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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 136 215 it is the complementary color RGB 117 119 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 136 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 136 215 shade: RGB 143 136 210, RGB 160 154 229, RGB 177 172 248, RGB 194 190 255 and RGB 211 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 136 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 121 118 196, RGB 104 100 177, RGB 87 82 158 and RGB 70 64 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 159 136 215, RGB 181 136 215, RGB 202 136 215 and RGB 215 136 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 136 215 shade: RGB 138 136 215 and RGB 136 136 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 136 215 shade matches the following richer shades: RGB 138 136 215, RGB 126 123 228, RGB 114 110 241 and RGB 102 98 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 150 149 202, RGB 162 162 189, RGB 174 174 177 and RGB 186 187 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 136 215 shade: RGB 136 177 215, RGB 136 156 215, RGB 137 136 215, RGB 158 136 215 and RGB 179 136 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 136 215 shade: RGB 77 74 194, RGB 108 105 205, RGB 138 136 215, RGB 168 167 225 and RGB 199 198 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 215 136 198 and RGB 166 215 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 215 137 136 and RGB 136 215 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 215 136 198, RGB 214 215 136 and RGB 136 215 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 136 215 shade: RGB 138 136 215, RGB 215 136 174, RGB 214 215 136 and RGB 136 215 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

Complementary color

CMYK 2 / 0 / 66 / 53

HEX #757728

RGB 117 119 40

HSL 61.52, 0.5%, 0.31%

LAB 48.42, -11.65, 41.62

 

CMYK 32 / 35 / 0 / 18

HEX #8F88D2

RGB 143 136 210

HSL 245.68, 0.45%, 0.68%

LAB 59.98, 19.48, -37.16

 

CMYK 30 / 33 / 0 / 10

HEX #A09AE5

RGB 160 154 229

HSL 244.8, 0.59%, 0.75%

LAB 66.7, 18.82, -37.13

 

CMYK 29 / 31 / 0 / 3

HEX #B1ACF8

RGB 177 172 248

HSL 243.95, 0.84%, 0.82%

LAB 73.3, 18.23, -37.13

 

CMYK 24 / 25 / 0 / 0

HEX #C2BEFF

RGB 194 190 255

HSL 243.69, 1%, 0.87%

LAB 79.34, 14.89, -31.46

 

CMYK 17 / 18 / 0 / 0

HEX #D3D0FF

RGB 211 208 255

HSL 243.83, 1%, 0.91%

LAB 85.09, 10.3, -22.56

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 38 / 40 / 0 / 23

HEX #7976C4

RGB 121 118 196

HSL 242.31, 0.4%, 0.62%

LAB 52.96, 20.23, -40.39

 

CMYK 41 / 44 / 0 / 31

HEX #6864B1

RGB 104 100 177

HSL 243.12, 0.33%, 0.54%

LAB 45.95, 21.18, -40.58

 

CMYK 45 / 48 / 0 / 38

HEX #57529E

RGB 87 82 158

HSL 243.95, 0.32%, 0.47%

LAB 38.78, 22.3, -40.83

 

CMYK 50 / 54 / 0 / 45

HEX #46408B

RGB 70 64 139

HSL 244.8, 0.37%, 0.4%

LAB 31.42, 23.65, -41.14

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 26 / 37 / 0 / 16

HEX #9F88D7

RGB 159 136 215

HSL 257.47, 0.5%, 0.69%

LAB 61.56, 25.34, -37.4

 

CMYK 16 / 37 / 0 / 16

HEX #B588D7

RGB 181 136 215

HSL 274.18, 0.5%, 0.69%

LAB 63.62, 31.89, -34.02

 

CMYK 6 / 37 / 0 / 16

HEX #CA88D7

RGB 202 136 215

HSL 290.13, 0.5%, 0.69%

LAB 65.8, 38.32, -30.47

 

CMYK 0 / 37 / 4 / 16

HEX #D788CF

RGB 215 136 207

HSL 306.08, 0.5%, 0.69%

LAB 66.95, 40.9, -24.13

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 37 / 37 / 0 / 16

HEX #8888D7

RGB 136 136 215

HSL 240, 0.5%, 0.69%

LAB 59.66, 18.87, -40.5

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 45 / 46 / 0 / 11

HEX #7E7BE4

RGB 126 123 228

HSL 241.71, 0.66%, 0.69%

LAB 56.29, 27.66, -53.17

 

CMYK 53 / 54 / 0 / 5

HEX #726EF1

RGB 114 110 241

HSL 241.83, 0.82%, 0.69%

LAB 53.04, 36.67, -65.7

 

CMYK 60 / 61 / 0 / 1

HEX #6662FD

RGB 102 98 253

HSL 241.55, 0.97%, 0.69%

LAB 50.28, 45.33, -76.89

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 26 / 26 / 0 / 21

HEX #9695CA

RGB 150 149 202

HSL 241.13, 0.33%, 0.69%

LAB 63.54, 12.03, -27.11

 

CMYK 14 / 14 / 0 / 26

HEX #A2A2BD

RGB 162 162 189

HSL 240, 0.17%, 0.69%

LAB 67.42, 5.52, -13.86

 

CMYK 2 / 2 / 0 / 31

HEX #AEAEB1

RGB 174 174 177

HSL 240, 0.02%, 0.69%

LAB 71.18, 0.57, -1.54

 

CMYK 1 / 0 / 12 / 27

HEX #BABBA4

RGB 186 187 164

HSL 62.61, 0.14%, 0.69%

LAB 75.24, -4.38, 11.54

 

CMYK 37 / 18 / 0 / 16

HEX #88B1D7

RGB 136 177 215

HSL 208.86, 0.5%, 0.69%

LAB 70.58, -4.41, -23.58

 

CMYK 37 / 27 / 0 / 16

HEX #889CD7

RGB 136 156 215

HSL 224.81, 0.5%, 0.69%

LAB 64.9, 7.31, -32.33

 

CMYK 36 / 37 / 0 / 16

HEX #8988D7

RGB 137 136 215

HSL 240.76, 0.5%, 0.69%

LAB 59.74, 19.14, -40.38

 

CMYK 27 / 37 / 0 / 16

HEX #9E88D7

RGB 158 136 215

HSL 256.71, 0.5%, 0.69%

LAB 61.47, 25.05, -37.55

 

CMYK 17 / 37 / 0 / 16

HEX #B388D7

RGB 179 136 215

HSL 272.66, 0.5%, 0.69%

LAB 63.42, 31.29, -34.35

 

CMYK 60 / 62 / 0 / 24

HEX #4D4AC2

RGB 77 74 194

HSL 241.5, 0.5%, 0.53%

LAB 38.5, 36.77, -62.6

 

CMYK 47 / 49 / 0 / 20

HEX #6C69CD

RGB 108 105 205

HSL 241.8, 0.5%, 0.61%

LAB 49.13, 27.45, -51.68

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 25 / 26 / 0 / 12

HEX #A8A7E1

RGB 168 167 225

HSL 241.03, 0.49%, 0.77%

LAB 70.45, 12.84, -29.07

 

CMYK 16 / 16 / 0 / 7

HEX #C7C6EC

RGB 199 198 236

HSL 241.58, 0.5%, 0.85%

LAB 81.06, 7.87, -18.64

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 0 / 37 / 8 / 16

HEX #D788C6

RGB 215 136 198

HSL 312.91, 0.5%, 0.69%

LAB 66.62, 39.32, -19.6

 

CMYK 23 / 0 / 37 / 16

HEX #A6D788

RGB 166 215 136

HSL 97.22, 0.5%, 0.69%

LAB 81.01, -29.97, 33.95

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 0 / 36 / 37 / 16

HEX #D78988

RGB 215 137 136

HSL 0.76, 0.5%, 0.69%

LAB 65.05, 29.69, 13.03

 

CMYK 37 / 0 / 36 / 16

HEX #88D789

RGB 136 215 137

HSL 120.76, 0.5%, 0.69%

LAB 79.41, -39.8, 31.04

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 0 / 37 / 8 / 16

HEX #D788C6

RGB 215 136 198

HSL 312.91, 0.5%, 0.69%

LAB 66.62, 39.32, -19.6

 

CMYK 0 / 0 / 37 / 16

HEX #D6D788

RGB 214 215 136

HSL 60.76, 0.5%, 0.69%

LAB 84.32, -12.04, 38.89

 

CMYK 37 / 0 / 29 / 16

HEX #88D799

RGB 136 215 153

HSL 132.91, 0.5%, 0.69%

LAB 79.69, -37.13, 23.13

 

CMYK 36 / 37 / 0 / 16

HEX #8A88D7

RGB 138 136 215

HSL 241.52, 0.5%, 0.69%

LAB 59.81, 19.41, -40.25

 

CMYK 0 / 37 / 19 / 16

HEX #D788AE

RGB 215 136 174

HSL 331.14, 0.5%, 0.69%

LAB 65.84, 35.42, -7.3

 

CMYK 0 / 0 / 37 / 16

HEX #D6D788

RGB 214 215 136

HSL 60.76, 0.5%, 0.69%

LAB 84.32, -12.04, 38.89

 

CMYK 37 / 0 / 18 / 16

HEX #88D7B1

RGB 136 215 177

HSL 151.14, 0.5%, 0.69%

LAB 80.18, -32.58, 11.16

 

Description

Color code: RGB 138 136 215 | qconv.com Color code: RGB 138 136 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 136 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 136 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 37 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 37% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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