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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE794 it is the complementary color #93186B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE794 shade: #71E78F, #82F9A2, #93FFB5, #A4FFC8 and #B5FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE794 shade: #6CE794, #5BD581, #4AC36E, #39B15B and #289F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE794 shade: #6AE792, #6AE771, #85E76A, #A6E76A and #C8E76A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE794 shade: #6AE792, #6AE7B4, #6AE7D6, #6AD6E7 and #6AB4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE794 shade matches the following richer shades: #6AE792 and #5CF58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE794 shade: #6AE792, #78D997, #86CB9C, #94BDA1 and #A2AFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE794 shade: #85E76A, #6AE770, #6AE791, #6AE7B3 and #6AE7D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE794 shade: #24DB5F, #46E179, #6AE792, #8DEDAC and #B1F2C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE794 shade: #6CE794, #6AA6E7 and #E76A74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE794 shade: #6CE794, #916AE7 and #E7916A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE794 shade: #6CE794, #6AA6E7, #E76ABF and #E7AA6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE794 shade: #6CE794, #6A81E7, #E76ABF and #E7D06A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

Complementary color

CMYK 0 / 84 / 27 / 42

HEX #93186B

RGB 147 24 107

HSL 319.51, 0.72%, 0.34%

LAB 33.81, 55.58, -16.6

 

CMYK 51 / 0 / 38 / 9

HEX #71E78F

RGB 113 231 143

HSL 135.25, 0.71%, 0.67%

LAB 83.26, -52.06, 32.9

 

CMYK 48 / 0 / 35 / 2

HEX #82F9A2

RGB 130 249 162

HSL 136.13, 0.91%, 0.74%

LAB 89.44, -51.94, 31.66

 

CMYK 42 / 0 / 29 / 0

HEX #93FFB5

RGB 147 255 181

HSL 138.89, 1%, 0.79%

LAB 92.16, -46.7, 25.85

 

CMYK 36 / 0 / 22 / 0

HEX #A4FFC8

RGB 164 255 200

HSL 143.74, 1%, 0.82%

LAB 93.27, -38.54, 17.83

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

CMYK 57 / 0 / 39 / 16

HEX #5BD581

RGB 91 213 129

HSL 138.69, 0.59%, 0.6%

LAB 76.92, -52.42, 31.53

 

CMYK 62 / 0 / 44 / 24

HEX #4AC36E

RGB 74 195 110

HSL 137.85, 0.5%, 0.53%

LAB 70.6, -52.27, 32.93

 

CMYK 68 / 0 / 49 / 31

HEX #39B15B

RGB 57 177 91

HSL 137, 0.51%, 0.46%

LAB 64.22, -51.89, 34.41

 

CMYK 75 / 0 / 55 / 38

HEX #289F48

RGB 40 159 72

HSL 136.13, 0.6%, 0.39%

LAB 57.77, -51.14, 35.96

 

CMYK 54 / 0 / 37 / 9

HEX #6AE792

RGB 106 231 146

HSL 139.2, 0.72%, 0.66%

LAB 83.07, -53.24, 31.09

 

CMYK 54 / 0 / 51 / 9

HEX #6AE771

RGB 106 231 113

HSL 123.36, 0.72%, 0.66%

LAB 82.6, -58.27, 46.72

 

CMYK 42 / 0 / 54 / 9

HEX #85E76A

RGB 133 231 106

HSL 107.04, 0.72%, 0.66%

LAB 83.54, -51.71, 51.35

 

CMYK 28 / 0 / 54 / 9

HEX #A6E76A

RGB 166 231 106

HSL 91.2, 0.72%, 0.66%

LAB 85.15, -40.87, 53.65

 

CMYK 13 / 0 / 54 / 9

HEX #C8E76A

RGB 200 231 106

HSL 74.88, 0.72%, 0.66%

LAB 87.23, -28.3, 56.6

 

CMYK 54 / 0 / 37 / 9

HEX #6AE792

RGB 106 231 146

HSL 139.2, 0.72%, 0.66%

LAB 83.07, -53.24, 31.09

 

CMYK 54 / 0 / 22 / 9

HEX #6AE7B4

RGB 106 231 180

HSL 155.52, 0.72%, 0.66%

LAB 83.71, -46.67, 14.41

 

CMYK 54 / 0 / 7 / 9

HEX #6AE7D6

RGB 106 231 214

HSL 171.84, 0.72%, 0.66%

LAB 84.52, -38.85, -2.31

 

CMYK 54 / 7 / 0 / 9

HEX #6AD6E7

RGB 106 214 231

HSL 188.16, 0.72%, 0.66%

LAB 80.14, -26.39, -17.85

 

CMYK 54 / 22 / 0 / 9

HEX #6AB4E7

RGB 106 180 231

HSL 204.48, 0.72%, 0.66%

LAB 70.51, -8.82, -32.57

 

CMYK 54 / 0 / 37 / 9

HEX #6AE792

RGB 106 231 146

HSL 139.2, 0.72%, 0.66%

LAB 83.07, -53.24, 31.09

 

CMYK 62 / 0 / 42 / 4

HEX #5CF58E

RGB 92 245 142

HSL 139.61, 0.88%, 0.66%

LAB 86.77, -62.28, 37.87

 

CMYK 54 / 0 / 37 / 9

HEX #6AE792

RGB 106 231 146

HSL 139.2, 0.72%, 0.66%

LAB 83.07, -53.24, 31.09

 

CMYK 45 / 0 / 30 / 15

HEX #78D997

RGB 120 217 151

HSL 139.18, 0.56%, 0.66%

LAB 79.53, -42.96, 23.84

 

CMYK 34 / 0 / 23 / 20

HEX #86CB9C

RGB 134 203 156

HSL 139.13, 0.4%, 0.66%

LAB 76.18, -31.63, 16.68

 

CMYK 22 / 0 / 15 / 26

HEX #94BDA1

RGB 148 189 161

HSL 139.02, 0.24%, 0.66%

LAB 73.07, -19.34, 9.71

 

CMYK 7 / 0 / 5 / 31

HEX #A2AFA6

RGB 162 175 166

HSL 138.46, 0.08%, 0.66%

LAB 70.24, -6.28, 3.04

 

CMYK 42 / 0 / 54 / 9

HEX #85E76A

RGB 133 231 106

HSL 107.04, 0.72%, 0.66%

LAB 83.54, -51.71, 51.35

 

CMYK 54 / 0 / 52 / 9

HEX #6AE770

RGB 106 231 112

HSL 122.88, 0.72%, 0.66%

LAB 82.59, -58.4, 47.17

 

CMYK 54 / 0 / 37 / 9

HEX #6AE791

RGB 106 231 145

HSL 138.72, 0.72%, 0.66%

LAB 83.05, -53.41, 31.57

 

CMYK 54 / 0 / 23 / 9

HEX #6AE7B3

RGB 106 231 179

HSL 155.04, 0.72%, 0.66%

LAB 83.69, -46.88, 14.9

 

CMYK 54 / 0 / 8 / 9

HEX #6AE7D4

RGB 106 231 212

HSL 170.88, 0.72%, 0.66%

LAB 84.47, -39.34, -1.33

 

CMYK 84 / 0 / 57 / 14

HEX #24DB5F

RGB 36 219 95

HSL 139.34, 0.72%, 0.5%

LAB 77.2, -68.54, 48.24

 

CMYK 69 / 0 / 46 / 12

HEX #46E179

RGB 70 225 121

HSL 139.74, 0.72%, 0.58%

LAB 79.92, -62.36, 39.31

 

CMYK 54 / 0 / 37 / 9

HEX #6AE792

RGB 106 231 146

HSL 139.2, 0.72%, 0.66%

LAB 83.07, -53.24, 31.09

 

CMYK 41 / 0 / 27 / 7

HEX #8DEDAC

RGB 141 237 172

HSL 139.38, 0.73%, 0.74%

LAB 86.61, -42.14, 22.79

 

CMYK 27 / 0 / 18 / 5

HEX #B1F2C6

RGB 177 242 198

HSL 139.38, 0.71%, 0.82%

LAB 90.29, -29.04, 14.76

 

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

CMYK 54 / 28 / 0 / 9

HEX #6AA6E7

RGB 106 166 231

HSL 211.2, 0.72%, 0.66%

LAB 66.6, -1.09, -38.64

 

CMYK 0 / 54 / 50 / 9

HEX #E76A74

RGB 231 106 116

HSL 355.2, 0.72%, 0.66%

LAB 60.39, 49.33, 18.28

 

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

CMYK 37 / 54 / 0 / 9

HEX #916AE7

RGB 145 106 231

HSL 258.72, 0.72%, 0.66%

LAB 54.13, 42.83, -58.21

 

CMYK 0 / 37 / 54 / 9

HEX #E7916A

RGB 231 145 106

HSL 18.72, 0.72%, 0.66%

LAB 68.23, 28.61, 34.21

 

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

CMYK 54 / 28 / 0 / 9

HEX #6AA6E7

RGB 106 166 231

HSL 211.2, 0.72%, 0.66%

LAB 66.6, -1.09, -38.64

 

CMYK 0 / 54 / 17 / 9

HEX #E76ABF

RGB 231 106 191

HSL 319.2, 0.72%, 0.66%

LAB 62.56, 58.21, -21.67

 

CMYK 0 / 26 / 54 / 9

HEX #E7AA6A

RGB 231 170 106

HSL 30.72, 0.72%, 0.66%

LAB 74.05, 15.3, 41.5

 

CMYK 53 / 0 / 36 / 9

HEX #6CE794

RGB 108 231 148

HSL 139.51, 0.72%, 0.66%

LAB 83.17, -52.42, 30.21

 

CMYK 54 / 44 / 0 / 9

HEX #6A81E7

RGB 106 129 231

HSL 228.96, 0.72%, 0.66%

LAB 56.62, 20.54, -54.4

 

CMYK 0 / 54 / 17 / 9

HEX #E76ABF

RGB 231 106 191

HSL 319.2, 0.72%, 0.66%

LAB 62.56, 58.21, -21.67

 

CMYK 0 / 10 / 54 / 9

HEX #E7D06A

RGB 231 208 106

HSL 48.96, 0.72%, 0.66%

LAB 83.52, -4.58, 52.88

 

Description

Color code: HEX #6CE794 | qconv.com Color code: HEX #6CE794 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 231 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 231 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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