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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C8AE33F it is the complementary color #93751C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C8AE33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C8AE33F shade: #718ADE3F, #829CF13F, #93AEFF3F, #A4C0FF3F and #B5D2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C8AE33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C8AE33F shade: #6C8AE33F, #5B78D03F, #4A66BD3F, #3954AA3F and #2842973F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C8AE33F shade: #6D8BE3, #6F6DE3, #8F6DE3, #AF6DE3 and #CF6DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C8AE33F shade: #6D8BE3 and #6D6DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C8AE33F shade matches the following richer shades: #6D8BE3 and #5F84F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C8AE33F shade: #6D8BE3, #7B92D5, #8999C7, #97A0B9 and #A5A7AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C8AE33F shade: #6DCCE3, #6DACE3, #6D8DE3, #6D6DE3 and #8D6DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C8AE33F shade: #2954D5, #4B6FDD, #6D8BE3, #90A7EA and #B3C2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C8AE33F shade: #6C8AE3, #DB6DE3 and #BCE36D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C8AE33F shade: #6C8AE3, #E36D8D and #8DE36D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C8AE33F shade: #6C8AE3, #DB6DE3, #E3C46D and #75E36D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C8AE33F shade: #6C8AE3, #E36DC8, #E3C46D and #6DE389

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 10 / 0 / 3

HEX #6C8AE33F

RGBA 108 138 227 0.25

HSLA 224.87, 0.68%, 0.66%, 0.25

LABA 58.89, 14.33, -48.54, 0.25

 

Complementary color

CMYK 0 / 5 / 20 / 11

HEX #93751C3F

RGBA 147 117 28 0.25

HSLA 44.87, 0.68%, 0.34%, 0.25

LABA 50.7, 2.81, 49.71, 0.25

 

CMYK 12 / 9 / 0 / 3

HEX #718ADE3F

RGBA 113 138 222 0.25

HSLA 226.24, 0.62%, 0.66%, 0.25

LABA 58.94, 13.92, -45.66, 0.25

 

CMYK 12 / 9 / 0 / 1

HEX #829CF13F

RGBA 130 156 241 0.25

HSLA 225.95, 0.8%, 0.73%, 0.25

LABA 65.65, 13.05, -45.52, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #93AEFF3F

RGBA 147 174 255 0.25

HSLA 225, 1%, 0.79%, 0.25

LABA 72.02, 10.91, -43.07, 0.25

 

CMYK 9 / 6 / 0 / 0

HEX #A4C0FF3F

RGBA 164 192 255 0.25

HSLA 221.54, 1%, 0.82%, 0.25

LABA 77.76, 5.33, -34.06, 0.25

 

CMYK 7 / 4 / 0 / 0

HEX #B5D2FF3F

RGBA 181 210 255 0.25

HSLA 216.49, 1%, 0.85%, 0.25

LABA 83.51, 0.34, -25.15, 0.25

 

CMYK 13 / 10 / 0 / 3

HEX #6C8AE33F

RGBA 108 138 227 0.25

HSLA 224.87, 0.68%, 0.66%, 0.25

LABA 58.89, 14.33, -48.54, 0.25

 

CMYK 14 / 11 / 0 / 5

HEX #5B78D03F

RGBA 91 120 208 0.25

HSLA 225.13, 0.55%, 0.59%, 0.25

LABA 52.08, 15.49, -48.75, 0.25

 

CMYK 15 / 12 / 0 / 6

HEX #4A66BD3F

RGBA 74 102 189 0.25

HSLA 225.39, 0.47%, 0.52%, 0.25

LABA 45.13, 16.91, -49, 0.25

 

CMYK 17 / 13 / 0 / 8

HEX #3954AA3F

RGBA 57 84 170 0.25

HSLA 225.66, 0.5%, 0.45%, 0.25

LABA 38.04, 18.67, -49.27, 0.25

 

CMYK 18 / 14 / 0 / 10

HEX #2842973F

RGBA 40 66 151 0.25

HSLA 225.95, 0.58%, 0.37%, 0.25

LABA 30.84, 20.92, -49.54, 0.25

 

CMYK 52 / 39 / 0 / 11

HEX #6D8BE3

RGB 109 139 227

HSL 224.75, 0.68%, 0.66%

LAB 59.22, 13.96, -48.03

 

CMYK 51 / 52 / 0 / 11

HEX #6F6DE3

RGB 111 109 227

HSL 241.02, 0.68%, 0.66%

LAB 51.68, 32.38, -60.05

 

CMYK 37 / 52 / 0 / 11

HEX #8F6DE3

RGB 143 109 227

HSL 257.29, 0.68%, 0.66%

LAB 54.37, 39.61, -55.59

 

CMYK 23 / 52 / 0 / 11

HEX #AF6DE3

RGB 175 109 227

HSL 273.56, 0.68%, 0.66%

LAB 57.65, 47.66, -50.16

 

CMYK 9 / 52 / 0 / 11

HEX #CF6DE3

RGB 207 109 227

HSL 289.83, 0.68%, 0.66%

LAB 61.44, 56.11, -43.93

 

CMYK 52 / 39 / 0 / 11

HEX #6D8BE3

RGB 109 139 227

HSL 224.75, 0.68%, 0.66%

LAB 59.22, 13.96, -48.03

 

CMYK 52 / 52 / 0 / 11

HEX #6D6DE3

RGB 109 109 227

HSL 240, 0.68%, 0.66%

LAB 51.54, 31.97, -60.29

 

CMYK 52 / 39 / 0 / 11

HEX #6D8BE3

RGB 109 139 227

HSL 224.75, 0.68%, 0.66%

LAB 59.22, 13.96, -48.03

 

CMYK 61 / 45 / 0 / 5

HEX #5F84F1

RGB 95 132 241

HSL 224.79, 0.84%, 0.66%

LAB 57.35, 19.84, -58.82

 

CMYK 52 / 39 / 0 / 11

HEX #6D8BE3

RGB 109 139 227

HSL 224.75, 0.68%, 0.66%

LAB 59.22, 13.96, -48.03

 

CMYK 42 / 31 / 0 / 16

HEX #7B92D5

RGB 123 146 213

HSL 224.67, 0.52%, 0.66%

LAB 61.28, 9.03, -36.91

 

CMYK 31 / 23 / 0 / 22

HEX #8999C7

RGB 137 153 199

HSL 224.52, 0.36%, 0.66%

LAB 63.53, 5.1, -25.53

 

CMYK 18 / 14 / 0 / 27

HEX #97A0B9

RGB 151 160 185

HSL 224.12, 0.2%, 0.66%

LAB 65.92, 2.14, -13.98

 

CMYK 4 / 2 / 0 / 33

HEX #A5A7AB

RGB 165 167 171

HSL 220, 0.03%, 0.66%

LAB 68.44, 0.07, -2.32

 

CMYK 52 / 10 / 0 / 11

HEX #6DCCE3

RGB 109 204 227

HSL 191.69, 0.68%, 0.66%

LAB 77.27, -21.9, -20.04

 

CMYK 52 / 24 / 0 / 11

HEX #6DACE3

RGB 109 172 227

HSL 207.97, 0.68%, 0.66%

LAB 68.24, -4.99, -33.88

 

CMYK 52 / 38 / 0 / 11

HEX #6D8DE3

RGB 109 141 227

HSL 223.73, 0.68%, 0.66%

LAB 59.75, 12.77, -47.18

 

CMYK 52 / 52 / 0 / 11

HEX #6D6DE3

RGB 109 109 227

HSL 240, 0.68%, 0.66%

LAB 51.54, 31.97, -60.29

 

CMYK 38 / 52 / 0 / 11

HEX #8D6DE3

RGB 141 109 227

HSL 256.27, 0.68%, 0.66%

LAB 54.18, 39.13, -55.9

 

CMYK 81 / 61 / 0 / 16

HEX #2954D5

RGB 41 84 213

HSL 225, 0.68%, 0.5%

LAB 40.6, 32.66, -70.25

 

CMYK 66 / 50 / 0 / 13

HEX #4B6FDD

RGB 75 111 221

HSL 225.21, 0.68%, 0.58%

LAB 49.6, 22.54, -60.13

 

CMYK 52 / 39 / 0 / 11

HEX #6D8BE3

RGB 109 139 227

HSL 224.75, 0.68%, 0.66%

LAB 59.22, 13.96, -48.03

 

CMYK 38 / 29 / 0 / 8

HEX #90A7EA

RGB 144 167 234

HSL 224.67, 0.68%, 0.74%

LAB 69.12, 8.35, -36.2

 

CMYK 25 / 19 / 0 / 6

HEX #B3C2F0

RGB 179 194 240

HSL 225.25, 0.67%, 0.82%

LAB 78.73, 4.81, -24.46

 

CMYK 52 / 39 / 0 / 11

HEX #6C8AE3

RGB 108 138 227

HSL 224.87, 0.68%, 0.66%

LAB 58.89, 14.33, -48.54

 

CMYK 4 / 52 / 0 / 11

HEX #DB6DE3

RGB 219 109 227

HSL 295.93, 0.68%, 0.66%

LAB 62.96, 59.32, -41.42

 

CMYK 17 / 0 / 52 / 11

HEX #BCE36D

RGB 188 227 109

HSL 79.83, 0.68%, 0.66%

LAB 85.37, -30.72, 52.86

 

CMYK 52 / 39 / 0 / 11

HEX #6C8AE3

RGB 108 138 227

HSL 224.87, 0.68%, 0.66%

LAB 58.89, 14.33, -48.54

 

CMYK 0 / 52 / 38 / 11

HEX #E36D8D

RGB 227 109 141

HSL 343.73, 0.68%, 0.66%

LAB 60.95, 49.02, 4.55

 

CMYK 38 / 0 / 52 / 11

HEX #8DE36D

RGB 141 227 109

HSL 103.73, 0.68%, 0.66%

LAB 82.76, -47.23, 49.11

 

CMYK 52 / 39 / 0 / 11

HEX #6C8AE3

RGB 108 138 227

HSL 224.87, 0.68%, 0.66%

LAB 58.89, 14.33, -48.54

 

CMYK 4 / 52 / 0 / 11

HEX #DB6DE3

RGB 219 109 227

HSL 295.93, 0.68%, 0.66%

LAB 62.96, 59.32, -41.42

 

CMYK 0 / 14 / 52 / 11

HEX #E3C46D

RGB 227 196 109

HSL 44.24, 0.68%, 0.66%

LAB 80.13, 0.21, 47.33

 

CMYK 48 / 0 / 52 / 11

HEX #75E36D

RGB 117 227 109

HSL 115.93, 0.68%, 0.66%

LAB 81.74, -54.37, 47.65

 

CMYK 52 / 39 / 0 / 11

HEX #6C8AE3

RGB 108 138 227

HSL 224.87, 0.68%, 0.66%

LAB 58.89, 14.33, -48.54

 

CMYK 0 / 52 / 12 / 11

HEX #E36DC8

RGB 227 109 200

HSL 313.73, 0.68%, 0.66%

LAB 62.88, 57, -26.32

 

CMYK 0 / 14 / 52 / 11

HEX #E3C46D

RGB 227 196 109

HSL 44.24, 0.68%, 0.66%

LAB 80.13, 0.21, 47.33

 

CMYK 52 / 0 / 40 / 11

HEX #6DE389

RGB 109 227 137

HSL 134.24, 0.68%, 0.66%

LAB 81.84, -52.43, 34.03

 

Description

Color code: HEX #6C8AE33F | qconv.com Color code: HEX #6C8AE33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 138 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 138 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 10 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 10% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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