.99, 52.69, -40.76

 

CMYK 0 / 32 / 50 / 14

HEX #DC956F

RGB 220 149 111

HSL 20.92, 0.61%, 0.65%

LAB 67.92, 22.52, 30.86

 

CMYK 42 / 0 / 50 / 14

HEX #7FDC6F

RGB 127 220 111

HSL 111.19, 0.61%, 0.65%

LAB 80.09, -48.41, 44.78

 

Description

Color code: HEX #6DB4DC | qconv.com Color code: HEX #6DB4DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 180 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 180 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 18 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 18% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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