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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4BCF it is the complementary color #93B430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4BCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4BCF shade: #714BCA, #825DDD, #936FF0, #A481FF and #B593FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4BCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4BCF shade: #6C4BCF, #5B39BC, #4A27A9, #391596 and #280383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4BCF shade: #6B4ACF, #8F4ACF, #B34ACF, #CF4AC7 and #CF4AA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4BCF shade: #6B4ACF and #4A4ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4BCF shade matches the following richer shades: #6B4ACF, #6237E1 and #5825F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4BCF shade: #6B4ACF, #745CBC, #7E6FAA, #878197 and #909485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4BCF shade: #4A6FCF, #4A4CCF, #6B4ACF, #8E4ACF and #B24ACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4BCF shade: #462A9C, #5532BD, #6B4ACF, #866AD7 and #A08BE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4BCF shade: #6C4BCF, #CF4A93 and #5ECF4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4BCF shade: #6C4BCF, #CF6B4A and #4ACF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4BCF shade: #6C4BCF, #CF4A93, #AECF4A and #4ACF86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4BCF shade: #6C4BCF, #CF4A6B, #AECF4A and #4ACFAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

Complementary color

CMYK 18 / 0 / 73 / 29

HEX #93B430

RGB 147 180 48

HSL 75, 0.58%, 0.45%

LAB 68.79, -29.32, 59.68

 

CMYK 44 / 63 / 0 / 21

HEX #714BCA

RGB 113 75 202

HSL 257.95, 0.55%, 0.54%

LAB 42.47, 45.3, -60.65

 

CMYK 41 / 58 / 0 / 13

HEX #825DDD

RGB 130 93 221

HSL 257.34, 0.65%, 0.62%

LAB 49.25, 44.05, -60.5

 

CMYK 39 / 54 / 0 / 6

HEX #936FF0

RGB 147 111 240

HSL 256.74, 0.81%, 0.69%

LAB 55.95, 42.86, -60.31

 

CMYK 36 / 49 / 0 / 0

HEX #A481FF

RGB 164 129 255

HSL 256.67, 1%, 0.75%

LAB 62.35, 40.72, -58.27

 

CMYK 29 / 42 / 0 / 0

HEX #B593FF

RGB 181 147 255

HSL 258.89, 1%, 0.79%

LAB 67.96, 35.02, -49.28

 

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

CMYK 52 / 70 / 0 / 26

HEX #5B39BC

RGB 91 57 188

HSL 255.57, 0.53%, 0.48%

LAB 35.56, 47.09, -63.83

 

CMYK 56 / 77 / 0 / 34

HEX #4A27A9

RGB 74 39 169

HSL 256.15, 0.63%, 0.41%

LAB 28.83, 48.28, -63.63

 

CMYK 62 / 86 / 0 / 41

HEX #391596

RGB 57 21 150

HSL 256.74, 0.75%, 0.34%

LAB 22.33, 48.86, -62.82

 

CMYK 69 / 98 / 0 / 49

HEX #280383

RGB 40 3 131

HSL 257.34, 0.96%, 0.26%

LAB 16.28, 48.26, -61.03

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 31 / 64 / 0 / 19

HEX #8F4ACF

RGB 143 74 207

HSL 271.13, 0.58%, 0.55%

LAB 45.96, 53.44, -57.73

 

CMYK 14 / 64 / 0 / 19

HEX #B34ACF

RGB 179 74 207

HSL 287.37, 0.58%, 0.55%

LAB 50.67, 61.55, -49.92

 

CMYK 0 / 64 / 4 / 19

HEX #CF4AC7

RGB 207 74 199

HSL 303.61, 0.58%, 0.55%

LAB 54.33, 66.77, -39.27

 

CMYK 0 / 64 / 21 / 19

HEX #CF4AA3

RGB 207 74 163

HSL 319.85, 0.58%, 0.55%

LAB 52.74, 61.39, -20.84

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 64 / 64 / 0 / 19

HEX #4A4ACF

RGB 74 74 207

HSL 240, 0.58%, 0.55%

LAB 39.34, 40.58, -68.79

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 56 / 76 / 0 / 12

HEX #6237E1

RGB 98 55 225

HSL 255.18, 0.74%, 0.55%

LAB 39.18, 59.51, -79.31

 

CMYK 64 / 85 / 0 / 4

HEX #5825F4

RGB 88 37 244

HSL 254.78, 0.9%, 0.55%

LAB 37.72, 70.81, -92.55

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 38 / 51 / 0 / 26

HEX #745CBC

RGB 116 92 188

HSL 255, 0.42%, 0.55%

LAB 45.63, 32.27, -47.43

 

CMYK 26 / 35 / 0 / 33

HEX #7E6FAA

RGB 126 111 170

HSL 255.25, 0.26%, 0.55%

LAB 50.34, 18.9, -29.46

 

CMYK 11 / 15 / 0 / 41

HEX #878197

RGB 135 129 151

HSL 256.36, 0.1%, 0.55%

LAB 55.16, 6.77, -10.97

 

CMYK 3 / 0 / 10 / 42

HEX #909485

RGB 144 148 133

HSL 76, 0.07%, 0.55%

LAB 60.61, -4.28, 7.43

 

CMYK 64 / 46 / 0 / 19

HEX #4A6FCF

RGB 74 111 207

HSL 223.31, 0.58%, 0.55%

LAB 48.67, 17.49, -53.67

 

CMYK 64 / 63 / 0 / 19

HEX #4A4CCF

RGB 74 76 207

HSL 239.1, 0.58%, 0.55%

LAB 39.8, 39.37, -68.04

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 31 / 64 / 0 / 19

HEX #8E4ACF

RGB 142 74 207

HSL 270.68, 0.58%, 0.55%

LAB 45.84, 53.22, -57.93

 

CMYK 14 / 64 / 0 / 19

HEX #B24ACF

RGB 178 74 207

HSL 286.92, 0.58%, 0.55%

LAB 50.53, 61.32, -50.15

 

CMYK 55 / 73 / 0 / 39

HEX #462A9C

RGB 70 42 156

HSL 254.74, 0.58%, 0.39%

LAB 27.73, 42.35, -57.56

 

CMYK 55 / 74 / 0 / 26

HEX #5532BD

RGB 85 50 189

HSL 255.11, 0.58%, 0.47%

LAB 33.75, 50.09, -67.42

 

CMYK 48 / 64 / 0 / 19

HEX #6B4ACF

RGB 107 74 207

HSL 254.89, 0.58%, 0.55%

LAB 42.04, 46.09, -64.26

 

CMYK 38 / 51 / 0 / 16

HEX #866AD7

RGB 134 106 215

HSL 255.41, 0.58%, 0.63%

LAB 52.16, 35.93, -52.41

 

CMYK 29 / 38 / 0 / 12

HEX #A08BE0

RGB 160 139 224

HSL 254.82, 0.58%, 0.71%

LAB 62.78, 26.13, -40.5

 

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

CMYK 0 / 64 / 29 / 19

HEX #CF4A93

RGB 207 74 147

HSL 327.07, 0.58%, 0.55%

LAB 52.14, 59.29, -12.3

 

CMYK 55 / 0 / 64 / 19

HEX #5ECF4A

RGB 94 207 74

HSL 110.98, 0.58%, 0.55%

LAB 74.51, -56.78, 54.71

 

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

CMYK 0 / 48 / 64 / 19

HEX #CF6B4A

RGB 207 107 74

HSL 14.89, 0.58%, 0.55%

LAB 56.36, 36.75, 36.16

 

CMYK 64 / 0 / 48 / 19

HEX #4ACF6B

RGB 74 207 107

HSL 134.89, 0.58%, 0.55%

LAB 74.28, -57.28, 39.11

 

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

CMYK 0 / 64 / 29 / 19

HEX #CF4A93

RGB 207 74 147

HSL 327.07, 0.58%, 0.55%

LAB 52.14, 59.29, -12.3

 

CMYK 16 / 0 / 64 / 19

HEX #AECF4A

RGB 174 207 74

HSL 74.89, 0.58%, 0.55%

LAB 78.53, -29.66, 60.24

 

CMYK 64 / 0 / 35 / 19

HEX #4ACF86

RGB 74 207 134

HSL 147.07, 0.58%, 0.55%

LAB 74.7, -52.65, 25.91

 

CMYK 48 / 64 / 0 / 19

HEX #6C4BCF

RGB 108 75 207

HSL 255, 0.58%, 0.55%

LAB 42.35, 45.72, -63.77

 

CMYK 0 / 64 / 48 / 19

HEX #CF4A6B

RGB 207 74 107

HSL 345.11, 0.58%, 0.55%

LAB 50.95, 54.99, 9.9

 

CMYK 16 / 0 / 64 / 19

HEX #AECF4A

RGB 174 207 74

HSL 74.89, 0.58%, 0.55%

LAB 78.53, -29.66, 60.24

 

CMYK 64 / 0 / 16 / 19

HEX #4ACFAE

RGB 74 207 174

HSL 165.11, 0.58%, 0.55%

LAB 75.54, -43.93, 5.82

 

Description

Color code: HEX #6C4BCF | qconv.com Color code: HEX #6C4BCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 75 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 75 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 64 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 64% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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