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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4DED it is the complementary color #93B212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4DED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4DED shade: #714DE8, #825FFB, #9371FF, #A483FF and #B595FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4DED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4DED shade: #6C4DED, #5B3BDA, #4A29C7, #3917B4 and #2805A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4DED shade: #6D4FEE, #984FEE, #C34FEE, #EE4FED and #EE4FC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4DED shade: #6D4FEE and #4F4FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4DED shade matches the following richer shades: #6D4FEE and #643FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4DED shade: #6D4FEE, #775EDE, #816ECE, #8A7EBF and #948DAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4DED shade: #4F86EE, #4F5CEE, #6C4FEE, #964FEE and #C14FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4DED shade: #3A15D5, #4E29EA, #6D4FEE, #8C74F1 and #AB9AF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4DED shade: #6C4DED, #EE4FB1 and #71EE4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4DED shade: #6C4DED, #EE6C4F and #4FEE6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4DED shade: #6C4DED, #EE4FB1, #D0EE4F and #4FEE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4DED shade: #6C4DED, #EE4F81, #D0EE4F and #4FEEBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

Complementary color

CMYK 17 / 0 / 90 / 30

HEX #93B212

RGB 147 178 18

HSL 71.63, 0.82%, 0.38%

LAB 68.09, -29.5, 67.03

 

CMYK 51 / 67 / 0 / 9

HEX #714DE8

RGB 113 77 232

HSL 253.94, 0.77%, 0.61%

LAB 45.14, 52.61, -73.46

 

CMYK 48 / 62 / 0 / 2

HEX #825FFB

RGB 130 95 251

HSL 253.46, 0.95%, 0.68%

LAB 51.72, 51.21, -73.34

 

CMYK 42 / 56 / 0 / 0

HEX #9371FF

RGB 147 113 255

HSL 254.37, 1%, 0.72%

LAB 57.3, 45.77, -66.44

 

CMYK 36 / 49 / 0 / 0

HEX #A483FF

RGB 164 131 255

HSL 255.97, 1%, 0.76%

LAB 62.8, 39.6, -57.55

 

CMYK 29 / 42 / 0 / 0

HEX #B595FF

RGB 181 149 255

HSL 258.11, 1%, 0.79%

LAB 68.42, 33.91, -48.55

 

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

CMYK 58 / 73 / 0 / 15

HEX #5B3BDA

RGB 91 59 218

HSL 252.08, 0.68%, 0.54%

LAB 38.58, 54.7, -76.32

 

CMYK 63 / 79 / 0 / 22

HEX #4A29C7

RGB 74 41 199

HSL 252.53, 0.66%, 0.47%

LAB 32.18, 55.92, -75.9

 

CMYK 68 / 87 / 0 / 29

HEX #3917B4

RGB 57 23 180

HSL 252.99, 0.77%, 0.4%

LAB 26.09, 56.42, -74.8

 

CMYK 75 / 97 / 0 / 37

HEX #2805A1

RGB 40 5 161

HSL 253.46, 0.94%, 0.33%

LAB 20.57, 55.52, -72.55

 

CMYK 54 / 67 / 0 / 7

HEX #6D4FEE

RGB 109 79 238

HSL 251.32, 0.82%, 0.62%

LAB 45.66, 52.6, -76.02

 

CMYK 36 / 67 / 0 / 7

HEX #984FEE

RGB 152 79 238

HSL 267.55, 0.82%, 0.62%

LAB 50.03, 60.23, -68.72

 

CMYK 18 / 67 / 0 / 7

HEX #C34FEE

RGB 195 79 238

HSL 283.77, 0.82%, 0.62%

LAB 55.45, 69.01, -59.7

 

CMYK 0 / 67 / 0 / 7

HEX #EE4FED

RGB 238 79 237

HSL 300.38, 0.82%, 0.62%

LAB 61.55, 78.14, -49.04

 

CMYK 0 / 67 / 18 / 7

HEX #EE4FC2

RGB 238 79 194

HSL 316.6, 0.82%, 0.62%

LAB 59.58, 71.81, -27.86

 

CMYK 54 / 67 / 0 / 7

HEX #6D4FEE

RGB 109 79 238

HSL 251.32, 0.82%, 0.62%

LAB 45.66, 52.6, -76.02

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEE

RGB 79 79 238

HSL 240, 0.82%, 0.62%

LAB 43.4, 48.39, -79.81

 

CMYK 54 / 67 / 0 / 7

HEX #6D4FEE

RGB 109 79 238

HSL 251.32, 0.82%, 0.62%

LAB 45.66, 52.6, -76.02

 

CMYK 60 / 75 / 0 / 1

HEX #643FFD

RGB 100 63 253

HSL 251.68, 0.98%, 0.62%

LAB 43.3, 63.76, -88.34

 

CMYK 54 / 67 / 0 / 7

HEX #6D4FEE

RGB 109 79 238

HSL 251.32, 0.82%, 0.62%

LAB 45.66, 52.6, -76.02

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 37 / 47 / 0 / 19

HEX #816ECE

RGB 129 110 206

HSL 251.88, 0.49%, 0.62%

LAB 52.15, 29.88, -47.33

 

CMYK 28 / 34 / 0 / 25

HEX #8A7EBF

RGB 138 126 191

HSL 251.08, 0.34%, 0.62%

LAB 56.17, 18.99, -32.39

 

CMYK 15 / 19 / 0 / 31

HEX #948DAF

RGB 148 141 175

HSL 252.35, 0.18%, 0.62%

LAB 60.28, 9.62, -16.89

 

CMYK 67 / 44 / 0 / 7

HEX #4F86EE

RGB 79 134 238

HSL 219.25, 0.82%, 0.62%

LAB 56.96, 14.92, -57.82

 

CMYK 67 / 61 / 0 / 7

HEX #4F5CEE

RGB 79 92 238

HSL 235.09, 0.82%, 0.62%

LAB 46.3, 40.71, -75.06

 

CMYK 55 / 67 / 0 / 7

HEX #6C4FEE

RGB 108 79 238

HSL 250.94, 0.82%, 0.62%

LAB 45.57, 52.44, -76.17

 

CMYK 37 / 67 / 0 / 7

HEX #964FEE

RGB 150 79 238

HSL 266.79, 0.82%, 0.62%

LAB 49.8, 59.85, -69.1

 

CMYK 19 / 67 / 0 / 7

HEX #C14FEE

RGB 193 79 238

HSL 283.02, 0.82%, 0.62%

LAB 55.18, 68.58, -60.15

 

CMYK 73 / 90 / 0 / 16

HEX #3A15D5

RGB 58 21 213

HSL 251.56, 0.82%, 0.46%

LAB 30.01, 65.89, -87.7

 

CMYK 67 / 82 / 0 / 8

HEX #4E29EA

RGB 78 41 234

HSL 251.5, 0.82%, 0.54%

LAB 36.26, 65.98, -89.31

 

CMYK 54 / 67 / 0 / 7

HEX #6D4FEE

RGB 109 79 238

HSL 251.32, 0.82%, 0.62%

LAB 45.66, 52.6, -76.02

 

CMYK 42 / 52 / 0 / 5

HEX #8C74F1

RGB 140 116 241

HSL 251.52, 0.82%, 0.7%

LAB 56.5, 38.69, -60.01

 

CMYK 30 / 37 / 0 / 4

HEX #AB9AF5

RGB 171 154 245

HSL 251.21, 0.82%, 0.78%

LAB 68.29, 25.91, -43.36

 

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

CMYK 0 / 67 / 26 / 7

HEX #EE4FB1

RGB 238 79 177

HSL 323.02, 0.82%, 0.62%

LAB 58.92, 69.6, -19.1

 

CMYK 53 / 0 / 67 / 7

HEX #71EE4F

RGB 113 238 79

HSL 107.17, 0.82%, 0.62%

LAB 84.6, -62.72, 63.8

 

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

CMYK 0 / 55 / 67 / 7

HEX #EE6C4F

RGB 238 108 79

HSL 10.94, 0.82%, 0.62%

LAB 61.19, 48.22, 40.31

 

CMYK 67 / 0 / 55 / 7

HEX #4FEE6C

RGB 79 238 108

HSL 130.94, 0.82%, 0.62%

LAB 83.91, -67.2, 50.45

 

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

CMYK 0 / 67 / 26 / 7

HEX #EE4FB1

RGB 238 79 177

HSL 323.02, 0.82%, 0.62%

LAB 58.92, 69.6, -19.1

 

CMYK 13 / 0 / 67 / 7

HEX #D0EE4F

RGB 208 238 79

HSL 71.32, 0.82%, 0.62%

LAB 89.45, -30.44, 70.36

 

CMYK 67 / 0 / 41 / 7

HEX #4FEE8C

RGB 79 238 140

HSL 143.02, 0.82%, 0.62%

LAB 84.33, -62.41, 35.63

 

CMYK 54 / 68 / 0 / 7

HEX #6C4DED

RGB 108 77 237

HSL 251.63, 0.82%, 0.62%

LAB 45.1, 53.23, -76.38

 

CMYK 0 / 67 / 46 / 7

HEX #EE4F81

RGB 238 79 129

HSL 341.13, 0.82%, 0.62%

LAB 57.42, 64.43, 6.7

 

CMYK 13 / 0 / 67 / 7

HEX #D0EE4F

RGB 208 238 79

HSL 71.32, 0.82%, 0.62%

LAB 89.45, -30.44, 70.36

 

CMYK 67 / 0 / 21 / 7

HEX #4FEEBB

RGB 79 238 187

HSL 160.75, 0.82%, 0.62%

LAB 85.2, -53.06, 12.75

 

Description

Color code: HEX #6C4DED | qconv.com Color code: HEX #6C4DED | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 77 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 77 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 68 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 68% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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