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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 94 222 it is the complementary color RGB 136 161 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 94 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 94 222 shade: RGB 124 94 217, RGB 141 112 236, RGB 158 130 255, RGB 175 148 255 and RGB 192 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 94 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 102 76 203, RGB 85 58 184, RGB 68 40 165 and RGB 51 22 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 154 94 222, RGB 188 94 222, RGB 222 94 221 and RGB 222 94 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 94 222 shade: RGB 119 94 222 and RGB 94 94 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 94 222 shade matches the following richer shades: RGB 119 94 222, RGB 110 78 238 and RGB 100 63 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 129 110 206, RGB 138 126 191, RGB 148 141 175 and RGB 157 157 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 94 222 shade: RGB 94 139 222, RGB 94 105 222, RGB 118 94 222, RGB 152 94 222 and RGB 186 94 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 94 222 shade: RGB 70 40 194, RGB 90 60 215, RGB 119 94 222, RGB 148 128 229 and RGB 177 163 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 222 94 173 and RGB 122 222 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 222 118 94 and RGB 94 222 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 222 94 173, RGB 199 222 94 and RGB 94 222 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 94 222 shade: RGB 119 94 222, RGB 222 94 135, RGB 199 222 94 and RGB 94 222 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

Complementary color

CMYK 16 / 0 / 80 / 37

HEX #88A121

RGB 136 161 33

HSL 71.72, 0.66%, 0.38%

LAB 62.37, -25.43, 58.3

 

CMYK 43 / 57 / 0 / 15

HEX #7C5ED9

RGB 124 94 217

HSL 254.63, 0.62%, 0.61%

LAB 48.64, 41.07, -59.24

 

CMYK 40 / 53 / 0 / 7

HEX #8D70EC

RGB 141 112 236

HSL 254.03, 0.77%, 0.68%

LAB 55.39, 39.84, -59.01

 

CMYK 38 / 49 / 0 / 0

HEX #9E82FF

RGB 158 130 255

HSL 253.44, 1%, 0.75%

LAB 62.04, 38.71, -58.79

 

CMYK 31 / 42 / 0 / 0

HEX #AF94FF

RGB 175 148 255

HSL 255.14, 1%, 0.79%

LAB 67.66, 32.86, -49.78

 

CMYK 25 / 35 / 0 / 0

HEX #C0A6FF

RGB 192 166 255

HSL 257.53, 1%, 0.83%

LAB 73.35, 27.51, -40.75

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 50 / 63 / 0 / 20

HEX #664CCB

RGB 102 76 203

HSL 252.28, 0.55%, 0.55%

LAB 41.7, 42.85, -62.54

 

CMYK 54 / 68 / 0 / 28

HEX #553AB8

RGB 85 58 184

HSL 252.86, 0.52%, 0.47%

LAB 34.84, 44.37, -62.68

 

CMYK 59 / 76 / 0 / 35

HEX #4428A5

RGB 68 40 165

HSL 253.44, 0.61%, 0.4%

LAB 28.02, 45.8, -62.57

 

CMYK 65 / 85 / 0 / 43

HEX #331692

RGB 51 22 146

HSL 254.03, 0.74%, 0.33%

LAB 21.41, 46.75, -61.9

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 31 / 58 / 0 / 13

HEX #9A5EDE

RGB 154 94 222

HSL 268.13, 0.66%, 0.62%

LAB 52.01, 49.24, -56.5

 

CMYK 15 / 58 / 0 / 13

HEX #BC5EDE

RGB 188 94 222

HSL 284.06, 0.66%, 0.62%

LAB 56.06, 57.51, -49.79

 

CMYK 0 / 58 / 0 / 13

HEX #DE5EDD

RGB 222 94 221

HSL 300.47, 0.66%, 0.62%

LAB 60.57, 65.86, -41.81

 

CMYK 0 / 58 / 16 / 13

HEX #DE5EBB

RGB 222 94 187

HSL 316.41, 0.66%, 0.62%

LAB 59.09, 60.47, -24.82

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 58 / 58 / 0 / 13

HEX #5E5EDE

RGB 94 94 222

HSL 240, 0.66%, 0.62%

LAB 46.52, 36.58, -65.62

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 54 / 67 / 0 / 7

HEX #6E4EEE

RGB 110 78 238

HSL 252, 0.82%, 0.62%

LAB 45.55, 53.3, -76.2

 

CMYK 60 / 75 / 0 / 1

HEX #643FFD

RGB 100 63 253

HSL 251.68, 0.98%, 0.62%

LAB 43.3, 63.76, -88.34

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 37 / 47 / 0 / 19

HEX #816ECE

RGB 129 110 206

HSL 251.88, 0.49%, 0.62%

LAB 52.15, 29.88, -47.33

 

CMYK 28 / 34 / 0 / 25

HEX #8A7EBF

RGB 138 126 191

HSL 251.08, 0.34%, 0.62%

LAB 56.17, 18.99, -32.39

 

CMYK 15 / 19 / 0 / 31

HEX #948DAF

RGB 148 141 175

HSL 252.35, 0.18%, 0.62%

LAB 60.28, 9.62, -16.89

 

CMYK 1 / 1 / 0 / 38

HEX #9D9D9F

RGB 157 157 159

HSL 240, 0.01%, 0.62%

LAB 64.79, 0.39, -1.05

 

CMYK 58 / 37 / 0 / 13

HEX #5E8BDE

RGB 94 139 222

HSL 218.91, 0.66%, 0.62%

LAB 58.15, 9.21, -46.98

 

CMYK 58 / 53 / 0 / 13

HEX #5E69DE

RGB 94 105 222

HSL 234.84, 0.66%, 0.62%

LAB 49.2, 29.88, -61.29

 

CMYK 47 / 58 / 0 / 13

HEX #765EDE

RGB 118 94 222

HSL 251.25, 0.66%, 0.62%

LAB 48.42, 41.2, -62.45

 

CMYK 32 / 58 / 0 / 13

HEX #985EDE

RGB 152 94 222

HSL 267.19, 0.66%, 0.62%

LAB 51.79, 48.77, -56.86

 

CMYK 16 / 58 / 0 / 13

HEX #BA5EDE

RGB 186 94 222

HSL 283.13, 0.66%, 0.62%

LAB 55.8, 57.01, -50.21

 

CMYK 64 / 79 / 0 / 24

HEX #4628C2

RGB 70 40 194

HSL 251.69, 0.66%, 0.46%

LAB 31.15, 54.54, -74.69

 

CMYK 58 / 72 / 0 / 16

HEX #5A3CD7

RGB 90 60 215

HSL 251.61, 0.66%, 0.54%

LAB 38.4, 53.19, -74.9

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 35 / 44 / 0 / 10

HEX #9480E5

RGB 148 128 229

HSL 251.88, 0.66%, 0.7%

LAB 59.33, 30.48, -48.78

 

CMYK 25 / 31 / 0 / 7

HEX #B1A3EC

RGB 177 163 236

HSL 251.51, 0.66%, 0.78%

LAB 70.59, 20.37, -34.82

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 0 / 58 / 22 / 13

HEX #DE5EAD

RGB 222 94 173

HSL 322.97, 0.66%, 0.62%

LAB 58.56, 58.47, -17.58

 

CMYK 45 / 0 / 58 / 13

HEX #7ADE5E

RGB 122 222 94

HSL 106.88, 0.66%, 0.62%

LAB 80.29, -52.7, 52.85

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 0 / 47 / 58 / 13

HEX #DE765E

RGB 222 118 94

HSL 11.25, 0.66%, 0.62%

LAB 61.04, 38.27, 31.39

 

CMYK 58 / 0 / 47 / 13

HEX #5EDE76

RGB 94 222 118

HSL 131.25, 0.66%, 0.62%

LAB 79.57, -57, 40.48

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 0 / 58 / 22 / 13

HEX #DE5EAD

RGB 222 94 173

HSL 322.97, 0.66%, 0.62%

LAB 58.56, 58.47, -17.58

 

CMYK 10 / 0 / 58 / 13

HEX #C7DE5E

RGB 199 222 94

HSL 70.78, 0.66%, 0.62%

LAB 84.58, -25.41, 58.89

 

CMYK 58 / 0 / 36 / 13

HEX #5EDE8F

RGB 94 222 143

HSL 142.97, 0.66%, 0.62%

LAB 79.96, -52.87, 28.4

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 0 / 58 / 39 / 13

HEX #DE5E87

RGB 222 94 135

HSL 340.78, 0.66%, 0.62%

LAB 57.35, 53.78, 2.75

 

CMYK 10 / 0 / 58 / 13

HEX #C7DE5E

RGB 199 222 94

HSL 70.78, 0.66%, 0.62%

LAB 84.58, -25.41, 58.89

 

CMYK 58 / 0 / 18 / 13

HEX #5EDEB6

RGB 94 222 182

HSL 161.25, 0.66%, 0.62%

LAB 80.74, -44.86, 9.08

 

Description

Color code: RGB 119 94 222 | qconv.com Color code: RGB 119 94 222 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 94 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 94 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 58 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 58% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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