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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE330 it is the complementary color #931CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE330 shade: #71E32B, #82F53E, #93FF51, #A4FF64 and #B5FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE330 shade: #6CE330, #5BD11D, #4ABF0A, #39AD00 and #289B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE330 shade: #6CE331, #9CE331, #CCE331, #E3C931 and #E39931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE330 shade: #6CE331, #3CE331, #31E355, #31E385 and #31E3B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE330 shade matches the following richer shades: #6CE331 and #66F61E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE330 shade: #6CE331, #73D044, #79BD57, #7FAA69 and #85977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE330 shade: #CEE331, #9FE331, #6FE331, #3FE331 and #31E351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE330 shade: #48AA17, #58CE1C, #6CE331, #86E855 and #A0ED79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE330 shade: #6CE330, #31E3C8 and #E331B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE330 shade: #6CE330, #316FE3 and #E3316F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE330 shade: #6CE330, #31E3C8, #A431E3 and #E3314B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE330 shade: #6CE330, #31C8E3, #A431E3 and #E34B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

Complementary color

CMYK 29 / 86 / 0 / 19

HEX #931CCF

RGB 147 28 207

HSL 279.89, 0.76%, 0.46%

LAB 40.47, 71.33, -66.61

 

CMYK 50 / 0 / 81 / 11

HEX #71E32B

RGB 113 227 43

HSL 97.17, 0.77%, 0.53%

LAB 81.08, -61.06, 72.11

 

CMYK 47 / 0 / 75 / 4

HEX #82F53E

RGB 130 245 62

HSL 97.7, 0.9%, 0.6%

LAB 87.19, -61.77, 72.61

 

CMYK 42 / 0 / 68 / 0

HEX #93FF51

RGB 147 255 81

HSL 97.24, 1%, 0.66%

LAB 90.92, -59.21, 70.09

 

CMYK 36 / 0 / 61 / 0

HEX #A4FF64

RGB 164 255 100

HSL 95.23, 1%, 0.7%

LAB 91.83, -52.3, 63.86

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

CMYK 56 / 0 / 86 / 18

HEX #5BD11D

RGB 91 209 29

HSL 99.33, 0.76%, 0.47%

LAB 74.77, -61.21, 69.48

 

CMYK 61 / 0 / 95 / 25

HEX #4ABF0A

RGB 74 191 10

HSL 98.78, 0.9%, 0.39%

LAB 68.56, -59.79, 67.11

 

CMYK 67 / 0 / 100 / 32

HEX #39AD00

RGB 57 173 0

HSL 100.23, 1%, 0.34%

LAB 62.3, -57.85, 63.1

 

CMYK 74 / 0 / 100 / 39

HEX #289B00

RGB 40 155 0

HSL 104.52, 1%, 0.3%

LAB 55.98, -55.34, 57.91

 

CMYK 52 / 0 / 78 / 11

HEX #6CE331

RGB 108 227 49

HSL 100.11, 0.76%, 0.54%

LAB 80.93, -62.15, 70.27

 

CMYK 31 / 0 / 78 / 11

HEX #9CE331

RGB 156 227 49

HSL 83.93, 0.76%, 0.54%

LAB 83.03, -46.84, 72.99

 

CMYK 10 / 0 / 78 / 11

HEX #CCE331

RGB 204 227 49

HSL 67.75, 0.76%, 0.54%

LAB 86.01, -28.33, 76.78

 

CMYK 0 / 11 / 78 / 11

HEX #E3C931

RGB 227 201 49

HSL 51.24, 0.76%, 0.54%

LAB 80.92, -5.9, 72.94

 

CMYK 0 / 33 / 78 / 11

HEX #E39931

RGB 227 153 49

HSL 35.06, 0.76%, 0.54%

LAB 68.99, 19.33, 62.08

 

CMYK 52 / 0 / 78 / 11

HEX #6CE331

RGB 108 227 49

HSL 100.11, 0.76%, 0.54%

LAB 80.93, -62.15, 70.27

 

CMYK 74 / 0 / 78 / 11

HEX #3CE331

RGB 60 227 49

HSL 116.29, 0.76%, 0.54%

LAB 79.68, -72.42, 68.65

 

CMYK 78 / 0 / 63 / 11

HEX #31E355

RGB 49 227 85

HSL 132.13, 0.76%, 0.54%

LAB 79.75, -70.89, 55.63

 

CMYK 78 / 0 / 41 / 11

HEX #31E385

RGB 49 227 133

HSL 148.31, 0.76%, 0.54%

LAB 80.34, -63.94, 33.81

 

CMYK 78 / 0 / 20 / 11

HEX #31E3B5

RGB 49 227 181

HSL 164.49, 0.76%, 0.54%

LAB 81.25, -53.86, 10.21

 

CMYK 52 / 0 / 78 / 11

HEX #6CE331

RGB 108 227 49

HSL 100.11, 0.76%, 0.54%

LAB 80.93, -62.15, 70.27

 

CMYK 59 / 0 / 88 / 4

HEX #66F61E

RGB 102 246 30

HSL 100, 0.92%, 0.54%

LAB 86.42, -70.97, 79.45

 

CMYK 52 / 0 / 78 / 11

HEX #6CE331

RGB 108 227 49

HSL 100.11, 0.76%, 0.54%

LAB 80.93, -62.15, 70.27

 

CMYK 45 / 0 / 67 / 18

HEX #73D044

RGB 115 208 68

HSL 99.86, 0.6%, 0.54%

LAB 75.56, -51.71, 58.52

 

CMYK 36 / 0 / 54 / 26

HEX #79BD57

RGB 121 189 87

HSL 100, 0.44%, 0.54%

LAB 70.28, -39.98, 44.34

 

CMYK 25 / 0 / 38 / 33

HEX #7FAA69

RGB 127 170 105

HSL 99.69, 0.28%, 0.54%

LAB 65.19, -26.71, 28.95

 

CMYK 12 / 0 / 18 / 41

HEX #85977C

RGB 133 151 124

HSL 100, 0.11%, 0.54%

LAB 60.4, -11.65, 12.11

 

CMYK 9 / 0 / 78 / 11

HEX #CEE331

RGB 206 227 49

HSL 67.08, 0.76%, 0.54%

LAB 86.15, -27.51, 76.96

 

CMYK 30 / 0 / 78 / 11

HEX #9FE331

RGB 159 227 49

HSL 82.92, 0.76%, 0.54%

LAB 83.19, -45.76, 73.19

 

CMYK 51 / 0 / 78 / 11

HEX #6FE331

RGB 111 227 49

HSL 99.1, 0.76%, 0.54%

LAB 81.04, -61.33, 70.41

 

CMYK 72 / 0 / 78 / 11

HEX #3FE331

RGB 63 227 49

HSL 115.28, 0.76%, 0.54%

LAB 79.74, -71.95, 68.72

 

CMYK 78 / 0 / 64 / 11

HEX #31E351

RGB 49 227 81

HSL 130.79, 0.76%, 0.54%

LAB 79.72, -71.32, 57.26

 

CMYK 58 / 0 / 86 / 33

HEX #48AA17

RGB 72 170 23

HSL 100, 0.76%, 0.38%

LAB 61.82, -52.59, 59.21

 

CMYK 57 / 0 / 86 / 19

HEX #58CE1C

RGB 88 206 28

HSL 99.78, 0.76%, 0.46%

LAB 73.74, -60.97, 68.75

 

CMYK 52 / 0 / 78 / 11

HEX #6CE331

RGB 108 227 49

HSL 100.11, 0.76%, 0.54%

LAB 80.93, -62.15, 70.27

 

CMYK 42 / 0 / 63 / 9

HEX #86E855

RGB 134 232 85

HSL 100, 0.76%, 0.62%

LAB 83.67, -53.91, 60.65

 

CMYK 32 / 0 / 49 / 7

HEX #A0ED79

RGB 160 237 121

HSL 99.83, 0.76%, 0.7%

LAB 86.71, -43.91, 48.49

 

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

CMYK 78 / 0 / 12 / 11

HEX #31E3C8

RGB 49 227 200

HSL 170.9, 0.76%, 0.54%

LAB 81.71, -49.1, 0.83

 

CMYK 0 / 78 / 20 / 11

HEX #E331B6

RGB 227 49 182

HSL 315.17, 0.76%, 0.54%

LAB 53.93, 77.06, -29.85

 

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

CMYK 78 / 51 / 0 / 11

HEX #316FE3

RGB 49 111 227

HSL 219.1, 0.76%, 0.54%

LAB 48.97, 21.35, -64.59

 

CMYK 0 / 78 / 51 / 11

HEX #E3316F

RGB 227 49 111

HSL 339.1, 0.76%, 0.54%

LAB 51.47, 69.76, 8.72

 

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

CMYK 78 / 0 / 12 / 11

HEX #31E3C8

RGB 49 227 200

HSL 170.9, 0.76%, 0.54%

LAB 81.71, -49.1, 0.83

 

CMYK 28 / 78 / 0 / 11

HEX #A431E3

RGB 164 49 227

HSL 278.76, 0.76%, 0.54%

LAB 46.49, 72.1, -68.17

 

CMYK 0 / 78 / 67 / 11

HEX #E3314B

RGB 227 49 75

HSL 351.24, 0.76%, 0.54%

LAB 50.73, 67.48, 29.45

 

CMYK 52 / 0 / 79 / 11

HEX #6CE330

RGB 108 227 48

HSL 99.89, 0.76%, 0.54%

LAB 80.93, -62.2, 70.55

 

CMYK 78 / 12 / 0 / 11

HEX #31C8E3

RGB 49 200 227

HSL 189.1, 0.76%, 0.54%

LAB 74.51, -29.1, -24.38

 

CMYK 28 / 78 / 0 / 11

HEX #A431E3

RGB 164 49 227

HSL 278.76, 0.76%, 0.54%

LAB 46.49, 72.1, -68.17

 

CMYK 0 / 67 / 78 / 11

HEX #E34B31

RGB 227 75 49

HSL 8.76, 0.76%, 0.54%

LAB 53.58, 57.59, 47.22

 

Description

Color code: HEX #6CE330 | qconv.com Color code: HEX #6CE330 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 227 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 227 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 79 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 79% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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