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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BBBC8 it is the complementary color #944437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BBBC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6BBBC8: #70BBC3, #81CDD6, #92DFE9, #A3F1FC and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BBBC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6BBBC8: #6BBBC8, #5AA9B5, #4997A2, #38858F and #27737C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

Complementary color

CMYK 0 / 54 / 63 / 42

HEX #944437

RGB 148 68 55

HSL 8.39, 0.46%, 0.4%

LAB 39.08, 32.6, 23.87

 

CMYK 43 / 4 / 0 / 24

HEX #70BBC3

RGB 112 187 195

HSL 185.78, 0.41%, 0.6%

LAB 71.5, -21.19, -11.36

 

CMYK 40 / 4 / 0 / 16

HEX #81CDD6

RGB 129 205 214

HSL 186.35, 0.51%, 0.67%

LAB 77.98, -21.2, -11.89

 

CMYK 37 / 4 / 0 / 9

HEX #92DFE9

RGB 146 223 233

HSL 186.9, 0.66%, 0.74%

LAB 84.36, -21.19, -12.4

 

CMYK 35 / 4 / 0 / 1

HEX #A3F1FC

RGB 163 241 252

HSL 187.42, 0.94%, 0.81%

LAB 90.65, -21.18, -12.9

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 50 / 7 / 0 / 29

HEX #5AA9B5

RGB 90 169 181

HSL 187.91, 0.38%, 0.53%

LAB 64.87, -20.94, -13.67

 

CMYK 55 / 7 / 0 / 36

HEX #4997A2

RGB 73 151 162

HSL 187.42, 0.38%, 0.46%

LAB 58.19, -20.72, -13.1

 

CMYK 61 / 7 / 0 / 44

HEX #38858F

RGB 56 133 143

HSL 186.9, 0.44%, 0.39%

LAB 51.38, -20.37, -12.48

 

CMYK 69 / 7 / 0 / 51

HEX #27737C

RGB 39 115 124

HSL 186.35, 0.52%, 0.32%

LAB 44.44, -19.82, -11.78

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 47 / 14 / 0 / 22

HEX #6AABC7

RGB 106 171 199

HSL 198.06, 0.45%, 0.6%

LAB 66.76, -13.23, -20.75

 

CMYK 47 / 22 / 0 / 22

HEX #6A9CC7

RGB 106 156 199

HSL 207.74, 0.45%, 0.6%

LAB 62.48, -5.02, -27.31

 

CMYK 47 / 30 / 0 / 22

HEX #6A8CC7

RGB 106 140 199

HSL 218.06, 0.45%, 0.6%

LAB 57.98, 4.14, -34.28

 

CMYK 47 / 38 / 0 / 22

HEX #6A7CC7

RGB 106 124 199

HSL 228.39, 0.45%, 0.6%

LAB 53.6, 13.63, -41.15

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 47 / 6 / 0 / 2

HEX #86EBFB

RGB 134 235 251

HSL 188.21, 0.94%, 0.75%

LAB 87.7, -25.47, -16.93

 

CMYK 47 / 6 / 0 / 82

HEX #192C2F

RGB 25 44 47

HSL 188.18, 0.31%, 0.14%

LAB 16.57, -6.75, -4.39

 

CMYK 47 / 6 / 0 / 62

HEX #345C62

RGB 52 92 98

HSL 187.83, 0.31%, 0.29%

LAB 36.49, -12.3, -7.86

 

CMYK 46 / 7 / 0 / 42

HEX #508B95

RGB 80 139 149

HSL 188.7, 0.3%, 0.45%

LAB 54.39, -16.44, -11.34

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 31 / 47 / 0 / 22

HEX #896AC7

RGB 137 106 199

HSL 260, 0.45%, 0.6%

LAB 51.55, 32.48, -44.23

 

CMYK 0 / 13 / 47 / 22

HEX #C7AE6A

RGB 199 174 106

HSL 43.87, 0.45%, 0.6%

LAB 71.86, -0.04, 38.09

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 0 / 47 / 6 / 22

HEX #C76ABB

RGB 199 106 187

HSL 307.74, 0.45%, 0.6%

LAB 58.07, 48.01, -26.64

 

CMYK 6 / 0 / 47 / 22

HEX #BBC76A

RGB 187 199 106

HSL 67.74, 0.45%, 0.6%

LAB 77.55, -17.86, 44.89

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 31 / 47 / 0 / 22

HEX #896AC7

RGB 137 106 199

HSL 260, 0.45%, 0.6%

LAB 51.55, 32.48, -44.23

 

CMYK 0 / 41 / 47 / 22

HEX #C7766A

RGB 199 118 106

HSL 7.74, 0.45%, 0.6%

LAB 58.17, 30.42, 20.27

 

CMYK 16 / 0 / 47 / 22

HEX #A8C76A

RGB 168 199 106

HSL 80, 0.45%, 0.6%

LAB 76.2, -25.32, 42.93

 

CMYK 47 / 7 / 0 / 22

HEX #6BBBC8

RGB 107 187 200

HSL 188.39, 0.46%, 0.6%

LAB 71.44, -21.08, -14.2

 

CMYK 17 / 47 / 0 / 22

HEX #A56AC7

RGB 165 106 199

HSL 278.06, 0.45%, 0.6%

LAB 54.48, 40.3, -39.41

 

CMYK 0 / 41 / 47 / 22

HEX #C7766A

RGB 199 118 106

HSL 7.74, 0.45%, 0.6%

LAB 58.17, 30.42, 20.27

 

CMYK 30 / 0 / 47 / 22

HEX #8CC76A

RGB 140 199 106

HSL 98.06, 0.45%, 0.6%

LAB 74.48, -35.64, 40.43

 

Description

Color code: HEX #6BBBC8 | qconv.com Color code: HEX #6BBBC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 187 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 187 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 7 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 7% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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