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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C9422 it is the complementary color #936BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C9422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C9422: #71941D, #82A630, #93B843, #A4CA56 and #B5DC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C9422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C9422: #6C9422, #5B820F, #4A7000, #395E00 and #284C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

Complementary color

CMYK 33 / 52 / 0 / 13

HEX #936BDD

RGB 147 107 221

HSL 261.05, 0.63%, 0.64%

LAB 53.96, 40.16, -52.84

 

CMYK 24 / 0 / 80 / 42

HEX #71941D

RGB 113 148 29

HSL 77.65, 0.67%, 0.35%

LAB 56.86, -28.94, 53.92

 

CMYK 22 / 0 / 71 / 35

HEX #82A630

RGB 130 166 48

HSL 78.31, 0.55%, 0.42%

LAB 63.53, -29.55, 54.12

 

CMYK 20 / 0 / 64 / 28

HEX #93B843

RGB 147 184 67

HSL 78.97, 0.47%, 0.49%

LAB 70.1, -29.98, 53.6

 

CMYK 19 / 0 / 57 / 21

HEX #A4CA56

RGB 164 202 86

HSL 79.66, 0.52%, 0.56%

LAB 76.56, -30.27, 52.74

 

CMYK 18 / 0 / 52 / 14

HEX #B5DC69

RGB 181 220 105

HSL 80.35, 0.62%, 0.64%

LAB 82.93, -30.47, 51.72

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 30 / 0 / 88 / 49

HEX #5B820F

RGB 91 130 15

HSL 80.35, 0.79%, 0.28%

LAB 49.77, -30, 50.93

 

CMYK 34 / 0 / 100 / 56

HEX #4A7000

RGB 74 112 0

HSL 80.36, 1%, 0.22%

LAB 42.83, -28.95, 48.11

 

CMYK 39 / 0 / 100 / 63

HEX #395E00

RGB 57 94 0

HSL 83.62, 1%, 0.18%

LAB 35.74, -27.43, 42.21

 

CMYK 47 / 0 / 100 / 70

HEX #284C00

RGB 40 76 0

HSL 88.42, 1%, 0.15%

LAB 28.43, -25.82, 36.11

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 40 / 0 / 78 / 42

HEX #599521

RGB 89 149 33

HSL 91.03, 0.64%, 0.36%

LAB 55.81, -38.5, 51.16

 

CMYK 53 / 0 / 78 / 42

HEX #469521

RGB 70 149 33

HSL 100.86, 0.64%, 0.36%

LAB 54.98, -44.75, 50.06

 

CMYK 66 / 0 / 78 / 42

HEX #339521

RGB 51 149 33

HSL 110.69, 0.64%, 0.36%

LAB 54.35, -49.74, 49.24

 

CMYK 78 / 0 / 77 / 42

HEX #219523

RGB 33 149 35

HSL 121.03, 0.64%, 0.36%

LAB 53.96, -52.99, 48.02

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 27 / 0 / 77 / 22

HEX #91C72E

RGB 145 199 46

HSL 81.18, 0.62%, 0.48%

LAB 74.23, -38.95, 65.48

 

CMYK 27 / 0 / 77 / 2

HEX #B6FA39

RGB 182 250 57

HSL 81.14, 0.95%, 0.6%

LAB 91.06, -46.79, 78.63

 

CMYK 26 / 0 / 76 / 82

HEX #222E0B

RGB 34 46 11

HSL 80.57, 0.61%, 0.11%

LAB 17.08, -11.88, 19.79

 

CMYK 27 / 0 / 77 / 62

HEX #476116

RGB 71 97 22

HSL 80.8, 0.63%, 0.23%

LAB 37.75, -21.9, 37.31

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 78 / 0 / 35 / 42

HEX #219561

RGB 33 149 97

HSL 153.1, 0.64%, 0.36%

LAB 54.74, -43.84, 18.74

 

CMYK 4 / 78 / 0 / 42

HEX #8F2195

RGB 143 33 149

HSL 296.9, 0.64%, 0.36%

LAB 36.17, 58.47, -39.14

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 78 / 27 / 0 / 42

HEX #216D95

RGB 33 109 149

HSL 200.69, 0.64%, 0.36%

LAB 43.4, -8.61, -28.32

 

CMYK 0 / 78 / 27 / 42

HEX #95216D

RGB 149 33 109

HSL 320.69, 0.64%, 0.36%

LAB 35.17, 53.79, -15.75

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 78 / 0 / 35 / 42

HEX #219561

RGB 33 149 97

HSL 153.1, 0.64%, 0.36%

LAB 54.74, -43.84, 18.74

 

CMYK 50 / 78 / 0 / 42

HEX #4A2195

RGB 74 33 149

HSL 261.21, 0.64%, 0.36%

LAB 25.9, 45.52, -56.26

 

CMYK 0 / 78 / 42 / 42

HEX #952156

RGB 149 33 86

HSL 332.59, 0.64%, 0.36%

LAB 34.29, 51.11, -2.33

 

CMYK 27 / 0 / 77 / 42

HEX #6C9422

RGB 108 148 34

HSL 81.05, 0.63%, 0.36%

LAB 56.57, -30.74, 51.91

 

CMYK 78 / 0 / 11 / 42

HEX #219584

RGB 33 149 132

HSL 171.21, 0.64%, 0.36%

LAB 55.57, -35.08, 0.04

 

CMYK 50 / 78 / 0 / 42

HEX #4A2195

RGB 74 33 149

HSL 261.21, 0.64%, 0.36%

LAB 25.9, 45.52, -56.26

 

CMYK 0 / 78 / 66 / 42

HEX #952133

RGB 149 33 51

HSL 350.69, 0.64%, 0.36%

LAB 33.38, 48.24, 19.17

 

Description

Color code: HEX #6C9422 | qconv.com Color code: HEX #6C9422 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 148 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 148 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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