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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 8 / 0 / 29 it is the complementary color CMYK 0 / 40 / 49 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 8 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 8 / 0 / 29: CMYK 35 / 5 / 0 / 31, CMYK 33 / 5 / 0 / 24, CMYK 31 / 5 / 0 / 16, CMYK 29 / 5 / 0 / 9 and CMYK 28 / 5 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 8 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 8 / 0 / 29: CMYK 40 / 8 / 0 / 29, CMYK 43 / 8 / 0 / 36, CMYK 48 / 8 / 0 / 44, CMYK 53 / 9 / 0 / 51 and CMYK 61 / 10 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

Complementary color

CMYK 0 / 40 / 49 / 43

HEX #92584A

RGB 146 88 74

HSL 11.67, 0.33%, 0.43%

LAB 43.63, 22.34, 18.26

 

CMYK 35 / 5 / 0 / 31

HEX #72A7B0

RGB 114 167 176

HSL 188.71, 0.28%, 0.57%

LAB 65.24, -15.14, -10.22

 

CMYK 33 / 5 / 0 / 24

HEX #83B9C3

RGB 131 185 195

HSL 189.38, 0.35%, 0.64%

LAB 71.87, -15.12, -10.71

 

CMYK 31 / 5 / 0 / 16

HEX #94CBD6

RGB 148 203 214

HSL 190, 0.45%, 0.71%

LAB 78.38, -15.09, -11.2

 

CMYK 29 / 5 / 0 / 9

HEX #A5DDE9

RGB 165 221 233

HSL 190.59, 0.61%, 0.78%

LAB 84.79, -15.07, -11.67

 

CMYK 28 / 5 / 0 / 1

HEX #B6EFFC

RGB 182 239 252

HSL 191.14, 0.92%, 0.85%

LAB 91.1, -15.05, -12.13

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 43 / 8 / 0 / 36

HEX #5C95A2

RGB 92 149 162

HSL 191.14, 0.28%, 0.5%

LAB 58.39, -15.16, -12.71

 

CMYK 48 / 8 / 0 / 44

HEX #4B838F

RGB 75 131 143

HSL 190.59, 0.31%, 0.43%

LAB 51.51, -15.05, -12.21

 

CMYK 53 / 9 / 0 / 51

HEX #3A717C

RGB 58 113 124

HSL 190, 0.36%, 0.36%

LAB 44.47, -14.87, -11.68

 

CMYK 61 / 10 / 0 / 59

HEX #295F69

RGB 41 95 105

HSL 189.38, 0.44%, 0.29%

LAB 37.25, -14.55, -11.09

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 40 / 14 / 0 / 29

HEX #6D9CB5

RGB 109 156 181

HSL 200.83, 0.33%, 0.57%

LAB 61.97, -9.28, -17.98

 

CMYK 40 / 20 / 0 / 29

HEX #6D90B5

RGB 109 144 181

HSL 210.83, 0.33%, 0.57%

LAB 58.54, -2.57, -23.21

 

CMYK 40 / 27 / 0 / 29

HEX #6D84B5

RGB 109 132 181

HSL 220.83, 0.33%, 0.57%

LAB 55.16, 4.37, -28.42

 

CMYK 40 / 34 / 0 / 29

HEX #6D78B5

RGB 109 120 181

HSL 230.83, 0.33%, 0.57%

LAB 51.86, 11.51, -33.56

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 40 / 8 / 0 / 9

HEX #8CD6E8

RGB 140 214 232

HSL 191.74, 0.67%, 0.73%

LAB 81.56, -18.45, -16.1

 

CMYK 39 / 7 / 0 / 89

HEX #111A1C

RGB 17 26 28

HSL 190.91, 0.24%, 0.09%

LAB 8.5, -3.44, -2.73

 

CMYK 39 / 8 / 0 / 69

HEX #30494F

RGB 48 73 79

HSL 191.61, 0.24%, 0.25%

LAB 29.31, -7.78, -6.63

 

CMYK 40 / 8 / 0 / 49

HEX #4E7882

RGB 78 120 130

HSL 191.54, 0.25%, 0.41%

LAB 47.83, -11.8, -10.09

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 25 / 40 / 0 / 29

HEX #886DB5

RGB 136 109 181

HSL 262.5, 0.33%, 0.57%

LAB 51.28, 25.88, -34.31

 

CMYK 0 / 9 / 40 / 29

HEX #B5A56D

RGB 181 165 109

HSL 46.67, 0.33%, 0.57%

LAB 67.9, -2.34, 31.13

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 0 / 40 / 7 / 29

HEX #B56DA8

RGB 181 109 168

HSL 310.83, 0.33%, 0.57%

LAB 55.67, 37.42, -19.59

 

CMYK 7 / 0 / 40 / 29

HEX #A8B56D

RGB 168 181 109

HSL 70.83, 0.33%, 0.57%

LAB 71.2, -16, 35.16

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 25 / 40 / 0 / 29

HEX #886DB5

RGB 136 109 181

HSL 262.5, 0.33%, 0.57%

LAB 51.28, 25.88, -34.31

 

CMYK 0 / 33 / 40 / 29

HEX #B57A6D

RGB 181 122 109

HSL 10.83, 0.33%, 0.57%

LAB 56.93, 21.4, 16.48

 

CMYK 15 / 0 / 40 / 29

HEX #99B56D

RGB 153 181 109

HSL 83.33, 0.33%, 0.57%

LAB 70.12, -21.86, 33.56

 

CMYK 40 / 8 / 0 / 29

HEX #6DA7B5

RGB 109 167 181

HSL 191.67, 0.33%, 0.57%

LAB 65.14, -15.22, -13.18

 

CMYK 13 / 40 / 0 / 29

HEX #9E6DB5

RGB 158 109 181

HSL 280.83, 0.33%, 0.57%

LAB 53.54, 32.6, -30.61

 

CMYK 0 / 33 / 40 / 29

HEX #B57A6D

RGB 181 122 109

HSL 10.83, 0.33%, 0.57%

LAB 56.93, 21.4, 16.48

 

CMYK 27 / 0 / 40 / 29

HEX #84B56D

RGB 132 181 109

HSL 100.83, 0.33%, 0.57%

LAB 68.79, -29.66, 31.59

 

Description

Color code: CMYK 40 / 8 / 0 / 29 | qconv.com Color code: CMYK 40 / 8 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 167 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 167 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 8 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 8% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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