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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BB55E it is the complementary color #944AA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BB55E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6BB55E: #70B559, #81C76C, #92D97F, #A3EB92 and #B4FDA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BB55E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6BB55E: #6BB55E, #5AA34B, #499138, #387F25 and #276D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

Complementary color

CMYK 8 / 54 / 0 / 37

HEX #944AA1

RGB 148 74 161

HSL 291.03, 0.37%, 0.46%

LAB 43.9, 44.55, -34.08

 

CMYK 38 / 0 / 51 / 29

HEX #70B559

RGB 112 181 89

HSL 105, 0.38%, 0.53%

LAB 67.44, -39.24, 39.84

 

CMYK 35 / 0 / 46 / 22

HEX #81C76C

RGB 129 199 108

HSL 106.15, 0.45%, 0.6%

LAB 73.93, -39.13, 38.62

 

CMYK 33 / 0 / 41 / 15

HEX #92D97F

RGB 146 217 127

HSL 107.33, 0.54%, 0.67%

LAB 80.33, -38.98, 37.41

 

CMYK 31 / 0 / 38 / 8

HEX #A3EB92

RGB 163 235 146

HSL 108.54, 0.69%, 0.75%

LAB 86.64, -38.79, 36.24

 

CMYK 29 / 0 / 35 / 1

HEX #B4FDA5

RGB 180 253 165

HSL 109.77, 0.96%, 0.82%

LAB 92.87, -38.59, 35.12

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 45 / 0 / 54 / 36

HEX #5AA34B

RGB 90 163 75

HSL 109.77, 0.37%, 0.47%

LAB 60.67, -40.28, 38.34

 

CMYK 50 / 0 / 61 / 43

HEX #499138

RGB 73 145 56

HSL 108.54, 0.44%, 0.39%

LAB 53.98, -40.19, 39.54

 

CMYK 56 / 0 / 71 / 50

HEX #387F25

RGB 56 127 37

HSL 107.33, 0.55%, 0.32%

LAB 47.17, -39.82, 40.47

 

CMYK 64 / 0 / 83 / 57

HEX #276D12

RGB 39 109 18

HSL 106.15, 0.72%, 0.25%

LAB 40.27, -38.96, 40.65

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55F

RGB 94 181 95

HSL 120.69, 0.37%, 0.54%

LAB 66.71, -44.02, 35.76

 

CMYK 48 / 0 / 39 / 29

HEX #5EB56E

RGB 94 181 110

HSL 131.03, 0.37%, 0.54%

LAB 66.94, -41.67, 28.29

 

CMYK 48 / 0 / 31 / 29

HEX #5EB57C

RGB 94 181 124

HSL 140.69, 0.37%, 0.54%

LAB 67.19, -39.16, 21.15

 

CMYK 48 / 0 / 23 / 29

HEX #5EB58B

RGB 94 181 139

HSL 151.03, 0.37%, 0.54%

LAB 67.5, -36.15, 13.43

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 41 / 0 / 48 / 9

HEX #89E878

RGB 137 232 120

HSL 110.89, 0.71%, 0.69%

LAB 84.17, -49.22, 45.59

 

CMYK 39 / 0 / 46 / 89

HEX #111C0F

RGB 17 28 15

HSL 110.77, 0.3%, 0.08%

LAB 8.86, -8.17, 6.64

 

CMYK 41 / 0 / 48 / 69

HEX #2F4F29

RGB 47 79 41

HSL 110.53, 0.32%, 0.24%

LAB 30.29, -20.44, 18.78

 

CMYK 41 / 0 / 48 / 49

HEX #4D8244

RGB 77 130 68

HSL 111.29, 0.31%, 0.39%

LAB 49.45, -30.67, 28.05

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 48 / 3 / 0 / 29

HEX #5EB0B5

RGB 94 176 181

HSL 183.45, 0.37%, 0.54%

LAB 67.1, -23.61, -10.31

 

CMYK 0 / 48 / 22 / 29

HEX #B55E8E

RGB 181 94 142

HSL 326.9, 0.37%, 0.54%

LAB 51.59, 41.12, -10.55

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 48 / 41 / 0 / 29

HEX #5E6BB5

RGB 94 107 181

HSL 231.03, 0.37%, 0.54%

LAB 47.28, 15.52, -40.85

 

CMYK 0 / 48 / 41 / 29

HEX #B55E6B

RGB 181 94 107

HSL 351.03, 0.37%, 0.54%

LAB 50.56, 36.48, 8.78

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 48 / 3 / 0 / 29

HEX #5EB0B5

RGB 94 176 181

HSL 183.45, 0.37%, 0.54%

LAB 67.1, -23.61, -10.31

 

CMYK 7 / 48 / 0 / 29

HEX #A85EB5

RGB 168 94 181

HSL 291.03, 0.37%, 0.54%

LAB 51.46, 43.86, -33.78

 

CMYK 0 / 46 / 48 / 29

HEX #B5625E

RGB 181 98 94

HSL 2.76, 0.37%, 0.54%

LAB 51.11, 32.96, 17.27

 

CMYK 41 / 0 / 48 / 29

HEX #6BB55E

RGB 107 181 94

HSL 111.03, 0.37%, 0.54%

LAB 67.26, -40.22, 37.08

 

CMYK 48 / 17 / 0 / 29

HEX #5E96B5

RGB 94 150 181

HSL 201.38, 0.37%, 0.54%

LAB 59.46, -9.83, -21.87

 

CMYK 7 / 48 / 0 / 29

HEX #A85EB5

RGB 168 94 181

HSL 291.03, 0.37%, 0.54%

LAB 51.46, 43.86, -33.78

 

CMYK 0 / 31 / 48 / 29

HEX #B57C5E

RGB 181 124 94

HSL 20.69, 0.37%, 0.54%

LAB 57.12, 18.64, 25.29

 

Description

Color code: HEX #6BB55E | qconv.com Color code: HEX #6BB55E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 181 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 181 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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