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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C92B5 it is the complementary color #936D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C92B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C92B5 shade: #7192B0, #82A4C3, #93B6D6, #A4C8E9 and #B5DAFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C92B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C92B5 shade: #6C92B5, #5B80A2, #4A6E8F, #395C7C and #284A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C92B5 shade: #6D92B5, #6D7FB5, #6E6DB5, #826DB5 and #956DB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C92B5 shade: #6D92B5, #6D7FB5 and #6D6DB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C92B5 shade matches the following richer shades: #6D92B5, #5B93C7, #4994D9, #3795EA and #2695FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C92B5 shade: #6D92B5, #7E92A3, #909192, #A29080 and #B48F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C92B5 shade: #6DB5B0, #6DA7B5, #6D93B5, #6D80B5 and #6D6DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C92B5 shade: #45698A, #537EA5, #6D92B5, #88A7C3 and #A4BBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C92B5 shade: #6C92B5, #9D6DB5 and #B0B56D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C92B5 shade: #6C92B5, #B56D93 and #93B56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C92B5 shade: #6C92B5, #9D6DB5, #B58E6D and #85B56D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C92B5 shade: #6C92B5, #B36DB5, #B58E6D and #6FB56D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

Complementary color

CMYK 0 / 26 / 50 / 42

HEX #936D4A

RGB 147 109 74

HSL 28.77, 0.33%, 0.43%

LAB 49.05, 10.61, 25.37

 

CMYK 36 / 17 / 0 / 31

HEX #7192B0

RGB 113 146 176

HSL 208.57, 0.29%, 0.57%

LAB 59.16, -3.93, -19.4

 

CMYK 33 / 16 / 0 / 24

HEX #82A4C3

RGB 130 164 195

HSL 208.62, 0.35%, 0.64%

LAB 65.93, -4.12, -19.67

 

CMYK 31 / 15 / 0 / 16

HEX #93B6D6

RGB 147 182 214

HSL 208.66, 0.45%, 0.71%

LAB 72.57, -4.29, -19.95

 

CMYK 30 / 14 / 0 / 9

HEX #A4C8E9

RGB 164 200 233

HSL 208.7, 0.61%, 0.78%

LAB 79.09, -4.44, -20.24

 

CMYK 28 / 13 / 0 / 1

HEX #B5DAFC

RGB 181 218 252

HSL 208.73, 0.92%, 0.85%

LAB 85.5, -4.58, -20.55

 

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

CMYK 44 / 21 / 0 / 36

HEX #5B80A2

RGB 91 128 162

HSL 208.73, 0.28%, 0.5%

LAB 52.14, -3.66, -22.23

 

CMYK 48 / 23 / 0 / 44

HEX #4A6E8F

RGB 74 110 143

HSL 208.7, 0.32%, 0.43%

LAB 45.07, -3.27, -22.04

 

CMYK 54 / 26 / 0 / 51

HEX #395C7C

RGB 57 92 124

HSL 208.66, 0.37%, 0.35%

LAB 37.81, -2.74, -21.88

 

CMYK 62 / 30 / 0 / 59

HEX #284A69

RGB 40 74 105

HSL 208.62, 0.45%, 0.28%

LAB 30.32, -1.99, -21.76

 

CMYK 40 / 19 / 0 / 29

HEX #6D92B5

RGB 109 146 181

HSL 209.17, 0.33%, 0.57%

LAB 59.11, -3.7, -22.34

 

CMYK 40 / 30 / 0 / 29

HEX #6D7FB5

RGB 109 127 181

HSL 225, 0.33%, 0.57%

LAB 53.78, 7.32, -30.57

 

CMYK 39 / 40 / 0 / 29

HEX #6E6DB5

RGB 110 109 181

HSL 240.83, 0.33%, 0.57%

LAB 48.99, 18.43, -38.06

 

CMYK 28 / 40 / 0 / 29

HEX #826DB5

RGB 130 109 181

HSL 257.5, 0.33%, 0.57%

LAB 50.71, 24.1, -35.24

 

CMYK 18 / 40 / 0 / 29

HEX #956DB5

RGB 149 109 181

HSL 273.33, 0.33%, 0.57%

LAB 52.58, 29.82, -32.18

 

CMYK 40 / 19 / 0 / 29

HEX #6D92B5

RGB 109 146 181

HSL 209.17, 0.33%, 0.57%

LAB 59.11, -3.7, -22.34

 

CMYK 40 / 30 / 0 / 29

HEX #6D7FB5

RGB 109 127 181

HSL 225, 0.33%, 0.57%

LAB 53.78, 7.32, -30.57

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 40 / 19 / 0 / 29

HEX #6D92B5

RGB 109 146 181

HSL 209.17, 0.33%, 0.57%

LAB 59.11, -3.7, -22.34

 

CMYK 54 / 26 / 0 / 22

HEX #5B93C7

RGB 91 147 199

HSL 208.89, 0.49%, 0.57%

LAB 59.17, -3.42, -32.49

 

CMYK 66 / 32 / 0 / 15

HEX #4994D9

RGB 73 148 217

HSL 208.75, 0.65%, 0.57%

LAB 59.53, -1.57, -42.07

 

CMYK 76 / 36 / 0 / 8

HEX #3795EA

RGB 55 149 234

HSL 208.49, 0.81%, 0.57%

LAB 60.11, 1.32, -50.63

 

CMYK 85 / 41 / 0 / 1

HEX #2695FC

RGB 38 149 252

HSL 208.88, 0.97%, 0.57%

LAB 60.72, 6.35, -59.59

 

CMYK 40 / 19 / 0 / 29

HEX #6D92B5

RGB 109 146 181

HSL 209.17, 0.33%, 0.57%

LAB 59.11, -3.7, -22.34

 

CMYK 23 / 10 / 0 / 36

HEX #7E92A3

RGB 126 146 163

HSL 207.57, 0.17%, 0.57%

LAB 59.56, -3.23, -11.32

 

CMYK 1 / 1 / 0 / 43

HEX #909192

RGB 144 145 146

HSL 210, 0.01%, 0.57%

LAB 60.12, -0.17, -0.66

 

CMYK 0 / 11 / 21 / 36

HEX #A29080

RGB 162 144 128

HSL 28.24, 0.15%, 0.57%

LAB 60.95, 4.05, 10.95

 

CMYK 0 / 21 / 39 / 29

HEX #B48F6E

RGB 180 143 110

HSL 28.29, 0.32%, 0.57%

LAB 62.06, 9.4, 22.87

 

CMYK 40 / 0 / 3 / 29

HEX #6DB5B0

RGB 109 181 176

HSL 175.83, 0.33%, 0.57%

LAB 69.06, -23.72, -4.56

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 40 / 19 / 0 / 29

HEX #6D93B5

RGB 109 147 181

HSL 208.33, 0.33%, 0.57%

LAB 59.39, -4.27, -21.9

 

CMYK 40 / 29 / 0 / 29

HEX #6D80B5

RGB 109 128 181

HSL 224.17, 0.33%, 0.57%

LAB 54.05, 6.73, -30.14

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 50 / 24 / 0 / 46

HEX #45698A

RGB 69 105 138

HSL 208.7, 0.33%, 0.41%

LAB 43.07, -3.12, -22.17

 

CMYK 50 / 24 / 0 / 35

HEX #537EA5

RGB 83 126 165

HSL 208.54, 0.33%, 0.49%

LAB 51.24, -3.66, -25.39

 

CMYK 40 / 19 / 0 / 29

HEX #6D92B5

RGB 109 146 181

HSL 209.17, 0.33%, 0.57%

LAB 59.11, -3.7, -22.34

 

CMYK 30 / 14 / 0 / 24

HEX #88A7C3

RGB 136 167 195

HSL 208.47, 0.33%, 0.65%

LAB 67.14, -4.03, -17.81

 

CMYK 22 / 11 / 0 / 18

HEX #A4BBD1

RGB 164 187 209

HSL 209.33, 0.33%, 0.73%

LAB 74.85, -3.08, -13.68

 

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

CMYK 13 / 40 / 0 / 29

HEX #9D6DB5

RGB 157 109 181

HSL 280, 0.33%, 0.57%

LAB 53.43, 32.29, -30.79

 

CMYK 3 / 0 / 40 / 29

HEX #B0B56D

RGB 176 181 109

HSL 64.17, 0.33%, 0.57%

LAB 71.81, -12.8, 36.07

 

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

CMYK 0 / 40 / 19 / 29

HEX #B56D93

RGB 181 109 147

HSL 328.33, 0.33%, 0.57%

LAB 54.94, 33.88, -8.48

 

CMYK 19 / 0 / 40 / 29

HEX #93B56D

RGB 147 181 109

HSL 88.33, 0.33%, 0.57%

LAB 69.72, -24.15, 32.97

 

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

CMYK 13 / 40 / 0 / 29

HEX #9D6DB5

RGB 157 109 181

HSL 280, 0.33%, 0.57%

LAB 53.43, 32.29, -30.79

 

CMYK 0 / 22 / 40 / 29

HEX #B58E6D

RGB 181 142 109

HSL 27.5, 0.33%, 0.57%

LAB 61.89, 10.24, 23.22

 

CMYK 27 / 0 / 40 / 29

HEX #85B56D

RGB 133 181 109

HSL 100, 0.33%, 0.57%

LAB 68.85, -29.3, 31.67

 

CMYK 40 / 19 / 0 / 29

HEX #6C92B5

RGB 108 146 181

HSL 208.77, 0.33%, 0.57%

LAB 59.05, -3.97, -22.43

 

CMYK 1 / 40 / 0 / 29

HEX #B36DB5

RGB 179 109 181

HSL 298.33, 0.33%, 0.57%

LAB 55.94, 39.17, -26.69

 

CMYK 0 / 22 / 40 / 29

HEX #B58E6D

RGB 181 142 109

HSL 27.5, 0.33%, 0.57%

LAB 61.89, 10.24, 23.22

 

CMYK 39 / 0 / 40 / 29

HEX #6FB56D

RGB 111 181 109

HSL 118.33, 0.33%, 0.57%

LAB 67.67, -36.76, 29.92

 

Description

Color code: HEX #6C92B5 | qconv.com Color code: HEX #6C92B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 146 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 146 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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