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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CDA42 it is the complementary color #9325BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CDA42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6CDA42: #71DA3D, #82EC50, #93FE63, #A4FF76 and #B5FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CDA42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6CDA42: #6CDA42, #5BC82F, #4AB61C, #39A409 and #289200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

Complementary color

CMYK 22 / 80 / 0 / 26

HEX #9325BD

RGB 147 37 189

HSL 283.42, 0.67%, 0.44%

LAB 39.92, 65.42, -57.02

 

CMYK 48 / 0 / 72 / 15

HEX #71DA3D

RGB 113 218 61

HSL 100.13, 0.68%, 0.55%

LAB 78.46, -56.7, 64.09

 

CMYK 45 / 0 / 66 / 7

HEX #82EC50

RGB 130 236 80

HSL 100.77, 0.8%, 0.62%

LAB 84.65, -57.11, 63.65

 

CMYK 42 / 0 / 61 / 0

HEX #93FE63

RGB 147 254 99

HSL 101.42, 0.99%, 0.69%

LAB 90.77, -57.34, 62.88

 

CMYK 36 / 0 / 54 / 0

HEX #A4FF76

RGB 164 255 118

HSL 99.85, 1%, 0.73%

LAB 92.01, -50.57, 56.29

 

CMYK 29 / 0 / 46 / 0

HEX #B5FF89

RGB 181 255 137

HSL 97.63, 1%, 0.77%

LAB 93.08, -42.85, 49.02

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 55 / 0 / 77 / 22

HEX #5BC82F

RGB 91 200 47

HSL 102.75, 0.62%, 0.48%

LAB 72.05, -57.13, 62.22

 

CMYK 59 / 0 / 85 / 29

HEX #4AB61C

RGB 74 182 28

HSL 102.08, 0.73%, 0.41%

LAB 65.75, -56.14, 61.54

 

CMYK 65 / 0 / 95 / 36

HEX #39A409

RGB 57 164 9

HSL 101.42, 0.9%, 0.34%

LAB 59.38, -54.64, 59.49

 

CMYK 73 / 0 / 100 / 43

HEX #289200

RGB 40 146 0

HSL 103.56, 1%, 0.29%

LAB 52.96, -52.44, 55.5

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 61 / 0 / 69 / 15

HEX #55D943

RGB 85 217 67

HSL 112.8, 0.66%, 0.56%

LAB 77.26, -63.17, 60.37

 

CMYK 69 / 0 / 65 / 15

HEX #43D94B

RGB 67 217 75

HSL 123.2, 0.66%, 0.56%

LAB 76.88, -66.07, 56.68

 

CMYK 69 / 0 / 54 / 15

HEX #43D964

RGB 67 217 100

HSL 133.2, 0.66%, 0.56%

LAB 77.12, -63.14, 45.95

 

CMYK 69 / 0 / 42 / 15

HEX #43D97D

RGB 67 217 125

HSL 143.2, 0.66%, 0.56%

LAB 77.46, -59.3, 34.15

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 50 / 0 / 71 / 95

HEX #070E04

RGB 7 14 4

HSL 102, 0.56%, 0.04%

LAB 3.32, -3.41, 3.27

 

CMYK 51 / 0 / 69 / 75

HEX #204114

RGB 32 65 20

HSL 104, 0.53%, 0.17%

LAB 24.12, -22.05, 23.2

 

CMYK 51 / 0 / 70 / 55

HEX #397423

RGB 57 116 35

HSL 103.7, 0.54%, 0.3%

LAB 43.48, -35.12, 37.43

 

CMYK 50 / 0 / 69 / 35

HEX #53A733

RGB 83 167 51

HSL 103.45, 0.53%, 0.43%

LAB 61.41, -46.61, 49.98

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 69 / 0 / 6 / 15

HEX #43D9CD

RGB 67 217 205

HSL 175.2, 0.66%, 0.56%

LAB 79.17, -41.41, -5.52

 

CMYK 0 / 69 / 22 / 15

HEX #D943AA

RGB 217 67 170

HSL 318.8, 0.66%, 0.56%

LAB 53.67, 67.63, -23.37

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 69 / 49 / 0 / 15

HEX #436ED9

RGB 67 110 217

HSL 222.8, 0.66%, 0.56%

LAB 48.7, 20.54, -59.33

 

CMYK 0 / 69 / 49 / 15

HEX #D9436E

RGB 217 67 110

HSL 342.8, 0.66%, 0.56%

LAB 51.71, 61.09, 9.42

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 69 / 0 / 6 / 15

HEX #43D9CD

RGB 67 217 205

HSL 175.2, 0.66%, 0.56%

LAB 79.17, -41.41, -5.52

 

CMYK 19 / 69 / 0 / 15

HEX #AF43D9

RGB 175 67 217

HSL 283.2, 0.66%, 0.56%

LAB 49.66, 65.57, -57.28

 

CMYK 0 / 69 / 63 / 15

HEX #D94350

RGB 217 67 80

HSL 354.8, 0.66%, 0.56%

LAB 51.09, 58.92, 26.55

 

CMYK 50 / 0 / 70 / 15

HEX #6CDA42

RGB 108 218 66

HSL 103.42, 0.67%, 0.56%

LAB 78.3, -57.77, 62.06

 

CMYK 69 / 15 / 0 / 15

HEX #43B9D9

RGB 67 185 217

HSL 192.8, 0.66%, 0.56%

LAB 70.11, -22.63, -25.66

 

CMYK 19 / 69 / 0 / 15

HEX #AF43D9

RGB 175 67 217

HSL 283.2, 0.66%, 0.56%

LAB 49.66, 65.57, -57.28

 

CMYK 0 / 54 / 69 / 15

HEX #D96443

RGB 217 100 67

HSL 13.2, 0.66%, 0.56%

LAB 56.36, 43.69, 40.32

 

Description

Color code: HEX #6CDA42 | qconv.com Color code: HEX #6CDA42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 218 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 218 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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