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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 20 215 it is the complementary color RGB 128 235 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 20 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 20 215 shade: RGB 132 20 210, RGB 149 38 229, RGB 166 56 248, RGB 183 74 255 and RGB 200 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 20 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 110 2 196, RGB 93 0 177, RGB 76 0 158 and RGB 59 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 179 20 215, RGB 215 20 198, RGB 215 20 145 and RGB 215 20 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 74 20 215, RGB 22 20 215 and RGB 20 20 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 20 215 shade matches the following richer shades: RGB 127 20 215 and RGB 129 1 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 125 39 196, RGB 123 58 177, RGB 121 77 158 and RGB 119 96 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 20 215 shade: RGB 20 20 215, RGB 72 20 215, RGB 124 20 215, RGB 176 20 215 and RGB 215 20 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 20 215 shade: RGB 82 13 139, RGB 104 16 177, RGB 127 20 215, RGB 147 41 235 and RGB 166 79 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 215 20 72 and RGB 20 215 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 215 124 20 and RGB 20 215 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 215 20 72, RGB 111 215 20 and RGB 20 215 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 20 215 shade: RGB 127 20 215, RGB 215 26 20, RGB 111 215 20 and RGB 20 208 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

Complementary color

CMYK 46 / 0 / 83 / 8

HEX #80EB28

RGB 128 235 40

HSL 92.92, 0.83%, 0.54%

LAB 84.05, -59.72, 75.72

 

CMYK 37 / 90 / 0 / 18

HEX #8414D2

RGB 132 20 210

HSL 275.37, 0.83%, 0.45%

LAB 37.95, 71.64, -72.57

 

CMYK 35 / 83 / 0 / 10

HEX #9526E5

RGB 149 38 229

HSL 274.87, 0.79%, 0.52%

LAB 43.41, 73.55, -74.43

 

CMYK 33 / 77 / 0 / 3

HEX #A638F8

RGB 166 56 248

HSL 274.38, 0.93%, 0.6%

LAB 49.15, 74.43, -75.67

 

CMYK 28 / 71 / 0 / 0

HEX #B74AFF

RGB 183 74 255

HSL 276.13, 1%, 0.65%

LAB 54.22, 72.1, -71.22

 

CMYK 22 / 64 / 0 / 0

HEX #C85CFF

RGB 200 92 255

HSL 279.75, 1%, 0.68%

LAB 59.12, 67.92, -63.22

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 44 / 99 / 0 / 23

HEX #6E02C4

RGB 110 2 196

HSL 273.4, 0.98%, 0.39%

LAB 32.58, 69.06, -73.35

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 52 / 100 / 0 / 38

HEX #4C009E

RGB 76 0 158

HSL 268.86, 1%, 0.31%

LAB 23.69, 58.1, -65.42

 

CMYK 58 / 100 / 0 / 45

HEX #3B008B

RGB 59 0 139

HSL 265.47, 1%, 0.27%

LAB 19.2, 52.37, -61.16

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 17 / 91 / 0 / 16

HEX #B314D7

RGB 179 20 215

HSL 288.92, 0.83%, 0.46%

LAB 45.62, 78.96, -62.63

 

CMYK 0 / 91 / 8 / 16

HEX #D714C6

RGB 215 20 198

HSL 305.23, 0.83%, 0.46%

LAB 50.72, 82.28, -44.32

 

CMYK 0 / 91 / 33 / 16

HEX #D71491

RGB 215 20 145

HSL 321.54, 0.83%, 0.46%

LAB 48.25, 75.85, -16.87

 

CMYK 0 / 91 / 57 / 16

HEX #D7145D

RGB 215 20 93

HSL 337.54, 0.83%, 0.46%

LAB 46.63, 71.43, 12.63

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 66 / 91 / 0 / 16

HEX #4A14D7

RGB 74 20 215

HSL 256.62, 0.83%, 0.46%

LAB 31.49, 67.52, -86.35

 

CMYK 90 / 91 / 0 / 16

HEX #1614D7

RGB 22 20 215

HSL 240.62, 0.83%, 0.46%

LAB 28.32, 65.57, -91.72

 

CMYK 91 / 91 / 0 / 16

HEX #1414D7

RGB 20 20 215

HSL 240, 0.83%, 0.46%

LAB 28.26, 65.53, -91.82

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 45 / 100 / 0 / 8

HEX #8101EA

RGB 129 1 234

HSL 272.96, 0.99%, 0.46%

LAB 38.95, 78.81, -84.7

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 36 / 80 / 0 / 23

HEX #7D27C4

RGB 125 39 196

HSL 272.87, 0.67%, 0.46%

LAB 37.47, 62.61, -65.23

 

CMYK 31 / 67 / 0 / 31

HEX #7B3AB1

RGB 123 58 177

HSL 272.77, 0.51%, 0.46%

LAB 38.57, 49.86, -52.28

 

CMYK 23 / 51 / 0 / 38

HEX #794D9E

RGB 121 77 158

HSL 272.59, 0.34%, 0.46%

LAB 40.96, 34.58, -37.14

 

CMYK 14 / 31 / 0 / 45

HEX #77608B

RGB 119 96 139

HSL 272.09, 0.18%, 0.46%

LAB 44.45, 18.09, -20.32

 

CMYK 91 / 91 / 0 / 16

HEX #1414D7

RGB 20 20 215

HSL 240, 0.83%, 0.46%

LAB 28.26, 65.53, -91.82

 

CMYK 67 / 91 / 0 / 16

HEX #4814D7

RGB 72 20 215

HSL 256, 0.83%, 0.46%

LAB 31.31, 67.4, -86.66

 

CMYK 42 / 91 / 0 / 16

HEX #7C14D7

RGB 124 20 215

HSL 272, 0.83%, 0.46%

LAB 37.28, 71.77, -76.59

 

CMYK 18 / 91 / 0 / 16

HEX #B014D7

RGB 176 20 215

HSL 288, 0.83%, 0.46%

LAB 45.13, 78.51, -63.44

 

CMYK 0 / 91 / 6 / 16

HEX #D714CA

RGB 215 20 202

HSL 304, 0.83%, 0.46%

LAB 50.93, 82.83, -46.29

 

CMYK 41 / 91 / 0 / 45

HEX #520D8B

RGB 82 13 139

HSL 272.86, 0.83%, 0.3%

LAB 23.49, 51.46, -53.97

 

CMYK 41 / 91 / 0 / 31

HEX #6810B1

RGB 104 16 177

HSL 272.8, 0.83%, 0.38%

LAB 30.61, 62.07, -65.36

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 37 / 83 / 0 / 8

HEX #9329EB

RGB 147 41 235

HSL 272.78, 0.83%, 0.54%

LAB 43.93, 73.68, -76.99

 

CMYK 31 / 67 / 0 / 6

HEX #A64FEF

RGB 166 79 239

HSL 272.63, 0.83%, 0.62%

LAB 51.76, 63.23, -66.39

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 91 / 67 / 16

HEX #D71448

RGB 215 20 72

HSL 344, 0.83%, 0.46%

LAB 46.2, 70.22, 25.06

 

CMYK 91 / 0 / 79 / 16

HEX #14D72E

RGB 20 215 46

HSL 128, 0.83%, 0.46%

LAB 75.42, -73.33, 65.29

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 42 / 91 / 16

HEX #D77C14

RGB 215 124 20

HSL 32, 0.83%, 0.46%

LAB 60.7, 28.98, 63.73

 

CMYK 91 / 0 / 42 / 16

HEX #14D77C

RGB 20 215 124

HSL 152, 0.83%, 0.46%

LAB 76.19, -63.8, 32.89

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 91 / 67 / 16

HEX #D71448

RGB 215 20 72

HSL 344, 0.83%, 0.46%

LAB 46.2, 70.22, 25.06

 

CMYK 48 / 0 / 91 / 16

HEX #6FD714

RGB 111 215 20

HSL 92, 0.83%, 0.46%

LAB 77.3, -58.04, 73.51

 

CMYK 91 / 0 / 24 / 16

HEX #14D7A3

RGB 20 215 163

HSL 164, 0.83%, 0.46%

LAB 76.92, -55.59, 13.55

 

CMYK 41 / 91 / 0 / 16

HEX #7F14D7

RGB 127 20 215

HSL 272.92, 0.83%, 0.46%

LAB 37.7, 72.1, -75.89

 

CMYK 0 / 88 / 91 / 16

HEX #D71A14

RGB 215 26 20

HSL 1.85, 0.83%, 0.46%

LAB 45.96, 67.69, 53.19

 

CMYK 48 / 0 / 91 / 16

HEX #6FD714

RGB 111 215 20

HSL 92, 0.83%, 0.46%

LAB 77.3, -58.04, 73.51

 

CMYK 91 / 3 / 0 / 16

HEX #14D0D7

RGB 20 208 215

HSL 182.15, 0.83%, 0.46%

LAB 76.17, -38.53, -15.42

 

Description

Color code: RGB 127 20 215 | qconv.com Color code: RGB 127 20 215 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 20 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 20 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 91 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 91% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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