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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B69CD it is the complementary color #949632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B69CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B69CD shade: #7069C8, #817BDB, #928DEE, #A39FFF and #B4B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B69CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B69CD shade: #6B69CD, #5A57BA, #4945A7, #383394 and #272181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B69CD shade: #6B69CD, #8669CD, #A169CD, #BC69CD and #CD69C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B69CD shade: #6B69CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B69CD shade matches the following richer shades: #6B69CD, #5C59DD, #4C49ED and #3D39FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B69CD shade: #6B69CD, #7B79BD, #8A8AAD, #9A9A9D and #A9AA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B69CD shade: #699DCD, #6982CD, #6B69CD, #8669CD and #A069CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B69CD shade: #3B39AB, #4D4AC2, #6B69CD, #8A88D7 and #A8A7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B69CD shade: #6B69CD, #CD69B7 and #8FCD69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B69CD shade: #6B69CD, #CD6B69 and #69CD6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B69CD shade: #6B69CD, #CD69B7, #CBCD69 and #69CD7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B69CD shade: #6B69CD, #CD6999, #CBCD69 and #69CD9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

Complementary color

CMYK 1 / 0 / 67 / 41

HEX #949632

RGB 148 150 50

HSL 61.2, 0.5%, 0.39%

LAB 60.19, -13.74, 50.35

 

CMYK 44 / 48 / 0 / 22

HEX #7069C8

RGB 112 105 200

HSL 244.42, 0.46%, 0.6%

LAB 49.15, 26.9, -48.76

 

CMYK 41 / 44 / 0 / 14

HEX #817BDB

RGB 129 123 219

HSL 243.75, 0.57%, 0.67%

LAB 56.04, 25.81, -48.51

 

CMYK 39 / 41 / 0 / 7

HEX #928DEE

RGB 146 141 238

HSL 243.09, 0.74%, 0.74%

LAB 62.79, 24.86, -48.31

 

CMYK 36 / 38 / 0 / 0

HEX #A39FFF

RGB 163 159 255

HSL 242.5, 1%, 0.81%

LAB 69.33, 23.49, -47.22

 

CMYK 29 / 31 / 0 / 0

HEX #B4B1FF

RGB 180 177 255

HSL 242.31, 1%, 0.85%

LAB 75.06, 18.01, -38.17

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 52 / 53 / 0 / 27

HEX #5A57BA

RGB 90 87 186

HSL 241.82, 0.42%, 0.54%

LAB 42.05, 28.62, -52.13

 

CMYK 56 / 59 / 0 / 35

HEX #4945A7

RGB 73 69 167

HSL 242.45, 0.42%, 0.46%

LAB 34.93, 30.27, -52.47

 

CMYK 62 / 66 / 0 / 42

HEX #383394

RGB 56 51 148

HSL 243.09, 0.49%, 0.39%

LAB 27.7, 32.21, -52.77

 

CMYK 70 / 74 / 0 / 49

HEX #272181

RGB 39 33 129

HSL 243.75, 0.59%, 0.32%

LAB 20.46, 34.4, -52.86

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 35 / 49 / 0 / 20

HEX #8669CD

RGB 134 105 205

HSL 257.4, 0.5%, 0.61%

LAB 51.36, 33.83, -47.99

 

CMYK 21 / 49 / 0 / 20

HEX #A169CD

RGB 161 105 205

HSL 273.6, 0.5%, 0.61%

LAB 54.12, 41.07, -43.43

 

CMYK 8 / 49 / 0 / 20

HEX #BC69CD

RGB 188 105 205

HSL 289.8, 0.5%, 0.61%

LAB 57.27, 48.63, -38.26

 

CMYK 0 / 49 / 5 / 20

HEX #CD69C3

RGB 205 105 195

HSL 306, 0.5%, 0.61%

LAB 59, 51.69, -29.72

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 58 / 60 / 0 / 13

HEX #5C59DD

RGB 92 89 221

HSL 241.36, 0.66%, 0.61%

LAB 45.14, 38.92, -67.31

 

CMYK 68 / 69 / 0 / 7

HEX #4C49ED

RGB 76 73 237

HSL 241.1, 0.82%, 0.61%

LAB 41.87, 51.14, -81.76

 

CMYK 76 / 77 / 0 / 1

HEX #3D39FD

RGB 61 57 253

HSL 241.22, 0.98%, 0.61%

LAB 39.6, 63.19, -94.54

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 35 / 36 / 0 / 26

HEX #7B79BD

RGB 123 121 189

HSL 241.76, 0.34%, 0.61%

LAB 53.56, 17.05, -35.43

 

CMYK 20 / 20 / 0 / 32

HEX #8A8AAD

RGB 138 138 173

HSL 240, 0.18%, 0.61%

LAB 58.6, 7.59, -18.39

 

CMYK 2 / 2 / 0 / 38

HEX #9A9A9D

RGB 154 154 157

HSL 240, 0.02%, 0.61%

LAB 63.68, 0.59, -1.58

 

CMYK 1 / 0 / 18 / 33

HEX #A9AA8C

RGB 169 170 140

HSL 62, 0.15%, 0.61%

LAB 68.81, -5.57, 15.38

 

CMYK 49 / 23 / 0 / 20

HEX #699DCD

RGB 105 157 205

HSL 208.8, 0.5%, 0.61%

LAB 62.95, -4.07, -29.94

 

CMYK 49 / 37 / 0 / 20

HEX #6982CD

RGB 105 130 205

HSL 225, 0.5%, 0.61%

LAB 55.46, 11.61, -41.64

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 35 / 49 / 0 / 20

HEX #8669CD

RGB 134 105 205

HSL 257.4, 0.5%, 0.61%

LAB 51.36, 33.83, -47.99

 

CMYK 22 / 49 / 0 / 20

HEX #A069CD

RGB 160 105 205

HSL 273, 0.5%, 0.61%

LAB 54.01, 40.8, -43.62

 

CMYK 65 / 67 / 0 / 33

HEX #3B39AB

RGB 59 57 171

HSL 241.05, 0.5%, 0.45%

LAB 31.34, 36.76, -60.76

 

CMYK 60 / 62 / 0 / 24

HEX #4D4AC2

RGB 77 74 194

HSL 241.5, 0.5%, 0.53%

LAB 38.5, 36.77, -62.6

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 25 / 26 / 0 / 12

HEX #A8A7E1

RGB 168 167 225

HSL 241.03, 0.49%, 0.77%

LAB 70.45, 12.84, -29.07

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 49 / 11 / 20

HEX #CD69B7

RGB 205 105 183

HSL 313.2, 0.5%, 0.61%

LAB 58.51, 49.67, -23.61

 

CMYK 30 / 0 / 49 / 20

HEX #8FCD69

RGB 143 205 105

HSL 97.2, 0.5%, 0.61%

LAB 76.39, -37.44, 43.31

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 48 / 49 / 20

HEX #CD6B69

RGB 205 107 105

HSL 1.2, 0.5%, 0.61%

LAB 56.6, 38.44, 18.85

 

CMYK 49 / 0 / 48 / 20

HEX #69CD6B

RGB 105 205 107

HSL 121.2, 0.5%, 0.61%

LAB 74.65, -49.14, 39.79

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 49 / 11 / 20

HEX #CD69B7

RGB 205 105 183

HSL 313.2, 0.5%, 0.61%

LAB 58.51, 49.67, -23.61

 

CMYK 1 / 0 / 49 / 20

HEX #CBCD69

RGB 203 205 105

HSL 61.2, 0.5%, 0.61%

LAB 80.39, -14.54, 49.09

 

CMYK 49 / 0 / 38 / 20

HEX #69CD7F

RGB 105 205 127

HSL 133.2, 0.5%, 0.61%

LAB 74.95, -46.06, 30.05

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 49 / 25 / 20

HEX #CD6999

RGB 205 105 153

HSL 331.2, 0.5%, 0.61%

LAB 57.45, 45.11, -7.9

 

CMYK 1 / 0 / 49 / 20

HEX #CBCD69

RGB 203 205 105

HSL 61.2, 0.5%, 0.61%

LAB 80.39, -14.54, 49.09

 

CMYK 49 / 0 / 23 / 20

HEX #69CD9D

RGB 105 205 157

HSL 151.2, 0.5%, 0.61%

LAB 75.51, -40.42, 15.02

 

Description

Color code: HEX #6B69CD | qconv.com Color code: HEX #6B69CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 105 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 105 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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