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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C70FF it is the complementary color #938F00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C70FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C70FF: #7170FA, #8282FF, #9394FF, #A4A6FF and #B5B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C70FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C70FF: #6C70FF, #5B5EEC, #4A4CD9, #393AC6 and #2828B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

Complementary color

CMYK 0 / 3 / 100 / 42

HEX #938F00

RGB 147 143 0

HSL 58.37, 1%, 0.29%

LAB 57.89, -12.18, 61.83

 

CMYK 55 / 55 / 0 / 2

HEX #7170FA

RGB 113 112 250

HSL 240.43, 0.93%, 0.71%

LAB 54.03, 38.05, -69.1

 

CMYK 49 / 49 / 0 / 0

HEX #8282FF

RGB 130 130 255

HSL 240, 1%, 0.75%

LAB 59.83, 32.36, -62.46

 

CMYK 42 / 42 / 0 / 0

HEX #9394FF

RGB 147 148 255

HSL 239.44, 1%, 0.79%

LAB 65.44, 25.76, -53.44

 

CMYK 36 / 35 / 0 / 0

HEX #A4A6FF

RGB 164 166 255

HSL 238.68, 1%, 0.82%

LAB 71.14, 19.79, -44.37

 

CMYK 29 / 28 / 0 / 0

HEX #B5B8FF

RGB 181 184 255

HSL 237.57, 1%, 0.85%

LAB 76.88, 14.42, -35.34

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 61 / 60 / 0 / 7

HEX #5B5EEC

RGB 91 94 236

HSL 238.76, 0.79%, 0.64%

LAB 47.35, 40.58, -72.2

 

CMYK 66 / 65 / 0 / 15

HEX #4A4CD9

RGB 74 76 217

HSL 239.16, 0.65%, 0.57%

LAB 40.63, 42.68, -72.43

 

CMYK 71 / 71 / 0 / 22

HEX #393AC6

RGB 57 58 198

HSL 239.57, 0.55%, 0.5%

LAB 33.93, 44.99, -72.48

 

CMYK 78 / 78 / 0 / 30

HEX #2828B3

RGB 40 40 179

HSL 240, 0.63%, 0.43%

LAB 27.36, 47.32, -72.13

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 51 / 58 / 0 / 0

HEX #7E6BFF

RGB 126 107 255

HSL 247.7, 1%, 0.71%

LAB 54.21, 44.9, -71.53

 

CMYK 41 / 58 / 0 / 0

HEX #976BFF

RGB 151 107 255

HSL 257.84, 1%, 0.71%

LAB 56.4, 49.92, -67.88

 

CMYK 31 / 58 / 0 / 0

HEX #B06BFF

RGB 176 107 255

HSL 267.97, 1%, 0.71%

LAB 58.94, 55.41, -63.65

 

CMYK 22 / 58 / 0 / 0

HEX #C86BFF

RGB 200 107 255

HSL 277.7, 1%, 0.71%

LAB 61.67, 60.97, -59.14

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 57 / 57 / 0 / 80

HEX #161633

RGB 22 22 51

HSL 240, 0.4%, 0.14%

LAB 8.85, 9.8, -19.24

 

CMYK 58 / 56 / 0 / 60

HEX #2B2D66

RGB 43 45 102

HSL 237.97, 0.41%, 0.28%

LAB 21.39, 17.44, -33.98

 

CMYK 58 / 56 / 0 / 40

HEX #414399

RGB 65 67 153

HSL 238.64, 0.4%, 0.43%

LAB 32.78, 25.27, -47.53

 

CMYK 58 / 56 / 0 / 20

HEX #565ACC

RGB 86 90 204

HSL 237.97, 0.54%, 0.57%

LAB 43.73, 31.76, -59.88

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 0 / 58 / 10 / 0

HEX #FF6BE6

RGB 255 107 230

HSL 310.14, 1%, 0.71%

LAB 67.64, 70.24, -35.43

 

CMYK 33 / 0 / 58 / 0

HEX #ABFF6B

RGB 171 255 107

HSL 94.05, 1%, 0.71%

LAB 92.24, -49.36, 61.46

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 0 / 58 / 56 / 0

HEX #FF6B70

RGB 255 107 112

HSL 357.97, 1%, 0.71%

LAB 64.12, 56.74, 26.21

 

CMYK 56 / 0 / 58 / 0

HEX #70FF6B

RGB 112 255 107

HSL 117.97, 1%, 0.71%

LAB 89.87, -66.37, 58.13

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 0 / 58 / 10 / 0

HEX #FF6BE6

RGB 255 107 230

HSL 310.14, 1%, 0.71%

LAB 67.64, 70.24, -35.43

 

CMYK 0 / 2 / 58 / 0

HEX #FFFA6B

RGB 255 250 107

HSL 57.97, 1%, 0.71%

LAB 96.28, -15.7, 67.48

 

CMYK 58 / 0 / 49 / 0

HEX #6BFF83

RGB 107 255 131

HSL 129.73, 1%, 0.71%

LAB 89.99, -64.52, 47.35

 

CMYK 58 / 56 / 0 / 0

HEX #6C70FF

RGB 108 112 255

HSL 238.37, 1%, 0.71%

LAB 54.02, 38.72, -71.89

 

CMYK 0 / 58 / 27 / 0

HEX #FF6BB9

RGB 255 107 185

HSL 328.38, 1%, 0.71%

LAB 65.96, 64, -12.77

 

CMYK 0 / 2 / 58 / 0

HEX #FFFA6B

RGB 255 250 107

HSL 57.97, 1%, 0.71%

LAB 96.28, -15.7, 67.48

 

CMYK 58 / 0 / 31 / 0

HEX #6BFFB0

RGB 107 255 176

HSL 147.97, 1%, 0.71%

LAB 90.68, -57.12, 26.14

 

Description

Color code: HEX #6C70FF | qconv.com Color code: HEX #6C70FF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 112 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 112 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 56 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 56% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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