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Color name
HEX #6BD714

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BD714 it is the complementary color #9428EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BD714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BD714 shade: #70D70F, #81E922, #92FB35, #A3FF48 and #B4FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BD714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BD714 shade: #6BD714, #5AC501, #49B300, #38A100 and #278F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BD714 shade: #6BD714, #9FD714, #D4D714, #D7A514 and #D77014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BD714 shade: #6BD714, #36D714, #14D726, #14D75B and #14D78F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BD714 shade matches the following richer shades: #6BD714 and #69EA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BD714 shade: #6BD714, #6DC427, #6FB13A, #719E4D and #738B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BD714 shade: #D3D714, #9FD714, #6CD714, #38D714 and #14D724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BD714 shade: #458B0D, #58B110, #6BD714, #7FEB29 and #96EF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BD714 shade: #6BD714, #14D7A6 and #D714B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BD714 shade: #6BD714, #146CD7 and #D7146C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BD714 shade: #6BD714, #14D7A6, #7F14D7 and #D71445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BD714 shade: #6BD714, #14CDD7, #7F14D7 and #D71E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

Complementary color

CMYK 37 / 83 / 0 / 8

HEX #9428EB

RGB 148 40 235

HSL 273.23, 0.83%, 0.54%

LAB 43.96, 74.11, -76.93

 

CMYK 48 / 0 / 93 / 16

HEX #70D70F

RGB 112 215 15

HSL 90.9, 0.87%, 0.45%

LAB 77.33, -57.85, 74.22

 

CMYK 45 / 0 / 85 / 9

HEX #81E922

RGB 129 233 34

HSL 91.36, 0.82%, 0.52%

LAB 83.47, -58.88, 76.54

 

CMYK 42 / 0 / 79 / 2

HEX #92FB35

RGB 146 251 53

HSL 91.82, 0.96%, 0.6%

LAB 89.56, -59.64, 77.72

 

CMYK 36 / 0 / 72 / 0

HEX #A3FF48

RGB 163 255 72

HSL 90.16, 1%, 0.64%

LAB 91.58, -54.69, 74.15

 

CMYK 29 / 0 / 64 / 0

HEX #B4FF5B

RGB 180 255 91

HSL 87.44, 1%, 0.68%

LAB 92.57, -47.62, 68.51

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 54 / 0 / 99 / 23

HEX #5AC501

RGB 90 197 1

HSL 92.76, 0.99%, 0.39%

LAB 70.95, -57.91, 70.24

 

CMYK 59 / 0 / 100 / 30

HEX #49B300

RGB 73 179 0

HSL 95.53, 1%, 0.35%

LAB 64.69, -56.12, 65.18

 

CMYK 65 / 0 / 100 / 37

HEX #38A100

RGB 56 161 0

HSL 99.13, 1%, 0.32%

LAB 58.35, -54.07, 59.95

 

CMYK 73 / 0 / 100 / 44

HEX #278F00

RGB 39 143 0

HSL 103.64, 1%, 0.28%

LAB 51.92, -51.65, 54.67

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 26 / 0 / 91 / 16

HEX #9FD714

RGB 159 215 20

HSL 77.23, 0.83%, 0.46%

LAB 79.63, -41.51, 76.37

 

CMYK 1 / 0 / 91 / 16

HEX #D4D714

RGB 212 215 20

HSL 60.92, 0.83%, 0.46%

LAB 83.26, -20, 80.79

 

CMYK 0 / 23 / 91 / 16

HEX #D7A514

RGB 215 165 20

HSL 44.62, 0.83%, 0.46%

LAB 70.46, 6.97, 71.06

 

CMYK 0 / 48 / 91 / 16

HEX #D77014

RGB 215 112 20

HSL 28.31, 0.83%, 0.46%

LAB 58.12, 35.27, 61.82

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 75 / 0 / 91 / 16

HEX #36D714

RGB 54 215 20

HSL 109.54, 0.83%, 0.46%

LAB 75.72, -70.99, 71.55

 

CMYK 91 / 0 / 82 / 16

HEX #14D726

RGB 20 215 38

HSL 125.54, 0.83%, 0.46%

LAB 75.38, -73.79, 67.45

 

CMYK 91 / 0 / 58 / 16

HEX #14D75B

RGB 20 215 91

HSL 141.85, 0.83%, 0.46%

LAB 75.76, -68.99, 48.33

 

CMYK 91 / 0 / 33 / 16

HEX #14D78F

RGB 20 215 143

HSL 157.85, 0.83%, 0.46%

LAB 76.52, -60.07, 23.53

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 55 / 0 / 100 / 8

HEX #69EA01

RGB 105 234 1

HSL 93.22, 0.99%, 0.46%

LAB 82.83, -66.76, 79.84

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 44 / 0 / 80 / 23

HEX #6DC427

RGB 109 196 39

HSL 93.25, 0.67%, 0.46%

LAB 71.47, -50.75, 64.33

 

CMYK 37 / 0 / 67 / 31

HEX #6FB13A

RGB 111 177 58

HSL 93.28, 0.51%, 0.46%

LAB 65.85, -41.03, 52.2

 

CMYK 28 / 0 / 51 / 38

HEX #719E4D

RGB 113 158 77

HSL 93.33, 0.34%, 0.46%

LAB 60.34, -29.79, 37.22

 

CMYK 17 / 0 / 31 / 45

HEX #738B60

RGB 115 139 96

HSL 93.49, 0.18%, 0.46%

LAB 55.03, -16.83, 20.26

 

CMYK 2 / 0 / 91 / 16

HEX #D3D714

RGB 211 215 20

HSL 61.23, 0.83%, 0.46%

LAB 83.18, -20.42, 80.7

 

CMYK 26 / 0 / 91 / 16

HEX #9FD714

RGB 159 215 20

HSL 77.23, 0.83%, 0.46%

LAB 79.63, -41.51, 76.37

 

CMYK 50 / 0 / 91 / 16

HEX #6CD714

RGB 108 215 20

HSL 92.92, 0.83%, 0.46%

LAB 77.18, -58.93, 73.37

 

CMYK 74 / 0 / 91 / 16

HEX #38D714

RGB 56 215 20

HSL 108.92, 0.83%, 0.46%

LAB 75.76, -70.69, 71.59

 

CMYK 91 / 0 / 83 / 16

HEX #14D724

RGB 20 215 36

HSL 124.92, 0.83%, 0.46%

LAB 75.37, -73.89, 67.94

 

CMYK 50 / 0 / 91 / 45

HEX #458B0D

RGB 69 139 13

HSL 93.33, 0.83%, 0.3%

LAB 51.56, -42.08, 52.45

 

CMYK 50 / 0 / 91 / 31

HEX #58B110

RGB 88 177 16

HSL 93.17, 0.83%, 0.38%

LAB 64.61, -50.85, 63.21

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 46 / 0 / 83 / 8

HEX #7FEB29

RGB 127 235 41

HSL 93.4, 0.83%, 0.54%

LAB 84.01, -59.98, 75.44

 

CMYK 37 / 0 / 67 / 6

HEX #96EF4F

RGB 150 239 79

HSL 93.38, 0.83%, 0.62%

LAB 86.4, -52.08, 66.15

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 91 / 0 / 23 / 16

HEX #14D7A6

RGB 20 215 166

HSL 164.92, 0.83%, 0.46%

LAB 76.98, -54.88, 12.05

 

CMYK 0 / 91 / 14 / 16

HEX #D714B9

RGB 215 20 185

HSL 309.23, 0.83%, 0.46%

LAB 50.04, 80.54, -37.84

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 91 / 50 / 0 / 16

HEX #146CD7

RGB 20 108 215

HSL 212.92, 0.83%, 0.46%

LAB 46.68, 16.5, -61.52

 

CMYK 0 / 91 / 50 / 16

HEX #D7146C

RGB 215 20 108

HSL 332.92, 0.83%, 0.46%

LAB 47.01, 72.49, 3.88

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 91 / 0 / 23 / 16

HEX #14D7A6

RGB 20 215 166

HSL 164.92, 0.83%, 0.46%

LAB 76.98, -54.88, 12.05

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 91 / 68 / 16

HEX #D71445

RGB 215 20 69

HSL 344.92, 0.83%, 0.46%

LAB 46.15, 70.08, 26.83

 

CMYK 50 / 0 / 91 / 16

HEX #6BD714

RGB 107 215 20

HSL 93.23, 0.83%, 0.46%

LAB 77.15, -59.22, 73.32

 

CMYK 91 / 5 / 0 / 16

HEX #14CDD7

RGB 20 205 215

HSL 183.08, 0.83%, 0.46%

LAB 75.28, -37.16, -16.78

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 86 / 91 / 16

HEX #D71E14

RGB 215 30 20

HSL 3.08, 0.83%, 0.46%

LAB 46.21, 66.95, 53.36

 

Description

Color code: HEX #6BD714 | qconv.com Color code: HEX #6BD714 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 215 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 215 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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