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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C9BC2 it is the complementary color #93643D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C9BC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C9BC2: #719BBD, #82ADD0, #93BFE3, #A4D1F6 and #B5E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C9BC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C9BC2: #6C9BC2, #5B89AF, #4A779C, #396589 and #285376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

Complementary color

CMYK 0 / 32 / 59 / 42

HEX #93643D

RGB 147 100 61

HSL 27.21, 0.41%, 0.41%

LAB 46.52, 14.61, 29.55

 

CMYK 40 / 18 / 0 / 26

HEX #719BBD

RGB 113 155 189

HSL 206.84, 0.37%, 0.59%

LAB 62.19, -5.47, -22.11

 

CMYK 38 / 17 / 0 / 18

HEX #82ADD0

RGB 130 173 208

HSL 206.92, 0.45%, 0.66%

LAB 68.89, -5.69, -22.36

 

CMYK 35 / 16 / 0 / 11

HEX #93BFE3

RGB 147 191 227

HSL 207, 0.59%, 0.73%

LAB 75.46, -5.88, -22.62

 

CMYK 33 / 15 / 0 / 4

HEX #A4D1F6

RGB 164 209 246

HSL 207.07, 0.82%, 0.8%

LAB 81.92, -6.05, -22.9

 

CMYK 29 / 11 / 0 / 0

HEX #B5E3FF

RGB 181 227 255

HSL 202.7, 1%, 0.85%

LAB 87.96, -8.55, -18.41

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 48 / 22 / 0 / 31

HEX #5B89AF

RGB 91 137 175

HSL 207.14, 0.34%, 0.52%

LAB 55.29, -5.02, -24.87

 

CMYK 53 / 24 / 0 / 39

HEX #4A779C

RGB 74 119 156

HSL 207.07, 0.36%, 0.45%

LAB 48.32, -4.54, -24.69

 

CMYK 58 / 26 / 0 / 46

HEX #396589

RGB 57 101 137

HSL 207, 0.41%, 0.38%

LAB 41.19, -3.91, -24.53

 

CMYK 66 / 30 / 0 / 54

HEX #285376

RGB 40 83 118

HSL 206.92, 0.49%, 0.31%

LAB 33.87, -3.02, -24.37

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 45 / 27 / 0 / 24

HEX #6B8CC1

RGB 107 140 193

HSL 216.98, 0.41%, 0.59%

LAB 57.78, 2.62, -31.19

 

CMYK 45 / 35 / 0 / 24

HEX #6B7EC1

RGB 107 126 193

HSL 226.74, 0.41%, 0.59%

LAB 53.92, 10.88, -37.23

 

CMYK 45 / 42 / 0 / 24

HEX #6B6FC1

RGB 107 111 193

HSL 237.21, 0.41%, 0.59%

LAB 49.91, 19.95, -43.55

 

CMYK 39 / 45 / 0 / 24

HEX #756BC1

RGB 117 107 193

HSL 246.98, 0.41%, 0.59%

LAB 49.67, 24.93, -43.88

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 44 / 20 / 0 / 4

HEX #88C4F5

RGB 136 196 245

HSL 206.97, 0.84%, 0.75%

LAB 76.86, -6.65, -30.22

 

CMYK 44 / 20 / 0 / 84

HEX #172129

RGB 23 33 41

HSL 206.67, 0.28%, 0.13%

LAB 12.16, -1.86, -6.79

 

CMYK 45 / 20 / 0 / 64

HEX #334A5C

RGB 51 74 92

HSL 206.34, 0.29%, 0.28%

LAB 30.34, -3.5, -13.4

 

CMYK 44 / 20 / 0 / 44

HEX #50728F

RGB 80 114 143

HSL 207.62, 0.28%, 0.44%

LAB 46.61, -4.04, -19.64

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 16 / 45 / 0 / 24

HEX #A36BC1

RGB 163 107 193

HSL 279.07, 0.41%, 0.59%

LAB 54.19, 37.85, -36.46

 

CMYK 2 / 0 / 45 / 24

HEX #BDC16B

RGB 189 193 107

HSL 62.79, 0.41%, 0.59%

LAB 76.08, -13.93, 42.64

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 0 / 45 / 20 / 24

HEX #C16B9A

RGB 193 107 154

HSL 327.21, 0.41%, 0.59%

LAB 56.27, 40.19, -10.4

 

CMYK 20 / 0 / 45 / 24

HEX #9AC16B

RGB 154 193 107

HSL 87.21, 0.41%, 0.59%

LAB 73.59, -27.62, 39

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 16 / 45 / 0 / 24

HEX #A36BC1

RGB 163 107 193

HSL 279.07, 0.41%, 0.59%

LAB 54.19, 37.85, -36.46

 

CMYK 0 / 24 / 45 / 24

HEX #C1926B

RGB 193 146 107

HSL 27.21, 0.41%, 0.59%

LAB 64.13, 12.76, 27.51

 

CMYK 29 / 0 / 45 / 24

HEX #89C16B

RGB 137 193 107

HSL 99.07, 0.41%, 0.59%

LAB 72.57, -33.81, 37.5

 

CMYK 44 / 20 / 0 / 24

HEX #6C9BC2

RGB 108 155 194

HSL 207.21, 0.41%, 0.59%

LAB 62.11, -5.39, -25.07

 

CMYK 2 / 45 / 0 / 24

HEX #BD6BC1

RGB 189 107 193

HSL 297.21, 0.41%, 0.59%

LAB 57.25, 45.57, -31.44

 

CMYK 0 / 24 / 45 / 24

HEX #C1926B

RGB 193 146 107

HSL 27.21, 0.41%, 0.59%

LAB 64.13, 12.76, 27.51

 

CMYK 42 / 0 / 45 / 24

HEX #6FC16B

RGB 111 193 107

HSL 117.21, 0.41%, 0.59%

LAB 71.27, -42.37, 35.58

 

Description

Color code: HEX #6C9BC2 | qconv.com Color code: HEX #6C9BC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 155 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 155 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 20 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 20% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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