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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC261 it is the complementary color #443D9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC261 shade: #C0C25C, #D1D46F, #E2E682, #F3F895 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC261 shade: #BBC261, #AAB04E, #999E3B, #888C28 and #777A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC261 shade: #BBC261, #C2AF61, #C29561, #C27A61 and #C26161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC261 shade: #BBC261, #A1C261, #87C261, #6DC261 and #61C270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC261 shade matches the following richer shades: #BBC261, #CAD34F, #D9E53E and #E8F72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC261 shade: #BBC261, #ABB073, #9C9E85, #8D8C96 and #7E7BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC261 shade: #C29561, #C2AE61, #BBC261, #A1C261 and #88C261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC261 shade: #8F963A, #ACB446, #BBC261, #C7CD7F and #D4D99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC261 shade: #BBC261, #61C27B and #A161C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC261 shade: #BBC261, #61BBC2 and #C261BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC261 shade: #BBC261, #61C27B, #6861C2 and #C261A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC261 shade: #BBC261, #61C298, #6861C2 and #C2618B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

Complementary color

CMYK 57 / 61 / 0 / 38

HEX #443D9E

RGB 68 61 158

HSL 244.33, 0.44%, 0.43%

LAB 31.89, 31.39, -52.01

 

CMYK 1 / 0 / 53 / 24

HEX #C0C25C

RGB 192 194 92

HSL 61.18, 0.46%, 0.56%

LAB 76.41, -14.61, 50.34

 

CMYK 1 / 0 / 48 / 17

HEX #D1D46F

RGB 209 212 111

HSL 61.78, 0.54%, 0.63%

LAB 82.8, -15.08, 49.22

 

CMYK 2 / 0 / 43 / 10

HEX #E2E682

RGB 226 230 130

HSL 62.4, 0.67%, 0.71%

LAB 89.1, -15.48, 48.07

 

CMYK 2 / 0 / 40 / 3

HEX #F3F895

RGB 243 248 149

HSL 63.03, 0.88%, 0.78%

LAB 95.31, -15.8, 46.93

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 3 / 0 / 56 / 31

HEX #AAB04E

RGB 170 176 78

HSL 63.67, 0.39%, 0.5%

LAB 69.57, -15.74, 48.58

 

CMYK 3 / 0 / 63 / 38

HEX #999E3B

RGB 153 158 59

HSL 63.03, 0.46%, 0.43%

LAB 62.96, -15.14, 49.52

 

CMYK 3 / 0 / 71 / 45

HEX #888C28

RGB 136 140 40

HSL 62.4, 0.56%, 0.35%

LAB 56.23, -14.37, 50.08

 

CMYK 2 / 0 / 83 / 52

HEX #777A15

RGB 119 122 21

HSL 61.78, 0.71%, 0.28%

LAB 49.37, -13.36, 49.79

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 0 / 10 / 50 / 24

HEX #C2AF61

RGB 194 175 97

HSL 48.25, 0.44%, 0.57%

LAB 71.55, -3.5, 42.18

 

CMYK 0 / 23 / 50 / 24

HEX #C29561

RGB 194 149 97

HSL 32.16, 0.44%, 0.57%

LAB 64.83, 10.52, 33.85

 

CMYK 0 / 37 / 50 / 24

HEX #C27A61

RGB 194 122 97

HSL 15.46, 0.44%, 0.57%

LAB 58.27, 25.37, 25.41

 

CMYK 0 / 50 / 50 / 24

HEX #C26161

RGB 194 97 97

HSL 0, 0.44%, 0.57%

LAB 52.82, 38.73, 18.12

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 17 / 0 / 50 / 24

HEX #A1C261

RGB 161 194 97

HSL 80.41, 0.44%, 0.57%

LAB 74.2, -26.56, 44.79

 

CMYK 30 / 0 / 50 / 24

HEX #87C261

RGB 135 194 97

HSL 96.49, 0.44%, 0.57%

LAB 72.63, -36.21, 42.51

 

CMYK 44 / 0 / 50 / 24

HEX #6DC261

RGB 109 194 97

HSL 112.58, 0.44%, 0.57%

LAB 71.35, -44.78, 40.66

 

CMYK 50 / 0 / 42 / 24

HEX #61C270

RGB 97 194 112

HSL 129.28, 0.44%, 0.57%

LAB 71.07, -46.04, 32.66

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 4 / 0 / 63 / 17

HEX #CAD34F

RGB 202 211 79

HSL 64.09, 0.6%, 0.57%

LAB 81.68, -19.95, 62.14

 

CMYK 5 / 0 / 73 / 10

HEX #D9E53E

RGB 217 229 62

HSL 64.31, 0.76%, 0.57%

LAB 87.55, -23.46, 74.66

 

CMYK 6 / 0 / 82 / 3

HEX #E8F72C

RGB 232 247 44

HSL 64.43, 0.93%, 0.57%

LAB 93.39, -26.53, 85.22

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 3 / 0 / 35 / 31

HEX #ABB073

RGB 171 176 115

HSL 64.92, 0.28%, 0.57%

LAB 70.14, -11.49, 30.7

 

CMYK 1 / 0 / 16 / 38

HEX #9C9E85

RGB 156 158 133

HSL 64.8, 0.11%, 0.57%

LAB 64.33, -5.19, 12.84

 

CMYK 6 / 7 / 0 / 41

HEX #8D8C96

RGB 141 140 150

HSL 246, 0.05%, 0.57%

LAB 58.62, 2.38, -5.18

 

CMYK 25 / 27 / 0 / 34

HEX #7E7BA8

RGB 126 123 168

HSL 244, 0.21%, 0.57%

LAB 53.42, 11.26, -23.54

 

CMYK 0 / 23 / 50 / 24

HEX #C29561

RGB 194 149 97

HSL 32.16, 0.44%, 0.57%

LAB 64.83, 10.52, 33.85

 

CMYK 0 / 10 / 50 / 24

HEX #C2AE61

RGB 194 174 97

HSL 47.63, 0.44%, 0.57%

LAB 71.29, -2.97, 41.86

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 17 / 0 / 50 / 24

HEX #A1C261

RGB 161 194 97

HSL 80.41, 0.44%, 0.57%

LAB 74.2, -26.56, 44.79

 

CMYK 30 / 0 / 50 / 24

HEX #88C261

RGB 136 194 97

HSL 95.88, 0.44%, 0.57%

LAB 72.68, -35.86, 42.59

 

CMYK 5 / 0 / 61 / 41

HEX #8F963A

RGB 143 150 58

HSL 64.57, 0.44%, 0.41%

LAB 59.85, -15.37, 46.36

 

CMYK 4 / 0 / 61 / 29

HEX #ACB446

RGB 172 180 70

HSL 64.36, 0.44%, 0.49%

LAB 70.77, -17.55, 53.56

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 3 / 0 / 38 / 20

HEX #C7CD7F

RGB 199 205 127

HSL 64.62, 0.44%, 0.65%

LAB 80.37, -13.88, 38.14

 

CMYK 2 / 0 / 28 / 15

HEX #D4D99D

RGB 212 217 157

HSL 65, 0.44%, 0.73%

LAB 85.03, -11.23, 29.07

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 50 / 0 / 37 / 24

HEX #61C27B

RGB 97 194 123

HSL 136.08, 0.44%, 0.57%

LAB 71.25, -44.2, 27.17

 

CMYK 17 / 50 / 0 / 24

HEX #A161C2

RGB 161 97 194

HSL 279.59, 0.44%, 0.57%

LAB 51.86, 42.98, -40.71

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 50 / 4 / 0 / 24

HEX #61BBC2

RGB 97 187 194

HSL 184.33, 0.44%, 0.57%

LAB 70.86, -24.96, -11.84

 

CMYK 0 / 50 / 4 / 24

HEX #C261BB

RGB 194 97 187

HSL 304.33, 0.44%, 0.57%

LAB 55.69, 51.04, -30.38

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 50 / 0 / 37 / 24

HEX #61C27B

RGB 97 194 123

HSL 136.08, 0.44%, 0.57%

LAB 71.25, -44.2, 27.17

 

CMYK 46 / 50 / 0 / 24

HEX #6861C2

RGB 104 97 194

HSL 244.33, 0.44%, 0.57%

LAB 46.16, 28.07, -50.12

 

CMYK 0 / 50 / 13 / 24

HEX #C261A8

RGB 194 97 168

HSL 316.08, 0.44%, 0.57%

LAB 54.91, 47.85, -20.6

 

CMYK 4 / 0 / 50 / 24

HEX #BBC261

RGB 187 194 97

HSL 64.33, 0.44%, 0.57%

LAB 76.08, -16.21, 47.48

 

CMYK 50 / 0 / 22 / 24

HEX #61C298

RGB 97 194 152

HSL 154.02, 0.44%, 0.57%

LAB 71.82, -38.52, 12.47

 

CMYK 46 / 50 / 0 / 24

HEX #6861C2

RGB 104 97 194

HSL 244.33, 0.44%, 0.57%

LAB 46.16, 28.07, -50.12

 

CMYK 0 / 50 / 28 / 24

HEX #C2618B

RGB 194 97 139

HSL 334.02, 0.44%, 0.57%

LAB 53.9, 43.55, -5.14

 

Description

Color code: HEX #BBC261 | qconv.com Color code: HEX #BBC261 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 194 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 194 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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