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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AEEAB it is the complementary color #951154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AEEAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6AEEAB: #6FEEA6, #80FFB9, #91FFCC, #A2FFDF and #B3FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AEEAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6AEEAB: #6AEEAB, #59DC98, #48CA85, #37B872 and #26A65F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

Complementary color

CMYK 0 / 89 / 44 / 42

HEX #951154

RGB 149 17 84

HSL 329.55, 0.8%, 0.33%

LAB 32.77, 55.07, -3.28

 

CMYK 53 / 0 / 30 / 7

HEX #6FEEA6

RGB 111 238 166

HSL 145.98, 0.79%, 0.68%

LAB 85.65, -51.3, 24.38

 

CMYK 50 / 0 / 27 / 0

HEX #80FFB9

RGB 128 255 185

HSL 146.93, 1%, 0.75%

LAB 91.51, -50.78, 22.82

 

CMYK 43 / 0 / 20 / 0

HEX #91FFCC

RGB 145 255 204

HSL 152.18, 1%, 0.78%

LAB 92.53, -42.89, 14.62

 

CMYK 36 / 0 / 13 / 0

HEX #A2FFDF

RGB 162 255 223

HSL 159.35, 1%, 0.82%

LAB 93.68, -34.56, 6.58

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF2

RGB 179 255 242

HSL 169.74, 1%, 0.85%

LAB 94.96, -25.92, -1.26

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 60 / 0 / 31 / 14

HEX #59DC98

RGB 89 220 152

HSL 148.85, 0.65%, 0.61%

LAB 79.37, -51.41, 22.93

 

CMYK 64 / 0 / 34 / 21

HEX #48CA85

RGB 72 202 133

HSL 148.15, 0.55%, 0.54%

LAB 73.1, -51.24, 24.26

 

CMYK 70 / 0 / 38 / 28

HEX #37B872

RGB 55 184 114

HSL 147.44, 0.54%, 0.47%

LAB 66.75, -50.86, 25.71

 

CMYK 77 / 0 / 43 / 35

HEX #26A65F

RGB 38 166 95

HSL 146.72, 0.63%, 0.4%

LAB 60.35, -50.15, 27.29

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 57 / 0 / 20 / 7

HEX #67EEBF

RGB 103 238 191

HSL 159.11, 0.8%, 0.67%

LAB 85.9, -47.9, 11.75

 

CMYK 57 / 0 / 11 / 7

HEX #67EED5

RGB 103 238 213

HSL 168.89, 0.8%, 0.67%

LAB 86.42, -42.81, 0.99

 

CMYK 57 / 0 / 1 / 7

HEX #67EEEB

RGB 103 238 235

HSL 178.67, 0.8%, 0.67%

LAB 87.01, -37.28, -9.68

 

CMYK 57 / 9 / 0 / 7

HEX #67D9EE

RGB 103 217 238

HSL 189.33, 0.8%, 0.67%

LAB 81.12, -26.5, -20.12

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 56 / 0 / 29 / 87

HEX #0F2218

RGB 15 34 24

HSL 148.42, 0.39%, 0.1%

LAB 11.36, -10.82, 4.35

 

CMYK 55 / 0 / 28 / 67

HEX #26553D

RGB 38 85 61

HSL 149.36, 0.38%, 0.24%

LAB 32.36, -22.49, 9.2

 

CMYK 55 / 0 / 28 / 47

HEX #3D8862

RGB 61 136 98

HSL 149.6, 0.38%, 0.39%

LAB 51.25, -32.68, 13.5

 

CMYK 56 / 0 / 28 / 27

HEX #53BB86

RGB 83 187 134

HSL 149.42, 0.43%, 0.53%

LAB 68.82, -42.55, 17.94

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 57 / 39 / 0 / 7

HEX #6792EE

RGB 103 146 238

HSL 220.89, 0.8%, 0.67%

LAB 61.32, 12.02, -50.81

 

CMYK 0 / 52 / 57 / 7

HEX #EE7267

RGB 238 114 103

HSL 4.89, 0.8%, 0.67%

LAB 62.67, 46.89, 28.9

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 29 / 57 / 0 / 7

HEX #A867EE

RGB 168 103 238

HSL 268.89, 0.8%, 0.67%

LAB 56.29, 51.63, -58.54

 

CMYK 0 / 29 / 57 / 7

HEX #EEA867

RGB 238 168 103

HSL 28.89, 0.8%, 0.67%

LAB 74.29, 18.98, 43.51

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 57 / 39 / 0 / 7

HEX #6792EE

RGB 103 146 238

HSL 220.89, 0.8%, 0.67%

LAB 61.32, 12.02, -50.81

 

CMYK 0 / 57 / 27 / 7

HEX #EE67AD

RGB 238 103 173

HSL 328.89, 0.8%, 0.67%

LAB 62.42, 59.2, -11.52

 

CMYK 0 / 18 / 57 / 7

HEX #EEC367

RGB 238 195 103

HSL 40.89, 0.8%, 0.67%

LAB 80.84, 4.77, 51.33

 

CMYK 55 / 0 / 28 / 7

HEX #6AEEAB

RGB 106 238 171

HSL 149.55, 0.8%, 0.67%

LAB 85.58, -51.45, 21.69

 

CMYK 57 / 56 / 0 / 7

HEX #6769EE

RGB 103 105 238

HSL 239.11, 0.8%, 0.67%

LAB 50.87, 36.65, -67.56

 

CMYK 0 / 57 / 27 / 7

HEX #EE67AD

RGB 238 103 173

HSL 328.89, 0.8%, 0.67%

LAB 62.42, 59.2, -11.52

 

CMYK 0 / 1 / 57 / 7

HEX #EEEB67

RGB 238 235 103

HSL 58.67, 0.8%, 0.67%

LAB 91.04, -15.47, 63

 

Description

Color code: HEX #6AEEAB | qconv.com Color code: HEX #6AEEAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 238 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 238 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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