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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC160 it is the complementary color #933E9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC160 shade: #71C15B, #82D36E, #93E581, #A4F794 and #B5FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC160 shade: #6CC160, #5BAF4D, #4A9D3A, #398B27 and #287914

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC160 shade: #6DC261, #87C261, #A1C261, #BBC261 and #C2AE61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC160 shade: #6DC261, #61C26F, #61C289, #61C2A3 and #61C2BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC160 shade matches the following richer shades: #6DC261, #60D34F, #52E53E and #45F72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC160 shade: #6DC261, #7AB073, #889E85, #958C96 and #A27BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC160 shade: #A1C261, #88C261, #6EC261, #61C26E and #61C288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC160 shade: #46963A, #53B446, #6DC261, #88CD7F and #A4D99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC160 shade: #6CC160, #61BBC2 and #C26195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC160 shade: #6CC160, #616EC2 and #C2616E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC160 shade: #6CC160, #61BBC2, #B561C2 and #C26861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC160 shade: #6CC160, #619EC2, #B561C2 and #C28461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

Complementary color

CMYK 8 / 61 / 0 / 38

HEX #933E9F

RGB 147 62 159

HSL 292.58, 0.44%, 0.43%

LAB 41.46, 49.81, -36.75

 

CMYK 41 / 0 / 53 / 24

HEX #71C15B

RGB 113 193 91

HSL 107.06, 0.45%, 0.56%

LAB 71.15, -43.87, 43.37

 

CMYK 38 / 0 / 48 / 17

HEX #82D36E

RGB 130 211 110

HSL 108.12, 0.53%, 0.63%

LAB 77.56, -43.8, 42.16

 

CMYK 36 / 0 / 44 / 10

HEX #93E581

RGB 147 229 129

HSL 109.2, 0.66%, 0.7%

LAB 83.88, -43.67, 40.95

 

CMYK 34 / 0 / 40 / 3

HEX #A4F794

RGB 164 247 148

HSL 110.3, 0.86%, 0.77%

LAB 90.12, -43.49, 39.78

 

CMYK 29 / 0 / 35 / 0

HEX #B5FFA7

RGB 181 255 167

HSL 110.45, 1%, 0.83%

LAB 93.51, -38.88, 34.98

 

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

CMYK 48 / 0 / 56 / 31

HEX #5BAF4D

RGB 91 175 77

HSL 111.43, 0.39%, 0.49%

LAB 64.5, -44.79, 41.94

 

CMYK 53 / 0 / 63 / 38

HEX #4A9D3A

RGB 74 157 58

HSL 110.3, 0.46%, 0.42%

LAB 57.92, -44.6, 43.08

 

CMYK 59 / 0 / 72 / 45

HEX #398B27

RGB 57 139 39

HSL 109.2, 0.56%, 0.35%

LAB 51.25, -44.1, 43.92

 

CMYK 67 / 0 / 83 / 53

HEX #287914

RGB 40 121 20

HSL 108.12, 0.72%, 0.28%

LAB 44.48, -43.07, 43.98

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 30 / 0 / 50 / 24

HEX #87C261

RGB 135 194 97

HSL 96.49, 0.44%, 0.57%

LAB 72.63, -36.21, 42.51

 

CMYK 17 / 0 / 50 / 24

HEX #A1C261

RGB 161 194 97

HSL 80.41, 0.44%, 0.57%

LAB 74.2, -26.56, 44.79

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 0 / 10 / 50 / 24

HEX #C2AE61

RGB 194 174 97

HSL 47.63, 0.44%, 0.57%

LAB 71.29, -2.97, 41.86

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 50 / 0 / 43 / 24

HEX #61C26F

RGB 97 194 111

HSL 128.66, 0.44%, 0.57%

LAB 71.06, -46.2, 33.15

 

CMYK 50 / 0 / 29 / 24

HEX #61C289

RGB 97 194 137

HSL 144.74, 0.44%, 0.57%

LAB 71.51, -41.6, 20.1

 

CMYK 50 / 0 / 16 / 24

HEX #61C2A3

RGB 97 194 163

HSL 160.82, 0.44%, 0.57%

LAB 72.07, -36.08, 6.87

 

CMYK 50 / 0 / 3 / 24

HEX #61C2BD

RGB 97 194 189

HSL 176.91, 0.44%, 0.57%

LAB 72.76, -29.72, -6.28

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 55 / 0 / 63 / 17

HEX #60D34F

RGB 96 211 79

HSL 112.27, 0.6%, 0.57%

LAB 75.85, -57.25, 54.1

 

CMYK 64 / 0 / 73 / 10

HEX #52E53E

RGB 82 229 62

HSL 112.81, 0.76%, 0.57%

LAB 80.84, -68.24, 65.82

 

CMYK 72 / 0 / 82 / 3

HEX #45F72C

RGB 69 247 44

HSL 112.61, 0.93%, 0.57%

LAB 85.99, -77.28, 75.88

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 31 / 0 / 35 / 31

HEX #7AB073

RGB 122 176 115

HSL 113.11, 0.28%, 0.57%

LAB 66.84, -29.85, 25.75

 

CMYK 14 / 0 / 16 / 38

HEX #889E85

RGB 136 158 133

HSL 112.8, 0.11%, 0.57%

LAB 62.83, -12.67, 10.5

 

CMYK 1 / 7 / 0 / 41

HEX #958C96

RGB 149 140 150

HSL 294, 0.05%, 0.57%

LAB 59.29, 5.26, -4.11

 

CMYK 4 / 27 / 0 / 34

HEX #A27BA8

RGB 162 123 168

HSL 292, 0.21%, 0.57%

LAB 56.76, 23.2, -18.13

 

CMYK 17 / 0 / 50 / 24

HEX #A1C261

RGB 161 194 97

HSL 80.41, 0.44%, 0.57%

LAB 74.2, -26.56, 44.79

 

CMYK 30 / 0 / 50 / 24

HEX #88C261

RGB 136 194 97

HSL 95.88, 0.44%, 0.57%

LAB 72.68, -35.86, 42.59

 

CMYK 43 / 0 / 50 / 24

HEX #6EC261

RGB 110 194 97

HSL 111.96, 0.44%, 0.57%

LAB 71.39, -44.48, 40.72

 

CMYK 50 / 0 / 43 / 24

HEX #61C26E

RGB 97 194 110

HSL 128.04, 0.44%, 0.57%

LAB 71.04, -46.36, 33.64

 

CMYK 50 / 0 / 30 / 24

HEX #61C288

RGB 97 194 136

HSL 144.12, 0.44%, 0.57%

LAB 71.49, -41.8, 20.61

 

CMYK 53 / 0 / 61 / 41

HEX #46963A

RGB 70 150 58

HSL 112.17, 0.44%, 0.41%

LAB 55.5, -42.92, 40.3

 

CMYK 54 / 0 / 61 / 29

HEX #53B446

RGB 83 180 70

HSL 112.91, 0.44%, 0.49%

LAB 65.69, -49.87, 46.5

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 34 / 0 / 38 / 20

HEX #88CD7F

RGB 136 205 127

HSL 113.08, 0.44%, 0.65%

LAB 76.33, -36.84, 32.12

 

CMYK 24 / 0 / 28 / 15

HEX #A4D99D

RGB 164 217 157

HSL 113, 0.44%, 0.73%

LAB 81.81, -28.45, 24.18

 

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

CMYK 50 / 4 / 0 / 24

HEX #61BBC2

RGB 97 187 194

HSL 184.33, 0.44%, 0.57%

LAB 70.86, -24.96, -11.84

 

CMYK 0 / 50 / 23 / 24

HEX #C26195

RGB 194 97 149

HSL 327.84, 0.44%, 0.57%

LAB 54.23, 44.94, -10.54

 

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

CMYK 50 / 43 / 0 / 24

HEX #616EC2

RGB 97 110 194

HSL 231.96, 0.44%, 0.57%

LAB 48.99, 18.45, -45.63

 

CMYK 0 / 50 / 43 / 24

HEX #C2616E

RGB 194 97 110

HSL 351.96, 0.44%, 0.57%

LAB 53.11, 40.03, 10.85

 

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

CMYK 50 / 4 / 0 / 24

HEX #61BBC2

RGB 97 187 194

HSL 184.33, 0.44%, 0.57%

LAB 70.86, -24.96, -11.84

 

CMYK 7 / 50 / 0 / 24

HEX #B561C2

RGB 181 97 194

HSL 291.96, 0.44%, 0.57%

LAB 54.31, 48.6, -36.69

 

CMYK 0 / 46 / 50 / 24

HEX #C26861

RGB 194 104 97

HSL 4.33, 0.44%, 0.57%

LAB 54.27, 35.08, 20.09

 

CMYK 44 / 0 / 50 / 24

HEX #6CC160

RGB 108 193 96

HSL 112.58, 0.44%, 0.57%

LAB 70.99, -44.79, 40.7

 

CMYK 50 / 19 / 0 / 24

HEX #619EC2

RGB 97 158 194

HSL 202.27, 0.44%, 0.57%

LAB 62.41, -9.74, -24.64

 

CMYK 7 / 50 / 0 / 24

HEX #B561C2

RGB 181 97 194

HSL 291.96, 0.44%, 0.57%

LAB 54.31, 48.6, -36.69

 

CMYK 0 / 32 / 50 / 24

HEX #C28461

RGB 194 132 97

HSL 21.65, 0.44%, 0.57%

LAB 60.64, 19.87, 28.49

 

Description

Color code: HEX #6CC160 | qconv.com Color code: HEX #6CC160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 193 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 193 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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