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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 58 / 0 / 37 it is the complementary color CMYK 34 / 0 / 50 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 58 / 0 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 58 / 0 / 37: CMYK 13 / 57 / 0 / 39, CMYK 13 / 51 / 0 / 31, CMYK 13 / 47 / 0 / 24, CMYK 13 / 43 / 0 / 16 and CMYK 13 / 40 / 0 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 58 / 0 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 58 / 0 / 37: CMYK 19 / 58 / 0 / 37, CMYK 20 / 65 / 0 / 44, CMYK 22 / 75 / 0 / 52, CMYK 24 / 88 / 0 / 59 and CMYK 27 / 100 / 0 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

Complementary color

CMYK 34 / 0 / 50 / 26

HEX #7DBC5E

RGB 125 188 94

HSL 100.21, 0.41%, 0.55%

LAB 70.27, -37.35, 40.99

 

CMYK 13 / 57 / 0 / 39

HEX #87439C

RGB 135 67 156

HSL 285.84, 0.4%, 0.44%

LAB 40.52, 43.52, -36.54

 

CMYK 13 / 51 / 0 / 31

HEX #9855AF

RGB 152 85 175

HSL 284.67, 0.36%, 0.51%

LAB 47.32, 42.8, -36.91

 

CMYK 13 / 47 / 0 / 24

HEX #A967C2

RGB 169 103 194

HSL 283.52, 0.43%, 0.58%

LAB 54.06, 42.01, -37.18

 

CMYK 13 / 43 / 0 / 16

HEX #BA79D5

RGB 186 121 213

HSL 282.39, 0.52%, 0.65%

LAB 60.71, 41.21, -37.41

 

CMYK 13 / 40 / 0 / 9

HEX #CB8BE8

RGB 203 139 232

HSL 281.29, 0.67%, 0.73%

LAB 67.27, 40.43, -37.6

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 20 / 65 / 0 / 44

HEX #71318E

RGB 113 49 142

HSL 281.29, 0.49%, 0.37%

LAB 33.27, 43.88, -39.77

 

CMYK 22 / 75 / 0 / 52

HEX #601F7B

RGB 96 31 123

HSL 282.39, 0.6%, 0.3%

LAB 26.44, 44.03, -39.01

 

CMYK 24 / 88 / 0 / 59

HEX #4F0D68

RGB 79 13 104

HSL 283.52, 0.78%, 0.23%

LAB 19.84, 43.12, -37.58

 

CMYK 27 / 100 / 0 / 67

HEX #3E0055

RGB 62 0 85

HSL 283.76, 1%, 0.17%

LAB 13.71, 40.27, -35.01

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 9 / 58 / 0 / 37

HEX #9243A1

RGB 146 67 161

HSL 290.43, 0.41%, 0.45%

LAB 42.31, 47.53, -36.61

 

CMYK 0 / 58 / 0 / 37

HEX #A143A1

RGB 161 67 161

HSL 300, 0.41%, 0.45%

LAB 44.47, 51.56, -33.05

 

CMYK 0 / 58 / 9 / 37

HEX #A14392

RGB 161 67 146

HSL 309.57, 0.41%, 0.45%

LAB 43.75, 48.95, -25.18

 

CMYK 0 / 58 / 19 / 37

HEX #A14382

RGB 161 67 130

HSL 319.79, 0.41%, 0.45%

LAB 43.07, 46.39, -16.53

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 19 / 58 / 0 / 17

HEX #AB58D4

RGB 171 88 212

HSL 280.16, 0.59%, 0.59%

LAB 52.28, 54.15, -50.28

 

CMYK 25 / 63 / 0 / 97

HEX #060308

RGB 6 3 8

HSL 276, 0.45%, 0.02%

LAB 1.1, 1.48, -1.62

 

CMYK 19 / 58 / 0 / 77

HEX #30193B

RGB 48 25 59

HSL 280.59, 0.4%, 0.16%

LAB 13.47, 18.77, -17.46

 

CMYK 19 / 58 / 0 / 57

HEX #592E6E

RGB 89 46 110

HSL 280.31, 0.41%, 0.31%

LAB 27.31, 31.64, -29.4

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 0 / 58 / 50 / 37

HEX #A14350

RGB 161 67 80

HSL 351.7, 0.41%, 0.45%

LAB 41.49, 40.16, 12.05

 

CMYK 58 / 0 / 43 / 37

HEX #43A15C

RGB 67 161 92

HSL 135.96, 0.41%, 0.45%

LAB 59.39, -43.31, 27.79

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 0 / 19 / 58 / 37

HEX #A18243

RGB 161 130 67

HSL 40.21, 0.41%, 0.45%

LAB 56.04, 4.18, 38.11

 

CMYK 58 / 0 / 19 / 37

HEX #43A182

RGB 67 161 130

HSL 160.21, 0.41%, 0.45%

LAB 60.15, -35.44, 7.9

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 0 / 58 / 50 / 37

HEX #A14350

RGB 161 67 80

HSL 351.7, 0.41%, 0.45%

LAB 41.49, 40.16, 12.05

 

CMYK 39 / 0 / 58 / 37

HEX #63A143

RGB 99 161 67

HSL 99.57, 0.41%, 0.45%

LAB 60.38, -37.37, 41.99

 

CMYK 58 / 0 / 7 / 37

HEX #43A195

RGB 67 161 149

HSL 172.34, 0.41%, 0.45%

LAB 60.65, -30.62, -2.08

 

CMYK 19 / 58 / 0 / 37

HEX #8243A1

RGB 130 67 161

HSL 280.21, 0.41%, 0.45%

LAB 40.14, 43.27, -40.19

 

CMYK 0 / 48 / 58 / 37

HEX #A15343

RGB 161 83 67

HSL 10.21, 0.41%, 0.45%

LAB 44.47, 30.68, 23.94

 

CMYK 39 / 0 / 58 / 37

HEX #63A143

RGB 99 161 67

HSL 99.57, 0.41%, 0.45%

LAB 60.38, -37.37, 41.99

 

CMYK 58 / 9 / 0 / 37

HEX #4392A1

RGB 67 146 161

HSL 189.57, 0.41%, 0.45%

LAB 56.41, -19.63, -15.23

 

Description

Color code: CMYK 19 / 58 / 0 / 37 | qconv.com Color code: CMYK 19 / 58 / 0 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 67 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 67 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 58 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 58% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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