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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C3293 it is the complementary color #93CD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C3293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C3293 shade: #71328E, #8244A1, #9356B4, #A468C7 and #B57ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C3293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C3293 shade: #6C3293, #5B2080, #4A0E6D, #39005A and #280047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C3293 shade: #6D3394, #873394, #943387, #94336D and #943352

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C3293 shade: #6D3394, #533394, #383394 and #333394

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C3293 shade matches the following richer shades: #6D3394, #7023A4, #7313B4 and #7602C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C3293 shade: #6D3394, #6A4384, #675374, #646364 and #607354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C3293 shade: #383394, #523394, #6C3394, #863394 and #943389

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C3293 shade: #401E57, #562875, #6D3394, #843DB3 and #9855C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C3293 shade: #6C3293, #943348 and #339445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C3293 shade: #6C3293, #946C33 and #33946C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C3293 shade: #6C3293, #943348, #5B9433 and #33947F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C3293 shade: #6C3293, #943B33, #5B9433 and #338C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

Complementary color

CMYK 28 / 0 / 47 / 20

HEX #93CD6C

RGB 147 205 108

HSL 95.88, 0.49%, 0.61%

LAB 76.65, -35.68, 42.21

 

CMYK 20 / 65 / 0 / 44

HEX #71328E

RGB 113 50 142

HSL 281.09, 0.48%, 0.38%

LAB 33.45, 43.38, -39.48

 

CMYK 19 / 58 / 0 / 37

HEX #8244A1

RGB 130 68 161

HSL 280, 0.41%, 0.45%

LAB 40.33, 42.74, -39.87

 

CMYK 18 / 52 / 0 / 29

HEX #9356B4

RGB 147 86 180

HSL 278.94, 0.39%, 0.52%

LAB 47.18, 41.95, -40.11

 

CMYK 18 / 48 / 0 / 22

HEX #A468C7

RGB 164 104 199

HSL 277.89, 0.46%, 0.59%

LAB 53.94, 41.11, -40.28

 

CMYK 17 / 44 / 0 / 15

HEX #B57ADA

RGB 181 122 218

HSL 276.88, 0.56%, 0.67%

LAB 60.61, 40.29, -40.41

 

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

CMYK 29 / 75 / 0 / 50

HEX #5B2080

RGB 91 32 128

HSL 276.88, 0.6%, 0.31%

LAB 26.2, 43.66, -42.59

 

CMYK 32 / 87 / 0 / 57

HEX #4A0E6D

RGB 74 14 109

HSL 277.89, 0.77%, 0.24%

LAB 19.53, 43.03, -41.38

 

CMYK 37 / 100 / 0 / 65

HEX #39005A

RGB 57 0 90

HSL 278, 1%, 0.18%

LAB 13.28, 40.66, -39.14

 

CMYK 44 / 100 / 0 / 72

HEX #280047

RGB 40 0 71

HSL 273.8, 1%, 0.14%

LAB 8.18, 34.09, -34.54

 

CMYK 26 / 66 / 0 / 42

HEX #6D3394

RGB 109 51 148

HSL 275.88, 0.49%, 0.39%

LAB 33.47, 43.29, -43.14

 

CMYK 9 / 66 / 0 / 42

HEX #873394

RGB 135 51 148

HSL 291.96, 0.49%, 0.39%

LAB 37.22, 49.65, -36.94

 

CMYK 0 / 66 / 9 / 42

HEX #943387

RGB 148 51 135

HSL 308.04, 0.49%, 0.39%

LAB 38.57, 50.67, -26.71

 

CMYK 0 / 66 / 26 / 42

HEX #94336D

RGB 148 51 109

HSL 324.12, 0.49%, 0.39%

LAB 37.42, 46.71, -12.33

 

CMYK 0 / 66 / 45 / 42

HEX #943352

RGB 148 51 82

HSL 340.82, 0.49%, 0.39%

LAB 36.5, 43.41, 3.45

 

CMYK 26 / 66 / 0 / 42

HEX #6D3394

RGB 109 51 148

HSL 275.88, 0.49%, 0.39%

LAB 33.47, 43.29, -43.14

 

CMYK 44 / 66 / 0 / 42

HEX #533394

RGB 83 51 148

HSL 259.79, 0.49%, 0.39%

LAB 30.27, 37.38, -48.48

 

CMYK 62 / 66 / 0 / 42

HEX #383394

RGB 56 51 148

HSL 243.09, 0.49%, 0.39%

LAB 27.7, 32.21, -52.77

 

CMYK 66 / 66 / 0 / 42

HEX #333394

RGB 51 51 148

HSL 240, 0.49%, 0.39%

LAB 27.32, 31.41, -53.4

 

CMYK 26 / 66 / 0 / 42

HEX #6D3394

RGB 109 51 148

HSL 275.88, 0.49%, 0.39%

LAB 33.47, 43.29, -43.14

 

CMYK 32 / 79 / 0 / 36

HEX #7023A4

RGB 112 35 164

HSL 275.81, 0.65%, 0.39%

LAB 32.54, 54.73, -54.35

 

CMYK 36 / 89 / 0 / 29

HEX #7313B4

RGB 115 19 180

HSL 275.78, 0.81%, 0.39%

LAB 32.71, 63.44, -63.64

 

CMYK 40 / 99 / 0 / 23

HEX #7602C4

RGB 118 2 196

HSL 275.88, 0.98%, 0.39%

LAB 33.73, 69.85, -71.41

 

CMYK 26 / 66 / 0 / 42

HEX #6D3394

RGB 109 51 148

HSL 275.88, 0.49%, 0.39%

LAB 33.47, 43.29, -43.14

 

CMYK 20 / 49 / 0 / 48

HEX #6A4384

RGB 106 67 132

HSL 276, 0.33%, 0.39%

LAB 35.49, 29.71, -30.13

 

CMYK 11 / 28 / 0 / 55

HEX #675374

RGB 103 83 116

HSL 276.36, 0.17%, 0.39%

LAB 38.43, 15.09, -15.7

 

CMYK 0 / 1 / 0 / 61

HEX #646364

RGB 100 99 100

HSL 300, 0.01%, 0.39%

LAB 42.08, 0.6, -0.43

 

CMYK 17 / 0 / 27 / 55

HEX #607354

RGB 96 115 84

HSL 96.77, 0.16%, 0.39%

LAB 46.16, -13.3, 14.89

 

CMYK 62 / 66 / 0 / 42

HEX #383394

RGB 56 51 148

HSL 243.09, 0.49%, 0.39%

LAB 27.7, 32.21, -52.77

 

CMYK 45 / 66 / 0 / 42

HEX #523394

RGB 82 51 148

HSL 259.18, 0.49%, 0.39%

LAB 30.16, 37.16, -48.66

 

CMYK 27 / 66 / 0 / 42

HEX #6C3394

RGB 108 51 148

HSL 275.26, 0.49%, 0.39%

LAB 33.34, 43.05, -43.37

 

CMYK 9 / 66 / 0 / 42

HEX #863394

RGB 134 51 148

HSL 291.34, 0.49%, 0.39%

LAB 37.07, 49.4, -37.19

 

CMYK 0 / 66 / 7 / 42

HEX #943389

RGB 148 51 137

HSL 306.8, 0.49%, 0.39%

LAB 38.67, 51.01, -27.79

 

CMYK 26 / 66 / 0 / 66

HEX #401E57

RGB 64 30 87

HSL 275.79, 0.49%, 0.23%

LAB 18.83, 28.02, -28.07

 

CMYK 26 / 66 / 0 / 54

HEX #562875

RGB 86 40 117

HSL 275.84, 0.49%, 0.31%

LAB 26.1, 35.89, -35.82

 

CMYK 26 / 66 / 0 / 42

HEX #6D3394

RGB 109 51 148

HSL 275.88, 0.49%, 0.39%

LAB 33.47, 43.29, -43.14

 

CMYK 26 / 66 / 0 / 30

HEX #843DB3

RGB 132 61 179

HSL 276.1, 0.49%, 0.47%

LAB 40.41, 50.86, -50.44

 

CMYK 23 / 57 / 0 / 23

HEX #9855C5

RGB 152 85 197

HSL 275.89, 0.49%, 0.55%

LAB 48.52, 47.63, -47.81

 

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

CMYK 0 / 66 / 51 / 42

HEX #943348

RGB 148 51 72

HSL 347.01, 0.49%, 0.39%

LAB 36.24, 42.42, 9.47

 

CMYK 66 / 0 / 53 / 42

HEX #339445

RGB 51 148 69

HSL 131.13, 0.49%, 0.39%

LAB 54.36, -45.46, 33.38

 

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

CMYK 0 / 27 / 66 / 42

HEX #946C33

RGB 148 108 51

HSL 35.26, 0.49%, 0.39%

LAB 48.59, 9.66, 37.4

 

CMYK 66 / 0 / 27 / 42

HEX #33946C

RGB 51 148 108

HSL 155.26, 0.49%, 0.39%

LAB 55.04, -38.04, 13.02

 

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

CMYK 0 / 66 / 51 / 42

HEX #943348

RGB 148 51 72

HSL 347.01, 0.49%, 0.39%

LAB 36.24, 42.42, 9.47

 

CMYK 39 / 0 / 66 / 42

HEX #5B9433

RGB 91 148 51

HSL 95.26, 0.49%, 0.39%

LAB 55.73, -35.99, 44.02

 

CMYK 66 / 0 / 14 / 42

HEX #33947F

RGB 51 148 127

HSL 167.01, 0.49%, 0.39%

LAB 55.5, -33.34, 2.85

 

CMYK 27 / 66 / 0 / 42

HEX #6C3293

RGB 108 50 147

HSL 275.88, 0.49%, 0.39%

LAB 33.08, 43.32, -43.16

 

CMYK 0 / 60 / 66 / 42

HEX #943B33

RGB 148 59 51

HSL 4.95, 0.49%, 0.39%

LAB 37.23, 36.95, 23.99

 

CMYK 39 / 0 / 66 / 42

HEX #5B9433

RGB 91 148 51

HSL 95.26, 0.49%, 0.39%

LAB 55.73, -35.99, 44.02

 

CMYK 66 / 5 / 0 / 42

HEX #338C94

RGB 51 140 148

HSL 184.95, 0.49%, 0.39%

LAB 53.6, -23.41, -12.05

 

Description

Color code: HEX #6C3293 | qconv.com Color code: HEX #6C3293 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 50 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 50 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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