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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C45C2 it is the complementary color #93BA3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C45C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C45C2: #7145BD, #8257D0, #9369E3, #A47BF6 and #B58DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C45C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C45C2: #6C45C2, #5B33AF, #4A219C, #390F89 and #280076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

Complementary color

CMYK 21 / 0 / 67 / 27

HEX #93BA3D

RGB 147 186 61

HSL 78.72, 0.51%, 0.48%

LAB 70.63, -31.36, 56.64

 

CMYK 40 / 63 / 0 / 26

HEX #7145BD

RGB 113 69 189

HSL 262, 0.48%, 0.51%

LAB 40.31, 45.06, -56.59

 

CMYK 38 / 58 / 0 / 18

HEX #8257D0

RGB 130 87 208

HSL 261.32, 0.56%, 0.58%

LAB 47.13, 43.93, -56.5

 

CMYK 35 / 54 / 0 / 11

HEX #9369E3

RGB 147 105 227

HSL 260.66, 0.69%, 0.65%

LAB 53.87, 42.82, -56.37

 

CMYK 33 / 50 / 0 / 4

HEX #A47BF6

RGB 164 123 246

HSL 260, 0.87%, 0.72%

LAB 60.53, 41.78, -56.22

 

CMYK 29 / 45 / 0 / 0

HEX #B58DFF

RGB 181 141 255

HSL 261.05, 1%, 0.78%

LAB 66.59, 38.35, -51.43

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 48 / 71 / 0 / 31

HEX #5B33AF

RGB 91 51 175

HSL 259.35, 0.55%, 0.44%

LAB 33.32, 46.57, -59.79

 

CMYK 53 / 79 / 0 / 39

HEX #4A219C

RGB 74 33 156

HSL 260, 0.65%, 0.37%

LAB 26.57, 47.46, -59.45

 

CMYK 58 / 89 / 0 / 46

HEX #390F89

RGB 57 15 137

HSL 260.66, 0.8%, 0.3%

LAB 20.11, 47.47, -58.4

 

CMYK 66 / 100 / 0 / 54

HEX #280076

RGB 40 0 118

HSL 260.34, 1%, 0.23%

LAB 14.17, 45.96, -56.23

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 34 / 64 / 0 / 24

HEX #8046C3

RGB 128 70 195

HSL 267.84, 0.51%, 0.52%

LAB 42.63, 49.29, -56.26

 

CMYK 24 / 64 / 0 / 24

HEX #9546C3

RGB 149 70 195

HSL 277.92, 0.51%, 0.52%

LAB 45.23, 53.99, -51.93

 

CMYK 13 / 64 / 0 / 24

HEX #AA46C3

RGB 170 70 195

HSL 288, 0.51%, 0.52%

LAB 48.09, 58.87, -47.2

 

CMYK 3 / 64 / 0 / 24

HEX #BE46C3

RGB 190 70 195

HSL 297.6, 0.51%, 0.52%

LAB 51, 63.61, -42.4

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 44 / 64 / 0 / 4

HEX #8857F5

RGB 136 87 245

HSL 258.61, 0.89%, 0.65%

LAB 50.27, 54.96, -72.33

 

CMYK 44 / 63 / 0 / 84

HEX #170F29

RGB 23 15 41

HSL 258.46, 0.46%, 0.11%

LAB 6.18, 11.13, -16.08

 

CMYK 45 / 64 / 0 / 64

HEX #33215C

RGB 51 33 92

HSL 258.31, 0.47%, 0.25%

LAB 18.21, 24.14, -32.5

 

CMYK 44 / 64 / 0 / 44

HEX #50338F

RGB 80 51 143

HSL 258.91, 0.47%, 0.38%

LAB 29.55, 35.28, -46.58

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 0 / 64 / 32 / 24

HEX #C34684

RGB 195 70 132

HSL 330.24, 0.51%, 0.52%

LAB 49.07, 55.61, -8.15

 

CMYK 58 / 0 / 64 / 24

HEX #52C346

RGB 82 195 70

HSL 114.24, 0.51%, 0.52%

LAB 70.36, -55.78, 51.72

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 0 / 45 / 64 / 24

HEX #C36B46

RGB 195 107 70

HSL 17.76, 0.51%, 0.52%

LAB 54.62, 31.72, 35.85

 

CMYK 64 / 0 / 45 / 24

HEX #46C36B

RGB 70 195 107

HSL 137.76, 0.51%, 0.52%

LAB 70.45, -53.58, 34.24

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 0 / 64 / 32 / 24

HEX #C34684

RGB 195 70 132

HSL 330.24, 0.51%, 0.52%

LAB 49.07, 55.61, -8.15

 

CMYK 19 / 0 / 64 / 24

HEX #9DC346

RGB 157 195 70

HSL 78.24, 0.51%, 0.52%

LAB 73.96, -31, 56.68

 

CMYK 64 / 0 / 32 / 24

HEX #46C384

RGB 70 195 132

HSL 149.76, 0.51%, 0.52%

LAB 70.87, -49.01, 21.76

 

CMYK 44 / 64 / 0 / 24

HEX #6C45C2

RGB 108 69 194

HSL 258.72, 0.51%, 0.52%

LAB 40.15, 45.39, -59.8

 

CMYK 0 / 64 / 51 / 24

HEX #C3465F

RGB 195 70 95

HSL 348, 0.51%, 0.52%

LAB 48.02, 51.77, 12.76

 

CMYK 19 / 0 / 64 / 24

HEX #9DC346

RGB 157 195 70

HSL 78.24, 0.51%, 0.52%

LAB 73.96, -31, 56.68

 

CMYK 64 / 0 / 13 / 24

HEX #46C3AA

RGB 70 195 170

HSL 168, 0.51%, 0.52%

LAB 71.71, -40.33, 2.44

 

Description

Color code: HEX #6C45C2 | qconv.com Color code: HEX #6C45C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 69 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 69 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 64 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 64% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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