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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B6786 it is the complementary color #949879. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B6786. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6B6786: #706781, #817994, #928BA7, #A39DBA and #B4AFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B6786. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6B6786: #6B6786, #5A5573, #494360, #38314D and #271F3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

Complementary color

CMYK 3 / 0 / 20 / 40

HEX #949879

RGB 148 152 121

HSL 67.74, 0.13%, 0.54%

LAB 61.77, -6.96, 15.86

 

CMYK 13 / 20 / 0 / 49

HEX #706781

RGB 112 103 129

HSL 260.77, 0.11%, 0.45%

LAB 45.26, 9.08, -13.13

 

CMYK 13 / 18 / 0 / 42

HEX #817994

RGB 129 121 148

HSL 257.78, 0.11%, 0.53%

LAB 52.38, 8.68, -13.47

 

CMYK 13 / 17 / 0 / 35

HEX #928BA7

RGB 146 139 167

HSL 255, 0.14%, 0.6%

LAB 59.31, 8.32, -13.82

 

CMYK 12 / 16 / 0 / 27

HEX #A39DBA

RGB 163 157 186

HSL 252.41, 0.17%, 0.67%

LAB 66.09, 7.99, -14.18

 

CMYK 12 / 15 / 0 / 20

HEX #B4AFCD

RGB 180 175 205

HSL 250, 0.23%, 0.75%

LAB 72.74, 7.69, -14.55

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 22 / 26 / 0 / 55

HEX #5A5573

RGB 90 85 115

HSL 250, 0.15%, 0.39%

LAB 37.68, 9, -16.35

 

CMYK 24 / 30 / 0 / 62

HEX #494360

RGB 73 67 96

HSL 252.41, 0.18%, 0.32%

LAB 30.1, 9.55, -16.19

 

CMYK 27 / 36 / 0 / 70

HEX #38314D

RGB 56 49 77

HSL 255, 0.22%, 0.25%

LAB 22.21, 10.22, -16.1

 

CMYK 33 / 47 / 0 / 77

HEX #271F3A

RGB 39 31 58

HSL 257.78, 0.3%, 0.17%

LAB 13.92, 11.1, -16.11

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 17 / 23 / 0 / 48

HEX #6E6684

RGB 110 102 132

HSL 256, 0.13%, 0.46%

LAB 44.92, 9.69, -15.47

 

CMYK 13 / 23 / 0 / 48

HEX #736684

RGB 115 102 132

HSL 266, 0.13%, 0.46%

LAB 45.38, 11.44, -14.73

 

CMYK 9 / 23 / 0 / 48

HEX #786684

RGB 120 102 132

HSL 276, 0.13%, 0.46%

LAB 45.85, 13.22, -13.96

 

CMYK 5 / 23 / 0 / 48

HEX #7D6684

RGB 125 102 132

HSL 286, 0.13%, 0.46%

LAB 46.35, 15.01, -13.16

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 20 / 23 / 0 / 27

HEX #948EB9

RGB 148 142 185

HSL 248.37, 0.23%, 0.64%

LAB 60.91, 11.34, -21.61

 

CMYK 20 / 23 / 0 / 7

HEX #BCB5EC

RGB 188 181 236

HSL 247.64, 0.59%, 0.82%

LAB 75.94, 13.69, -26.5

 

CMYK 19 / 22 / 0 / 87

HEX #1A1920

RGB 26 25 32

HSL 248.57, 0.12%, 0.11%

LAB 9.15, 2.4, -4.68

 

CMYK 20 / 23 / 0 / 67

HEX #424053

RGB 66 64 83

HSL 246.32, 0.13%, 0.29%

LAB 27.98, 5.47, -11.1

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 0 / 23 / 8 / 48

HEX #84667A

RGB 132 102 122

HSL 320, 0.13%, 0.46%

LAB 46.73, 15.57, -6.53

 

CMYK 17 / 0 / 23 / 48

HEX #6E8466

RGB 110 132 102

HSL 104, 0.13%, 0.46%

LAB 52.7, -13.99, 13.62

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 0 / 20 / 23 / 48

HEX #846966

RGB 132 105 102

HSL 6, 0.13%, 0.46%

LAB 46.93, 10.26, 5.77

 

CMYK 23 / 0 / 20 / 48

HEX #668469

RGB 102 132 105

HSL 126, 0.13%, 0.46%

LAB 52.23, -16.4, 11.15

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 0 / 23 / 8 / 48

HEX #84667A

RGB 132 102 122

HSL 320, 0.13%, 0.46%

LAB 46.73, 15.57, -6.53

 

CMYK 3 / 0 / 23 / 48

HEX #808466

RGB 128 132 102

HSL 68, 0.13%, 0.46%

LAB 54.08, -6.92, 15.74

 

CMYK 23 / 0 / 16 / 48

HEX #66846F

RGB 102 132 111

HSL 138, 0.13%, 0.46%

LAB 52.37, -15.21, 7.88

 

CMYK 20 / 23 / 0 / 47

HEX #6B6786

RGB 107 103 134

HSL 247.74, 0.13%, 0.46%

LAB 45.01, 8.53, -16.56

 

CMYK 0 / 23 / 14 / 48

HEX #846671

RGB 132 102 113

HSL 338, 0.13%, 0.46%

LAB 46.45, 13.91, -1.54

 

CMYK 3 / 0 / 23 / 48

HEX #808466

RGB 128 132 102

HSL 68, 0.13%, 0.46%

LAB 54.08, -6.92, 15.74

 

CMYK 23 / 0 / 9 / 48

HEX #668478

RGB 102 132 120

HSL 156, 0.13%, 0.46%

LAB 52.6, -13.32, 2.98

 

Description

Color code: HEX #6B6786 | qconv.com Color code: HEX #6B6786 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 103 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 103 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 23 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 23% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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