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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D8B50 it is the complementary color #9274AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D8B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6D8B50: #728B4B, #839D5E, #94AF71, #A5C184 and #B6D397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D8B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6D8B50: #6D8B50, #5C793D, #4B672A, #3A5517 and #294304

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

Complementary color

CMYK 17 / 34 / 0 / 31

HEX #9274AF

RGB 146 116 175

HSL 270.51, 0.27%, 0.57%

LAB 53.7, 23.45, -26.99

 

CMYK 18 / 0 / 46 / 45

HEX #728B4B

RGB 114 139 75

HSL 83.44, 0.3%, 0.42%

LAB 54.61, -20.2, 31.23

 

CMYK 17 / 0 / 40 / 38

HEX #839D5E

RGB 131 157 94

HSL 84.76, 0.25%, 0.49%

LAB 61.44, -20.23, 30

 

CMYK 15 / 0 / 35 / 31

HEX #94AF71

RGB 148 175 113

HSL 86.13, 0.28%, 0.56%

LAB 68.13, -20.23, 28.81

 

CMYK 15 / 0 / 32 / 24

HEX #A5C184

RGB 165 193 132

HSL 87.54, 0.33%, 0.64%

LAB 74.7, -20.2, 27.68

 

CMYK 14 / 0 / 28 / 17

HEX #B6D397

RGB 182 211 151

HSL 89, 0.41%, 0.71%

LAB 81.16, -20.16, 26.61

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 24 / 0 / 50 / 53

HEX #5C793D

RGB 92 121 61

HSL 89, 0.33%, 0.36%

LAB 47.35, -21.57, 29.4

 

CMYK 27 / 0 / 59 / 60

HEX #4B672A

RGB 75 103 42

HSL 87.54, 0.42%, 0.28%

LAB 40.19, -21.52, 30.65

 

CMYK 32 / 0 / 73 / 67

HEX #3A5517

RGB 58 85 23

HSL 86.13, 0.57%, 0.21%

LAB 32.83, -21.29, 31.6

 

CMYK 39 / 0 / 94 / 74

HEX #294304

RGB 41 67 4

HSL 84.76, 0.89%, 0.14%

LAB 25.24, -20.76, 31.69

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 29 / 0 / 42 / 45

HEX #638B50

RGB 99 139 80

HSL 100.68, 0.27%, 0.43%

LAB 53.7, -25.37, 27.19

 

CMYK 36 / 0 / 42 / 45

HEX #598B50

RGB 89 139 80

HSL 110.85, 0.27%, 0.43%

LAB 53.13, -28.99, 26.34

 

CMYK 42 / 0 / 42 / 45

HEX #508B50

RGB 80 139 80

HSL 120, 0.27%, 0.43%

LAB 52.67, -32.02, 25.66

 

CMYK 42 / 0 / 36 / 45

HEX #508B59

RGB 80 139 89

HSL 129.15, 0.27%, 0.43%

LAB 52.83, -30.48, 20.88

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 22 / 0 / 43 / 25

HEX #95BE6D

RGB 149 190 109

HSL 90.37, 0.38%, 0.59%

LAB 72.44, -27.79, 36.47

 

CMYK 22 / 0 / 42 / 5

HEX #BDF18B

RGB 189 241 139

HSL 90.59, 0.78%, 0.75%

LAB 89.67, -33.58, 43.88

 

CMYK 22 / 0 / 43 / 85

HEX #1D2515

RGB 29 37 21

HSL 90, 0.28%, 0.11%

LAB 13.46, -7.31, 9.52

 

CMYK 22 / 0 / 42 / 65

HEX #455833

RGB 69 88 51

HSL 90.81, 0.27%, 0.27%

LAB 34.97, -14.8, 19.12

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 42 / 0 / 13 / 45

HEX #508B79

RGB 80 139 121

HSL 161.69, 0.27%, 0.43%

LAB 53.55, -23.74, 3.62

 

CMYK 0 / 42 / 4 / 45

HEX #8B5085

RGB 139 80 133

HSL 306.1, 0.27%, 0.43%

LAB 42.64, 33.03, -19.28

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 42 / 22 / 0 / 45

HEX #506D8B

RGB 80 109 139

HSL 210.51, 0.27%, 0.43%

LAB 44.95, -2.25, -19.81

 

CMYK 0 / 42 / 22 / 45

HEX #8B506D

RGB 139 80 109

HSL 330.51, 0.27%, 0.43%

LAB 41.74, 28.79, -5.97

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 42 / 0 / 13 / 45

HEX #508B79

RGB 80 139 121

HSL 161.69, 0.27%, 0.43%

LAB 53.55, -23.74, 3.62

 

CMYK 22 / 42 / 0 / 45

HEX #6D508B

RGB 109 80 139

HSL 269.49, 0.27%, 0.43%

LAB 39.33, 24.52, -28.35

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 22 / 0 / 42 / 45

HEX #6D8B50

RGB 109 139 80

HSL 90.51, 0.27%, 0.43%

LAB 54.34, -21.54, 28.13

 

CMYK 42 / 0 / 0 / 45

HEX #508B8B

RGB 80 139 139

HSL 180, 0.27%, 0.43%

LAB 54.06, -19.18, -6.04

 

CMYK 22 / 42 / 0 / 45

HEX #6D508B

RGB 109 80 139

HSL 269.49, 0.27%, 0.43%

LAB 39.33, 24.52, -28.35

 

CMYK 0 / 42 / 42 / 45

HEX #8B5050

RGB 139 80 80

HSL 0, 0.27%, 0.43%

LAB 40.91, 24.7, 10.74

 

Description

Color code: HEX #6D8B50 | qconv.com Color code: HEX #6D8B50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 139 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 139 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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